Bob, Son of Battle (1947)

103 or 107 mins | Drama | 29 November 1947

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HISTORY

The film opens with an offscreen narration spoken by Lon McAllister as "Davie," describing the relationship between a shepherd and his dog. Although Edmund Gwenn's character is listed as "M'Adam," as noted in the Var review and in studio records, the name is pronounced "MacAdam" in the film. This picture was tradeshown in Jun 1947 and put into limited release in early Jul 1947 as Bob, Son of Battle. According to 14 Jul 1947 and 2 Jan 1948 HR news items, the film fared very poorly at the box office and the studio blamed its performance on audiences misinterpreting the title as a war film. Consequently, it was withdrawn from distribution in mid-Jul and re-released as Thunder in the Valley, the title under which the NYT reviewed it. When that title failed to generate business, the studio retitled the picture Shepherd of the Valley in 1948.
       According to HR news items and materials contained in the Twentieth Century-Fox Produced Scripts Collection, located at the UCLA Arts--Special Collections Library, Barry Fitzgerald was intially slated to play "M'Adam," Peggy Cummins was to play "Maggie," and Donald Crisp was to appear as "James Moore." Crisp withdrew from the cast in mid-Jun 1946, according to a HR news item, and Peggy Cummins dropped out to appear in The Late George Apley (see below), according to a 20 May 1946 HR news item. On 27 May, it was announced that Vanessa Brown was to replace Cummins. Although a 12 Jul 1946 HR production chart places Cara Williams in the cast, her ...

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The film opens with an offscreen narration spoken by Lon McAllister as "Davie," describing the relationship between a shepherd and his dog. Although Edmund Gwenn's character is listed as "M'Adam," as noted in the Var review and in studio records, the name is pronounced "MacAdam" in the film. This picture was tradeshown in Jun 1947 and put into limited release in early Jul 1947 as Bob, Son of Battle. According to 14 Jul 1947 and 2 Jan 1948 HR news items, the film fared very poorly at the box office and the studio blamed its performance on audiences misinterpreting the title as a war film. Consequently, it was withdrawn from distribution in mid-Jul and re-released as Thunder in the Valley, the title under which the NYT reviewed it. When that title failed to generate business, the studio retitled the picture Shepherd of the Valley in 1948.
       According to HR news items and materials contained in the Twentieth Century-Fox Produced Scripts Collection, located at the UCLA Arts--Special Collections Library, Barry Fitzgerald was intially slated to play "M'Adam," Peggy Cummins was to play "Maggie," and Donald Crisp was to appear as "James Moore." Crisp withdrew from the cast in mid-Jun 1946, according to a HR news item, and Peggy Cummins dropped out to appear in The Late George Apley (see below), according to a 20 May 1946 HR news item. On 27 May, it was announced that Vanessa Brown was to replace Cummins. Although a 12 Jul 1946 HR production chart places Cara Williams in the cast, her appearance in the final film has not been confirmed. A 20 May 1946 HR news item states that Anne Revere was set for an important role, but she does not appear in the completed film. Edmund Gwenn was borrowed from M-G-M to play "M'Adam."
       According to an 18 Apr 1946 HR news item, the studio originally planned to film the production in England. Publicity materials contained in the AMPAS Library reveal that an English village, consisting of stone walls and bridges and thatched farm houses, was constructed at Blue Springs Valley, UT, about seventy-four miles from Kanab, UT, for the film's location scenes. Although the Script Files include an abbreviated screenplay by John Tucker Battle dated Dec 1945, the extent of Battle's contribution to the final project has not been determined. In early treatments, M'Adam contemplates suicide. This scene was later deleted, possibly at the behest of the PCA, who, in a letter dated 16 Apr 1946, praised the studio for eliminating it. According to the NYT and HR reviews, Alfred Ollivant's novel focused on the dog story rather than the father-and-son relationship. The NYT adds that in the novel, M'Adam's offspring was a daughter.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
5 Jun 1947
---
Film Daily
6 Jun 1947
p. 7
Hollywood Reporter
18 Apr 1946
p. 2
Hollywood Reporter
3 May 1946
p. 4
Hollywood Reporter
20 May 1946
p. 1
Hollywood Reporter
27 May 1946
p. 29
Hollywood Reporter
3 Jun 1946
p. 4
Hollywood Reporter
4 Jun 1946
p. 2
Hollywood Reporter
7 Jun 1946
p. 15
Hollywood Reporter
8 Jul 1946
p. 11
Hollywood Reporter
12 Jul 1946
p. 15
Hollywood Reporter
16 Jul 1946
p. 1
Hollywood Reporter
5 Sep 1946
p. 7
Hollywood Reporter
20 Sep 1946
p. 19
Hollywood Reporter
5 Jun 1947
p. 3
Hollywood Reporter
8 Jul 1947
p. 14
Hollywood Reporter
14 Jul 1947
p. 10
Hollywood Reporter
2 Jan 1948
---
Independent Film Journal
20 Jul 1946
p. 49
Motion Picture Herald Product Digest
14 Jun 1947
---
New York Times
28 Nov 1947
p. 30
Variety
11 Jun 1947
p. 8
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Art Jacobson
Asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Charles [G.] Clarke
Dir of photog
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
Nick De Maggio
Film ed
SET DECORATORS
Set dec
Assoc
COSTUMES
Cost des
Charles Le Maire
Ward dir
MUSIC
Cyril Mockridge
Mus
Mus dir
Orch arr
VISUAL EFFECTS
Spec photog eff
MAKEUP
Makeup artist
PRODUCTION MISC
Robert Watson
Tech adv
Asst to prod
COLOR PERSONNEL
Technicolor dir
SOURCES
LITERARY
Based on the novel Bob, Son of Battle by Alfred Ollivant (New York, 1898).
LITERARY SOURCE AUTHOR
MUSIC
"Annie Laurie," music by Lady John Scott, "Believe Me If All Those Endearing Young Charms," music traditional; "The Rose of Tralee," music by Charles W. Glover; "The Keel Row," Scottish traditional.
SONGS
"Comin' Thro' the Rye" and "Auld Lang Syne," words by Robert Burns, music Scottish traditional.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Titles:
Shepherd of the Valley
Thunder in the Valley
Release Date:
29 November 1947
Premiere Information:
Denver, CO premiere: 1 Jul 1947; New York opening: 27 Nov 1947
Production Date:
early Jul--late Sep 1946
Copyright Info
Claimant
Date
Copyright Number
Twentieth Century-Fox Film Corp.
1 July 1947
LP1815
Physical Properties:
Sound
Western Electric Recording
Color
Technicolor
Duration(in mins):
103 or 107
Length(in feet):
9,319
Length(in reels):
11
Country:
United States
PCA No:
11754
SYNOPSIS

