The Imperfect Lady (1947)

95 or 97 mins | Romance | 25 April 1947

Director:

Lewis Allen

Writer:

Karl Tunberg

Producer:

Karl Tunberg

Cinematographer:

John F. Seitz

Production Designers:

Hans Dreier, Franz Bachelin

Production Company:

Paramount Pictures, Inc.
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HISTORY

This film's working titles were Take This Woman, I Take This Woman and Lady 17. According to HR, Paramount paid $50,000 for the screen rights to Ladislas Fodor's story. Paulette Goddard was originally considered for the starring role in the picture. A pre-production news item in HR states that Arturo de Cordova was cast in a lead role in this film; however, he did not appear in the final picture. The Imperfect Lady was the last released film of long-time character actor Miles Mander, who died in Feb 1946. Mander also appeared in the 1946 Columbia film The Walls Came Tumbling Down (see below), which was shot at approximately the same time as The Imperfect Lady, but was released earlier. Interiors for the film included a replica of London's Old Bailey courtroom as it appeared in 1892. Paramount News reported that technical consultant Hilda Grenier was formerly the Royal Dresser to Queen Mary, wife of George V of Great Britain. ...

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This film's working titles were Take This Woman, I Take This Woman and Lady 17. According to HR, Paramount paid $50,000 for the screen rights to Ladislas Fodor's story. Paulette Goddard was originally considered for the starring role in the picture. A pre-production news item in HR states that Arturo de Cordova was cast in a lead role in this film; however, he did not appear in the final picture. The Imperfect Lady was the last released film of long-time character actor Miles Mander, who died in Feb 1946. Mander also appeared in the 1946 Columbia film The Walls Came Tumbling Down (see below), which was shot at approximately the same time as The Imperfect Lady, but was released earlier. Interiors for the film included a replica of London's Old Bailey courtroom as it appeared in 1892. Paramount News reported that technical consultant Hilda Grenier was formerly the Royal Dresser to Queen Mary, wife of George V of Great Britain.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
15 Mar 1947
---
Daily Variety
10-Mar-47
---
Film Daily
12 Mar 1947
p. 19
Hollywood Reporter
16 Feb 1945
p. 1, 13
Hollywood Reporter
18 Jul 1945
p. 6
Hollywood Reporter
14 Sep 1945
p. 14
Hollywood Reporter
19 Oct 1945
p. 14
Hollywood Reporter
9 Nov 1945
p. 14
Hollywood Reporter
5 Feb 1946
p. 8
Hollywood Reporter
10 Mar 1947
p. 3
Motion Picture Herald Product Digest
15 Mar 1947
---
New York Times
22 May 1947
p. 34
Variety
12 Mar 1947
p. 12
CAST
NAME
CREDITED AS
CREDIT
Frederic Worlock
Bob Stephenson
Gwendolyn Logan
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
William Forsythe
Asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
2d cam
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
SET DECORATORS
Set dec
COSTUMES
Men's cost
MUSIC
Mus score
SOUND
Sd rec
Philip G. Wisdom
Mus mixer
VISUAL EFFECTS
process photog
Process photog asst
Opt eff
Opt eff asst
DANCE
Dances staged by
Dances staged by
MAKEUP
Makeup supv
PRODUCTION MISC
Tech consultant
Research dir
Research asst
SOURCES
LITERARY
Based on the short story "Lady Seventeen" by Ladislas Fodor (publication undetermined).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Titles:
I Take This Woman
Lady 17
Release Date:
25 April 1947
Production Date:
early Sep--early Nov 1945; added scenes early Feb 1946
Copyright Info
Claimant
Date
Copyright Number
Paramount Pictures, Inc.
6 March 1947
LP984
Physical Properties:
Sound
Western Electric Recording
Black and White
Duration(in mins):
95 or 97
Length(in feet):
8,960
Country:
United States
PCA No:
10852
Passed by NBR:
Yes
SYNOPSIS

