Nora Prentiss (1947)

110 mins | Drama | 22 February 1947

Director:

Vincent Sherman

Writer:

N. Richard Nash

Producer:

William Jacobs

Cinematographer:

James Wong Howe

Editor:

Owen Marks

Production Designer:

Anton Grot

Production Company:

Warner Bros. Pictures, Inc.
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HISTORY

This film's working title was The Sentence. According to a 27 Feb 1946 press release, cast members Herb Caen, Bill McWilliams, Mike Musura, Jerry Bauluch, Fred Johnson, Jack Daley, Bill Best, Seymore Snaer and James Nickle were real-life reporters. Caen became a noted San Francisco columnist, whose column was published for more than fifty years. According to the Var review, the story was based on "an actual insurance case history." ...

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This film's working title was The Sentence. According to a 27 Feb 1946 press release, cast members Herb Caen, Bill McWilliams, Mike Musura, Jerry Bauluch, Fred Johnson, Jack Daley, Bill Best, Seymore Snaer and James Nickle were real-life reporters. Caen became a noted San Francisco columnist, whose column was published for more than fifty years. According to the Var review, the story was based on "an actual insurance case history."

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
8 Feb 1947
---
Daily Variety
4 Feb 1947
---
Film Daily
7 Feb 1947
p. 6
Hollywood Reporter
14 Jan 1946
P. 11
Hollywood Reporter
4 Feb 1947
p. 3
Motion Picture Herald Product Digest
8 Feb 1947
p. 3457
New York Times
22 Feb 1947
p. 16
Variety
5 Feb 1947
p. 12
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
BRAND NAME
A Warner Bros.--First National Picture
A Warner Bros.--First National Picture
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
Exec prod
WRITERS
From a story by
From a story by
Contr to scr
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
SET DECORATOR
Walter Tilford
Set dec
COSTUMES
Ward
MUSIC
Orch arr
SOUND
Charles Lang
Sd
VISUAL EFFECTS
Spec eff dir
Edwin Du Par
Spec eff
MAKEUP
Makeup artist
SOURCES
SONGS
"Would You Like a Souvenir?" lyrics by Jack Scholl and Eddie Cherkose, music by M. K. Jerome; "Who Cares What People Say," lyrics by Jack Scholl, music by M. K. Jerome.
DETAILS
Alternate Title:
The Sentence
Release Date:
22 February 1947
Premiere Information:
New York opening: 21 Feb 1947
Production Date:
14 Jan--22 Apr 1946
Copyright Info
Claimant
Date
Copyright Number
Warner Bros. Pictures, Inc.
22 February 1947
LP845
Physical Properties:
Sound
RCA Sound System
Black and White
Duration(in mins):
110
Country:
United States
SYNOPSIS

A man, who is thought to have murdered the well-respected Dr. Richard Talbot, is returned to San Francisco under guard. Despite intense questioning by the police, however, the man will not reveal why he committed the crime. Later, the man reflects on the incidents that led to this moment: Stuffy, middle-aged Talbot is married to Lucy, a doctor's daughter, who believes in self-discipline and scheduling. Carried away by a beautiful spring day, Talbot suggests that they go to the mountains over the weekend, but Lucy reminds him that she is taking their children, Bonita and Gregory, to her mother's. At the office, in the absence of his partner, Dr. Joel Merriman, Talbot examines Merriman's patient, Walter Bailey. When Merriman finally arrives at the office, Talbot sternly warns him that he must be available for his patients in case of emergencies, but Merriman responds that leading a life like Talbot's would be too dull for him. Much later, as Talbot prepares to leave for the evening, a woman is hit by a car. When Talbot examines her, she tells him that she is a nightclub singer named Nora Prentiss. She flirts a little with him, and concerned about possible injuries, he walks her home. When Talbot again asks Lucy to remain home with him, she accuses him of being childish. That weekend, Talbot goes to the club at which Nora sings. Nora is surprised to see him and makes it clear that she is not interested in having an affair, but he explains that he only wants to be friends. The next day, however, Talbot invites Nora for a drive to ...

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A man, who is thought to have murdered the well-respected Dr. Richard Talbot, is returned to San Francisco under guard. Despite intense questioning by the police, however, the man will not reveal why he committed the crime. Later, the man reflects on the incidents that led to this moment: Stuffy, middle-aged Talbot is married to Lucy, a doctor's daughter, who believes in self-discipline and scheduling. Carried away by a beautiful spring day, Talbot suggests that they go to the mountains over the weekend, but Lucy reminds him that she is taking their children, Bonita and Gregory, to her mother's. At the office, in the absence of his partner, Dr. Joel Merriman, Talbot examines Merriman's patient, Walter Bailey. When Merriman finally arrives at the office, Talbot sternly warns him that he must be available for his patients in case of emergencies, but Merriman responds that leading a life like Talbot's would be too dull for him. Much later, as Talbot prepares to leave for the evening, a woman is hit by a car. When Talbot examines her, she tells him that she is a nightclub singer named Nora Prentiss. She flirts a little with him, and concerned about possible injuries, he walks her home. When Talbot again asks Lucy to remain home with him, she accuses him of being childish. That weekend, Talbot goes to the club at which Nora sings. Nora is surprised to see him and makes it clear that she is not interested in having an affair, but he explains that he only wants to be friends. The next day, however, Talbot invites Nora for a drive to his mountain cabin, and they begin an affair, despite her misgivings. Soon, his family starts to worry about his unpredictable behavior. He almost misses Bonita's sixteenth birthday party and neglects his patients. Realizing the harm their affair is causing to Talbot's life, Nora suggests that they end it. Talbot insists that he will get a divorce and go away with her, but is unable to tell his wife. After Talbot bungles an operation, Nora announces that she is leaving him for his own good. In desperation, Talbot starts to write to Lucy, but while he struggles with the letter, Bailey arrives in need of medical attention. Before Talbot can give him an injection, Bailey collapses and dies from a heart attack. Talbot then decides to make it look as if he, rather than Bailey had died. He places Bailey's body in his car and pushes it off a cliff. He then meets Nora and leaves town with her. Later, Lucy asks Merriman why Talbot was withdrawing large sums of money from the bank. Merriman searches Talbot's office and finds part of the letter he was writing to Lucy. Mistakenly believing that Talbot was being blackmailed, Merriman tells the police that he suspects Talbot was murdered. In New York City, Talbot learns that his "death" is being investigated. Nora, who does not know what Talbot did, cannot understand why he refuses to be seen in public. Angry because they still have to sneak around, she provokes a quarrel and Talbot agrees to take her to a nightclub run by Phil Dinardo, her former boss. There, however, Talbot sees someone that he knows and hustles Nora out of the club. After Nora forces Talbot to tell her the truth, she promises not to leave him and gets a job singing again for Dinardo. Talbot starts to drink and becomes jealous of Dinardo. When Talbot walks in on Dinardo proposing to Nora, he starts a fight. Later, Talbot crashes a stolen car during a police chase and is badly burned. Although he recovers, his face is changed. Ironically, Talbot is now arrested for his own murder. During the trial, Talbot refuses to defend himself, because he does not want to shame his family, and is found guilty. Nora begs him to reveal the truth, but he refuses and makes her promise never to tell anyone. The loyal Dinardo is waiting when Nora leaves the jail.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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