In rural Scotland, after the body of a sheep is found mangled, shepherds Sam'l Thornton, Long Kirby, MacKenzie and Ferguson come to Adam M'Adam's home to accuse his mongrel dog, Red Wull, of the killing. When the men demand the execution of M'Adam's beloved canine, the wily M'Adam plays on their sympathy by conjoining his fate to that of his dog, thus gulling them into withdrawing their demand. After the men leave, M'Adam's son Davie goes to town and visits Angus MacIvor's shop to admire a violin in the window. Davie, who lost his cherished mother, longs to recover the love of music that she instilled in him, and so haggles with MacIvor over the price of the instrument. Upon returning home with his newly purchased violin, Davie is chastised by his father, who is bedeviled by drink and by memories of his long-lost wife. After M'Adam insists that Davie return the violin in the morning, the boy seeks solace at Kenmuir, the neighboring ranch owned by James and Elizabeth Moore. In Mrs. Moore, Davie finds the love he once shared with his own mother, and consoles himself playing the violin as Mrs. Moore accompanies him on the piano. When the Moores' sheep dog Bob follows Davie home, the cantankerous M'Adam trains his rifle on the animal, and Davie strikes his father to queer his aim. In punishment, M'Adam beats Davie, who then returns to the Moore ranch, where sixteen-year-old Maggie treats his wounds. Weeks later, Mrs. Moore suffers mortal injuries while giving birth to a baby girl, and as she clings to life, she calls for Davie. When the boy finally appears, Mrs. Moore ...