In Middleford, England, in 1892, underpaid variety show dancers Millicent Hopkins and her friend, Rose Bridges, go in search of a meal at the tailor shop of Rose's father. Mr. Hopkins disowned Millie when she became an actress, and now throws her and Rose out. While riding in a cab, Rose and Millie pass a political rally for liberal candidate Clive Loring, who seeks refuge in the cab when he is heckled. When Clive invites Millie and Rose to tea, they pretend to be ladies, and Clive is impressed with Millie's views on women's rights. The next day she attends his rally and misses her acting troupe's train. After she vows to give up acting, Millie's father reconciles with her. She spends the next day with Clive, and they fall in love. Clive's class-conscious older brother, Lord Belmont, convinces Millie that, for the sake of Clive's career, he must marry within his class, and she returns to the stage. One night, Millie tries to avoid seeing admirer Lord Montglyn after the show, and leaves with Rose while they are still in their stage makeup. When the women are mistaken for prostitutes by a constable, Millie accepts a stranger's offer to take refuge in his nearby apartment--number 17--which is Millie's lucky number. The man, Jose Martinez, turns out to be an accomplished pianist from Spain with a penchant for lavender perfume, who has become impoverished in England. Although Millie declines his advances, Jose maintains a good humor and plays one of Chopin's nocturnes for her. After hours of innocent conversation, Millie returns home. The next day, Jose is arrested ...

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In Middleford, England, in 1892, underpaid variety show dancers Millicent Hopkins and her friend, Rose Bridges, go in search of a meal at the tailor shop of Rose's father. Mr. Hopkins disowned Millie when she became an actress, and now throws her and Rose out. While riding in a cab, Rose and Millie pass a political rally for liberal candidate Clive Loring, who seeks refuge in the cab when he is heckled. When Clive invites Millie and Rose to tea, they pretend to be ladies, and Clive is impressed with Millie's views on women's rights. The next day she attends his rally and misses her acting troupe's train. After she vows to give up acting, Millie's father reconciles with her. She spends the next day with Clive, and they fall in love. Clive's class-conscious older brother, Lord Belmont, convinces Millie that, for the sake of Clive's career, he must marry within his class, and she returns to the stage. One night, Millie tries to avoid seeing admirer Lord Montglyn after the show, and leaves with Rose while they are still in their stage makeup. When the women are mistaken for prostitutes by a constable, Millie accepts a stranger's offer to take refuge in his nearby apartment--number 17--which is Millie's lucky number. The man, Jose Martinez, turns out to be an accomplished pianist from Spain with a penchant for lavender perfume, who has become impoverished in England. Although Millie declines his advances, Jose maintains a good humor and plays one of Chopin's nocturnes for her. After hours of innocent conversation, Millie returns home. The next day, Jose is arrested for the murder of a moneylender named Edward Simpson, whom Jose had visited before he met Millie, and Millie is his only alibi. Clive, who has won a seat in Parliament, eventually locates Millie, and they marry. During a reception given by Lord Belmont, Rose warns Millie that the police are looking for her so that she can testify at Jose's murder trial. That night, Clive sees that Millie is disturbed by lavender-scented linens and questions her about it, but she denies its importance. The next morning, when a Scotland Yard detective named Carston visits, Millie denies knowing Jose. Lord Belmont, suspicious of Millie, attends the opening day of the trial and learns that the missing witness was superstitious about the number seventeen and liked Chopin's "Nocturne." At home that night, Lord Belmont tricks Millie into admitting those two facts, and she flees to Rose's apartment. Clive now believes Millie is guilty of improper behavior, and tells Rose that although his and Millie's marriage is over, Millie has a moral obligation to come forward to save Jose's life. Jose is found guilty, and on the day of his sentencing, Millie enters the courtroom. With Clive in the audience, Millie testifies that she spent an innocent night with Jose to escape the police. The confession makes headlines across London, and stuffy members of Parliament call for Clive's resignation. Clive defends Millie's character to them, and later finds Millie at her father's shop and asks her to return to him.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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