Dishonored Lady (1947)

86 mins | Mystery | 16 May 1947

Director:

Robert Stevenson

Writer:

Edmund H. North

Producer:

Jack Chertok

Cinematographer:

Lucien Andriot

Editor:

John M. Foley

Production Company:

Mars Film Corp.
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HISTORY

Edward Sheldon and Margaret Ayer Barnes's play was inspired by an actual 1857 murder case involving a twenty-one-year-old Glasgow woman named Madeleine Smith, who was accused of poisoning her lover, Pierre Emile L'Angelier, and was acquitted. The 1932 M-G-M film Letty Lynton was originally planned as an adaptation of the Sheldon-Barnes play, but because of complications with the Hays Office, the acknowleged source of the film was Marie Belloc Lowndes's 1931 novel Letty Lynton , which was also inspired by the Smith trial. Hunt Stromberg also produced the 1932 film. (For more information, see entry for Letty Lynton in AFI Catalog of Feature Films, 1931-40 ; F3.2472.) Also based on the Smith trial was the 1949 British film Madeleine , directed by David Lean and starring Ann Todd and Leslie Banks.
       Plans for an independent production of Dishonored Lady were first announced in mid-1942. According to an early Jul 1942 news item in HR , Greta Garbo and Bette Davis both expressed interest in playing the lead. Hunt Stromberg announced in Mar 1944 that production on the picture would begin in mid-May 1944. At that time, Andre De Toth was set to direct and was reportedly working on a draft of the screenplay. Pedro Armendáriz and Betty Caldwell were announced as cast members in Jul 1944, but did not appear in the completed film. A 14 Mar 1944 HR news item reported that Hedy Lamarr had purchased a story by Paul Schiller titled "Madeleine." It is not known if any part of Schiller's story was used in Dishonored ... More Less

Edward Sheldon and Margaret Ayer Barnes's play was inspired by an actual 1857 murder case involving a twenty-one-year-old Glasgow woman named Madeleine Smith, who was accused of poisoning her lover, Pierre Emile L'Angelier, and was acquitted. The 1932 M-G-M film Letty Lynton was originally planned as an adaptation of the Sheldon-Barnes play, but because of complications with the Hays Office, the acknowleged source of the film was Marie Belloc Lowndes's 1931 novel Letty Lynton , which was also inspired by the Smith trial. Hunt Stromberg also produced the 1932 film. (For more information, see entry for Letty Lynton in AFI Catalog of Feature Films, 1931-40 ; F3.2472.) Also based on the Smith trial was the 1949 British film Madeleine , directed by David Lean and starring Ann Todd and Leslie Banks.
       Plans for an independent production of Dishonored Lady were first announced in mid-1942. According to an early Jul 1942 news item in HR , Greta Garbo and Bette Davis both expressed interest in playing the lead. Hunt Stromberg announced in Mar 1944 that production on the picture would begin in mid-May 1944. At that time, Andre De Toth was set to direct and was reportedly working on a draft of the screenplay. Pedro Armendáriz and Betty Caldwell were announced as cast members in Jul 1944, but did not appear in the completed film. A 14 Mar 1944 HR news item reported that Hedy Lamarr had purchased a story by Paul Schiller titled "Madeleine." It is not known if any part of Schiller's story was used in Dishonored Lady .
       Although Stromberg intended to start the picture no later than Jan 1945, problems with the Hays Office delayed production until May 1946. According to a memo from PCA director Joseph I. Breen to Stromberg, as found in the MPAA/PCA Collection at the AMPAS Library, screenwriter Ben Hecht submitted an early draft of the script that the Hays Office found unacceptable because it was "a critical discussion of a nymphomaniac." According to a 28 Jul 1944 memo from Breen to Stromberg, the protagonist in the original script to Dishonored Lady was, in Breen's words, "a girl of gross, loose sexual conduct," who had love affairs in New York, as well as in Mexico City, with a dancer, and later fell in love with a soldier. The story was altered to answer Breen's request that some voice in the story condemn the protagonist's immoral life. In early Jun 1945, Stromberg submitted to Breen a revised treatment that removed the act of premeditated murder and made Madeleine not triumphant at the end of the film. As the treatment reads: "Madeleine" breaks off her relationship with "Moreno" [the Mexican dancer, who was droppped from the script and evolved into the character of "Courtland"], but he overpowers her, and there is a night of sordid passion between them. She later wakes up degraded, and after Courtland belittles her love for David, she shoots him--or thinks she does--and goes home in a daze. She later confesses all to the judge with no regard for self-preservation, but her father investigates and finds her innocent. She plans to marry David, "but when the moment comes for her to abide by this resolve, she cannot go through with it."
       The Hays Office responded to the new treatment by insisting that two affairs--one in Mexico and one in New York--might be "overloading" the picture, and also objected to the "night of sordid passion." A memo dated 25 Apr 1946 from Breen to Hunt stated that, despite revisions, the script was unacceptable because of its gratuitous sex and its references to Madeleine's unsavory family secrets. In the released version of the story, references to Madeleine's parents were omitted completely. The character of Moreno and the affair in Mexico City were completely excised, and the "night of sordid passion" was not shown. All suggestions that Madeleine was a murderer, or had even contemplated murder, were also removed from the film. In a final studio synopsis in the Code file, Madeleine goes away on a trip hoping the time will come when David and she can be together; the reunion at the film's closing was added later. According to SAB , Hecht waived all credits. More Less