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In rural Scotland, after the body of a sheep is found mangled, shepherds Sam'l Thornton, Long Kirby, MacKenzie and Ferguson come to Adam M'Adam's home to accuse his mongrel dog, Red Wull, of the killing. When the men demand the execution of M'Adam's beloved canine, the wily M'Adam plays on their sympathy by conjoining his fate to that of his dog, thus gulling them into withdrawing their demand. After the men leave, M'Adam's son Davie goes to town and visits Angus MacIvor's shop to admire a violin in the window. Davie, who lost his cherished mother, longs to recover the love of music that she instilled in him, and so haggles with MacIvor over the price of the instrument. Upon returning home with his newly purchased violin, Davie is chastised by his father, who is bedeviled by drink and by memories of his long-lost wife. After M'Adam insists that Davie return the violin in the morning, the boy seeks solace at Kenmuir, the neighboring ranch owned by James and Elizabeth Moore. In Mrs. Moore, Davie finds the love he once shared with his own mother, and consoles himself playing the violin as Mrs. Moore accompanies him on the piano. When the Moores' sheep dog Bob follows Davie home, the cantankerous M'Adam trains his rifle on the animal, and Davie strikes his father to queer his aim. In punishment, M'Adam beats Davie, who then returns to the Moore ranch, where sixteen-year-old Maggie treats his wounds. Weeks later, Mrs. Moore suffers mortal injuries while giving birth to a baby girl, and as she clings to life, she calls for Davie. When the boy finally appears, Mrs. Moore gives him her violin and then peacefully passes away to the strains of Davie's music. While Davie attends Mrs. Moore's funeral during a downpour, M'Adam stays home, opens the violin case and finds a photograph of his late wife. M'Adam prays to the image of his wife to make him a better parent, and when Davie returns home, he apologizes to the boy and tries to reconcile with him. However, when Davie plays the violin as a tribute to his mother, his father becomes enraged and smashes the instrument. After denouncing his father, Davie vows never to return home again and takes refuge at the Moores'. The week before the sheep dog herding trials, M'Adam, who won the trophy with Red Wull the previous year, insults Moore, his major competitor. Stung, Moore withdraws his dog Bob from the contest. Maggie's new responsibilities as woman of the house, meanwhile, has matured her into womanhood, thus attracting Davie's attention. On the day of the sheep dog championship trials, Bob whimpers at being excluded while Red Wull bullies his flock into submission and wins the trophy to the jeers of the crowd. Later, when sheering time arrives, the farmers refuse to help the irascible M'Adam fleece his flock, but Moore defends his neighbor. One wintry day, Bob leads Maggie and Davie to a helpless newborn lamb, and after adopting the animal, Davie kisses Maggie. A year passes, and as the annual sheep dog trials approach, M'Adam goads the farmers at the pub into betting against Red Wull. Just then, Ferguson enters and accuses Red Wull of killing his sheep. When a fight breaks out, M'Adam is arrested and brought to trial. To avoid losing the championship and thus having to pay off his wagers, M'Adam persuades the judge to sentence him to jail for fourteen days, but the bettors thwart his plan by paying his fine. On the eve of the sheep dog trials, after Moore traces Bob's championship lineage, Davie reveals that his father reared Red Wull from the time he was an abused mongrel pup. The regulations of the contest state that the cup permanently belongs to any dog that wins three times in a row, and because Red Wull has won the two previous years, Davie knows that M'Adam's heart will be broken if he loses this year and is forced to forfeit the trophy. At the trials, Moore designates Davie to be Bob's handler, and in spite of himself, M'Adam quietly roots for his son. After Bob wins the event, M'Adam removes the trophy from his mantel and carries it to Kenmuir. At Kenmuir, meanwhile, several herders have notified Moore that they found the carcass of a sheep and spotted Bob nearby. As Moore goes in search of his dog, he encounters M'Adam in the pasture. Summoned by his master's call, Bob appears, his paws bloodied. Assuming that Bob killed the sheep, Moore is about to shoot Bob when the blood-thirsty call of another dog is heard and they find Red Wull hovering over a dead sheep. With a heavy heart, M'Adam returns home with his dog, and after bidding him a fond farewell, walks into the pasture and shoots him. M'Adam then takes his last prized possession, the trophy, to present to the Moores. At the Moore house, M'Adam is warmly greeted and discovers that Davie has arranged for Bob to be disqualified from the contest because he was handled by someone other than his owner. Davie then tells his father that he plans to marry Maggie, and Maggie invites him to live with them. M'Adam sputters in protest and asks Davie to play a tune for them. After drinking a toast, Davie begins to play "Auld Lang Syne," and as they all join in song, Bob wags his tail.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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