The Romance of Rosy Ridge (1947)

105 mins | Romance | 15 August 1947

Director:

Roy Rowland

Writer:

Lester Cole

Producer:

Jack Cummings

Cinematographer:

Sidney Wagner

Production Designers:

Cedric Gibbons, Eddie Imazu, Richard Duce

Production Company:

Metro-Goldwyn-Mayer Corp.
Full page view
HISTORY

Working titles for this film were The Yankee and The Night Raiders. The MacKinlay Kantor novel on which this film is based was first published as a serialized story in The Saturday Evening Post in three issues from 5 Jun through 19 Jun 1937. In the film, the character of "Ben" is shown in flashback as "Henry" describes their meeting. An Aug 1945 HR news item notes that King Vidor was originally set to direct the picture. According to a Jun 1946 HR news item, first James Stewart and then Gregory Peck were set to star in the film.
       The picture marked the screen debut of Janet Leigh (1927--2004), who was born Jeanette Helen Morrison. Various Aug 1946 HR news items indicate that Leigh's name, at the time M-G-M announced her for a role, was Jeanette Reems. Another HR news item announced that M-G-M had changed Leigh's name to Ann West. According to HR, Leigh was discovered by Norma Shearer, who recommended her to producer Jack Cummings. An Aug 1947 NYT article notes that Shearer discovered a picture of Leigh while thumbing through a family photo album at a northern California ski lodge, where Shearer was vacationing. Shearer reportedly showed the photograph of Leigh, the lodgekeeper's daugher, to M-G-M executives, and they immediately sent for her. Leigh, who had never acted, danced or sang professionally, was signed to the leading role only three weeks after arriving in Hollywood.
       According to HR, most of the film was shot on location in Santa Cruz, CA, with ...

More Less

Working titles for this film were The Yankee and The Night Raiders. The MacKinlay Kantor novel on which this film is based was first published as a serialized story in The Saturday Evening Post in three issues from 5 Jun through 19 Jun 1937. In the film, the character of "Ben" is shown in flashback as "Henry" describes their meeting. An Aug 1945 HR news item notes that King Vidor was originally set to direct the picture. According to a Jun 1946 HR news item, first James Stewart and then Gregory Peck were set to star in the film.
       The picture marked the screen debut of Janet Leigh (1927--2004), who was born Jeanette Helen Morrison. Various Aug 1946 HR news items indicate that Leigh's name, at the time M-G-M announced her for a role, was Jeanette Reems. Another HR news item announced that M-G-M had changed Leigh's name to Ann West. According to HR, Leigh was discovered by Norma Shearer, who recommended her to producer Jack Cummings. An Aug 1947 NYT article notes that Shearer discovered a picture of Leigh while thumbing through a family photo album at a northern California ski lodge, where Shearer was vacationing. Shearer reportedly showed the photograph of Leigh, the lodgekeeper's daugher, to M-G-M executives, and they immediately sent for her. Leigh, who had never acted, danced or sang professionally, was signed to the leading role only three weeks after arriving in Hollywood.
       According to HR, most of the film was shot on location in Santa Cruz, CA, with some scenes filmed in Sonora and Kennedy Meadows, CA. The film marked the final picture of M-G-M cameraman Sidney Wagner, who died of a stroke on 7 Jul 1947. Wagner was working on the film The Bride Goes Wild (see above) at the time of his death.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
5 Jul 1947
---
Daily Variety
2 Jul 1947
---
Hollywood Reporter
14 Jun 1946
p. 1
Hollywood Reporter
17 Aug 1945
p. 2
Hollywood Reporter
14 Aug 1946
p. 13
Hollywood Reporter
16 Aug 1946
p. 3
Hollywood Reporter
20 Aug 1946
p. 13
Hollywood Reporter
21 Aug 1946
p. 15
Hollywood Reporter
6 Sep 1946
p. 14
Hollywood Reporter
13 Sep 1946
p. 16
Hollywood Reporter
4 Oct 1946
p. 18
Hollywood Reporter
26 Nov 1946
p. 6
Hollywood Reporter
13 Dec 1946
p. 18
Hollywood Reporter
5 May 1947
p. 3
Hollywood Reporter
2 Jul 1947
p. 10
Hollywood Reporter
2 Jul 1947
p. 3
Hollywood Reporter
8 Jul 1947
p. 6
Hollywood Reporter
28 Jul 1947
p. 9
Independent Film Journal
12 Oct 1946
p. 40
Motion Picture Herald Product Digest
5 Jul 1947
p. 3713
New York Times
22 Jun 1947
---
New York Times
10 Aug 1947
---
New York Times
12 Sep 1947
p. 18
Variety
2 Jul 1947
---
CAST
NAME
CREDITED AS
CREDIT
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
Art dir
Art dir
FILM EDITOR
SET DECORATORS
Set dec
COSTUMES
Cost supv
Cost des by
MUSIC
Mus score
SOUND
Rec dir
VISUAL EFFECTS
Spec eff
Mont seq
DANCE
Folkdances staged by
MAKEUP
Makeup created by
PRODUCTION MISC
Unit mgr
SOURCES
LITERARY
Based on the novel The Romance of Rosy Ridge by MacKinlay Kantor (New York, 1937).
LITERARY SOURCE AUTHOR
SONGS
"Far from My Darling," "Fiddling for a Frolic" and "Pig in the Parlor," music and lyrics by Earl Robinson and Lewis Allan; "Sweet Betsy from Pike," traditional; "The Picnic," arranged by George Bassman.
DETAILS
Alternate Titles:
The Night Raiders
The Yankee
Release Date:
15 August 1947
Premiere Information:
World premiere in Boston, MA: 31 Jul 1947
Production Date:
late Aug--late Dec 1946
Copyright Info
Claimant
Date
Copyright Number
Loew's Inc.
14 May 1947
LP1019
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
105
Length(in feet):
9,495
Length(in reels):
11
Country:
United States
PCA No:
12230
Passed by NBR:
Yes
SYNOPSIS