BIBLIOGRAPHIC SOURCES
SOURCE
DATE
PAGE
Box Office
26 Apr 1947.
---
Daily Variety
21 Apr 47
p. 3.
Film Daily
25 Apr 47
p. 11.
Hollywood Reporter
8 Jul 42
p. 1.
Hollywood Reporter
25 Feb 44
p. 1.
Hollywood Reporter
7 Mar 44
p. 2.
Hollywood Reporter
14 Mar 44
p. 11.
Hollywood Reporter
31 Jul 44
p. 2.
Hollywood Reporter
24 Oct 44
p. 4.
Hollywood Reporter
27 Oct 44
p. 2.
Hollywood Reporter
3 May 46
p. 13.
Hollywood Reporter
26 Jul 46
p. 15.
Hollywood Reporter
21 Apr 47
p. 3.
Independent Film Journal
11 May 46
p. 41.
Motion Picture Herald Product Digest
26 Apr 1947.
---
New York Times
24 May 47
p. 10.
Variety
23 Apr 47
p. 8.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A Hunt Stromberg Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Dial dir
Asst dir
PRODUCERS
WRITERS
Contr wrt
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Prod des and art dir
FILM EDITORS
Supv film ed
Film ed
SET DECORATOR
COSTUMES
MUSIC
MAKEUP
Hairstylist
PRODUCTION MISC
SOURCES
LITERARY
Based on the play Dishonored Lady by Edward Sheldon and Margaret Ayer Barnes, as produced by Guthrie McClintic (New York, 4 Feb 1930).
DETAILS
Release Date:
16 May 1947
Production Date:
early May--late July 1946 at California Studios
Copyright Claimant:
Mars Film Corp.
Copyright Date:
16 March 1947
Copyright Number:
LP1003
Physical Properties:
Sound
Western Electric Recording
Black and White
Duration(in mins):
86
Country:
United States
PCA No:
11928
SYNOPSIS

Beautiful Madeleine Damien, the art editor for Boulevard , a New York City magazine, has had a series of loveless affairs and suffers from chronic insomnia. Currently, Madeleine is seeing a man named Freddie, while at the same time encouraging the affection of her boss, Victor Kranish. Wealthy advertiser Felix Courtland aggressively pursues Madeleine, and on the night of their first meeting, they make love. Later, Madeleine tries to commit suicide and crashes her car in front of the home of a psychiatrist named Caleb, who advises her to get help. After Jack Garet, her assistant, with whom she was once involved, accuses her of using men and tries to blackmail her, she quits her job and drops out of New York society. Living under an assumed name in an apartment house, Madeleine becomes a painter and a recluse. Courtland, meanwhile, learns from Caleb that Madeleine is "busy growing a new soul." Madeleine soon meets fellow tenant David Cousins, a research pathologist, and he falls in love with her sweet disposition, unaware of her troubled past. The night David proposes to Madeleine, she returns home and finds Courtland waiting for her. He assumes she still wants him and kisses her, leaving her confused. While David is out of town, Madeleine meets Ethel Royce, a former co-worker, at The Stork Club to help her with the magazine, and gets drunk. Garet, who was fired from the magazine and has since become Courtland's personal secretary, sees Madeleine in the restaurant and telephones Courtland, who accuses him of stealing a precious stone from his home safe. Courtland arrives and takes Madeleine to his mansion ... +


Beautiful Madeleine Damien, the art editor for Boulevard , a New York City magazine, has had a series of loveless affairs and suffers from chronic insomnia. Currently, Madeleine is seeing a man named Freddie, while at the same time encouraging the affection of her boss, Victor Kranish. Wealthy advertiser Felix Courtland aggressively pursues Madeleine, and on the night of their first meeting, they make love. Later, Madeleine tries to commit suicide and crashes her car in front of the home of a psychiatrist named Caleb, who advises her to get help. After Jack Garet, her assistant, with whom she was once involved, accuses her of using men and tries to blackmail her, she quits her job and drops out of New York society. Living under an assumed name in an apartment house, Madeleine becomes a painter and a recluse. Courtland, meanwhile, learns from Caleb that Madeleine is "busy growing a new soul." Madeleine soon meets fellow tenant David Cousins, a research pathologist, and he falls in love with her sweet disposition, unaware of her troubled past. The night David proposes to Madeleine, she returns home and finds Courtland waiting for her. He assumes she still wants him and kisses her, leaving her confused. While David is out of town, Madeleine meets Ethel Royce, a former co-worker, at The Stork Club to help her with the magazine, and gets drunk. Garet, who was fired from the magazine and has since become Courtland's personal secretary, sees Madeleine in the restaurant and telephones Courtland, who accuses him of stealing a precious stone from his home safe. Courtland arrives and takes Madeleine to his mansion to convince her to return to him. They are about to kiss when Courtland leaves her to answer the door. Unaware that Garet has arrived, Madeleine sneaks out and walks home. He and Courtland fight, and Garet kills his boss with a blow from a table cigarette lighter. Madeleine is arrested, and after David denounces her, she refuses to defend herself in court. On Caleb's advice, David testifies that he still loves Madeleine, prompting her to testify that an intruder entered Courtland's house on the night of the murder. While searching Courtland's house for his wall safe, David realizes that the intruder was Garet and confronts him. When Garet pulls a gun on him, David disarms him. Madeleine is acquitted and leaves for a retreat, but is stopped by David. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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