In 1865, at the end of the Civil War, many residents of Missouri, a border state, remain divided by their allegiances. In Rosy Ridge, in the Ozark mountain region, neighbors still examine the color of a man's britches to determine on which side he fought. Memories of the brutal war are being kept alive in Rosy Ridge by a recent rash of mysterious barn-burnings in the area. The night raids appear to be indiscriminate, as barns of both Confederate and Union sympathizers are being set ablaze. The most recent victim of the night raids, Gill MacBean, an impoverished war veteran who fought for the South, becomes embittered by the attacks and vows revenge. At the urging of his wife Sairy, however, Gill forsakes vengeance, and instead devotes himself to rebuilding his home. One night, the MacBean family takes in a passing young vagrant, named Henry Carson, whose britches are so faded that Gill is unable to determine his loyalties. The amiable harmonica-playing visitor is given food and shelter by the MacBeans, and it is only after the passing of many days that Gill discovers that Henry is a Northerner. By that time, though, Henry has won the admiration of the MacBeans, especially that of Gill's daughter, Lissy Anne, who has fallen in love with the guest. Believing that the time has come for the residents of Rosy Ridge to bury their differences, Henry proposes a town party in which everyone, regardless of their allegiance, will be invited. The party, organized by storekeeper Cal Baggett, gets off to a bad start when one of the guests refuses to dance to a Northern song. ...

More Less

In 1865, at the end of the Civil War, many residents of Missouri, a border state, remain divided by their allegiances. In Rosy Ridge, in the Ozark mountain region, neighbors still examine the color of a man's britches to determine on which side he fought. Memories of the brutal war are being kept alive in Rosy Ridge by a recent rash of mysterious barn-burnings in the area. The night raids appear to be indiscriminate, as barns of both Confederate and Union sympathizers are being set ablaze. The most recent victim of the night raids, Gill MacBean, an impoverished war veteran who fought for the South, becomes embittered by the attacks and vows revenge. At the urging of his wife Sairy, however, Gill forsakes vengeance, and instead devotes himself to rebuilding his home. One night, the MacBean family takes in a passing young vagrant, named Henry Carson, whose britches are so faded that Gill is unable to determine his loyalties. The amiable harmonica-playing visitor is given food and shelter by the MacBeans, and it is only after the passing of many days that Gill discovers that Henry is a Northerner. By that time, though, Henry has won the admiration of the MacBeans, especially that of Gill's daughter, Lissy Anne, who has fallen in love with the guest. Believing that the time has come for the residents of Rosy Ridge to bury their differences, Henry proposes a town party in which everyone, regardless of their allegiance, will be invited. The party, organized by storekeeper Cal Baggett, gets off to a bad start when one of the guests refuses to dance to a Northern song. The tension mounts when the guests divide into two groups, the Northerners on one side, the Southerners on the other. Though he initially finds it difficult to choose sides, Henry eventually chooses to align himself with the Northerners, a move that shocks the MacBeans. A brawl ensues, after which Gill refuses to allow Henry to return to his home. Lissy Anne, heartbroken by her father's decision, leaves Rosy Ridge with Henry. Vowing to bring his daughter home, Gill sets out with his rifle and bloodhounds to find her. Gill brings Henry and Lissy Anne home, after which Henry confesses that he fought alongside Ben, Gill's son. Henry tells the MacBeans that Ben, who was fatally wounded in a battle and died in his arms, made him promise that he would go to Rosy Ridge and help his family work the farm. Gill, moved to tears by Henry's confession, invites the young man to stay and gives his blessing to marry Lissy Anne.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.