The Gay Intruders (1948)

69 mins | Comedy | September 1948

Full page view
HISTORY

Although this film was not viewed, the credits and summary were taken from a cutting continuity in the Twentieth Century-Fox Produced Scripts Collection at the UCLA Arts--Special Collections Library. The credits conclude with the following disclaimer: "The characters in this picture are purely imaginary and anyone claiming resemblance or similarity ought to be ashamed to admit it." According to a HR production chart, Hugh French was initially cast in the film. He apparently was replaced by Leif Erickson, who portrayed "Dr. Harold Matson." ...

More Less

Although this film was not viewed, the credits and summary were taken from a cutting continuity in the Twentieth Century-Fox Produced Scripts Collection at the UCLA Arts--Special Collections Library. The credits conclude with the following disclaimer: "The characters in this picture are purely imaginary and anyone claiming resemblance or similarity ought to be ashamed to admit it." According to a HR production chart, Hugh French was initially cast in the film. He apparently was replaced by Leif Erickson, who portrayed "Dr. Harold Matson."

Less

PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
General (mod):
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
12 Jun 1948
---
Daily Variety
2 Jun 1948
p. 3
Film Daily
7 Jun 1948
p. 6
Hollywood Reporter
5 Mar 1948
p. 16
Hollywood Reporter
2 Jun 1948
p. 3
Motion Picture Herald Product Digest
19 Jun 1948
p. 4206
New York Times
28 Jun 1949
p. 33
Variety
2 Jun 1948
p. 12
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
BRAND NAME
Lewis J. Rachmil
In charge of production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
Assoc prod
WRITERS
Orig story
Orig story
PHOTOGRAPHY
Dir of photog
Cam op
Samuel Manatt
Stills
ART DIRECTOR
FILM EDITOR
Film ed
SET DECORATOR
Set dec
COSTUMES
Gowns
MUSIC
Mus score
Mus supv
SOUND
MAKEUP
Hairstylist
PRODUCTION MISC
Scr supv
DETAILS
Release Date:
September 1948
Premiere Information:
Los Angeles opening: 15 Sep 1948
Production Date:
early Mar--mid Mar 1948 at General Service Studios
Copyright Info
Claimant
Date
Copyright Number
Twentieth Century-Fox Film Corp.
1 September 1948
LP2030
Physical Properties:
Sound
Western Electric Recording
Black and White
Duration(in mins):
69
Length(in feet):
6,173
Length(in reels):
8
Country:
United States
PCA No:
13066
SYNOPSIS

As John Newberry and Maria Ivar, a husband and wife acting team, celebrate the closing night of their hit play, Maria becomes angry with John for describing, in his curtain speech, her role as "supporting." The argument continues in front of their producer/manager, Charles McNulty, and when both refuse to act with the other again, McNulty realizes that a real problem exists. Although they can be very sweet to each other, John and Maria are usually in a state of war. Anxious to preserve the team, McNulty reminds them that they are under contract to him as a team and tells them that they cannot appear anywhere separately. He convinces them to consult separate psychiatrists in order to resolve their problems, and both appear confident that their respective complaints about each other will be vindicated. While John consults with Dr. Harold Matson, Maria sees Dr. Susan Nash. After John tells Harold about his disputes with his wife, the doctor suggests hospitalization for him, not Maria. Susan, in turn, listens to Maria's complaints about John and recommends a nice, quiet sanitarium for her, not John. Determined to prove his points, John invites Harold to study his wife and invites him to stay with them, posing as an old college friend. Maria devises the same plan and intends to introduce Susan as a sorority sister from Vassar. Although Maria arranges for Susan to meet John over cocktails, Susan meets Harold first and assumes he is John, while Harold thinks she is Maria. The doctors begin to analyze each other until they are interrupted by McNulty, who expresses his opinion that John and Maria are both on the verge of nervous breakdowns. ...

More Less

As John Newberry and Maria Ivar, a husband and wife acting team, celebrate the closing night of their hit play, Maria becomes angry with John for describing, in his curtain speech, her role as "supporting." The argument continues in front of their producer/manager, Charles McNulty, and when both refuse to act with the other again, McNulty realizes that a real problem exists. Although they can be very sweet to each other, John and Maria are usually in a state of war. Anxious to preserve the team, McNulty reminds them that they are under contract to him as a team and tells them that they cannot appear anywhere separately. He convinces them to consult separate psychiatrists in order to resolve their problems, and both appear confident that their respective complaints about each other will be vindicated. While John consults with Dr. Harold Matson, Maria sees Dr. Susan Nash. After John tells Harold about his disputes with his wife, the doctor suggests hospitalization for him, not Maria. Susan, in turn, listens to Maria's complaints about John and recommends a nice, quiet sanitarium for her, not John. Determined to prove his points, John invites Harold to study his wife and invites him to stay with them, posing as an old college friend. Maria devises the same plan and intends to introduce Susan as a sorority sister from Vassar. Although Maria arranges for Susan to meet John over cocktails, Susan meets Harold first and assumes he is John, while Harold thinks she is Maria. The doctors begin to analyze each other until they are interrupted by McNulty, who expresses his opinion that John and Maria are both on the verge of nervous breakdowns. Through McNulty, Harold and Susan realize they are both doctors on similar missions, but John and Maria are unaware and continue to behave according to their original scenarios. Before he leaves, McNulty presents John and Maria with their show's closing financial statement. On looking it over, Maria finds that, one night, four hundred free tickets were given out to members of the "John Newberry Fan Club," further enraging her. John and Maria's fighting has infected their servants, Arthur and Ethel, who fight over which flavor of sherbet to serve that evening. The servants' battle spreads to the living room, and John ends up spending the night at his club. Later, John begins paying romantic attention to Susan, while Maria and Harold go out together. When John asks Harold if he is making any progress in his diagnosis of Maria, Harold informs him that Maria is "loosening up," an answer that John is not pleased to hear. Susan then reports much the same information about John to Maria. One day, when all four, plus Arthur, are on a picnic together, Harold tosses a horseshoe over his shoulder for luck and smashes the windshield on John's car. Harold advises everyone just to laugh off the incident but Maria throws a rock through Harold's windshield. Later, after Harold and Susan have separately suggested to them that each may be at fault at times, John and Maria announce to each other that all they want is to make the other happy. Although Harold and Susan hope to be able to leave soon and plan to continue seeing each other, they become embroiled in an argument about an incident involving John and Maria. To resolve Harold and Susan's dispute, John and Maria find themselves playing the roles of psychiatrists. The fight is interrupted when McNulty arrives with a copy of a new play he wants John and Maria to appear in and they agree to read it immediately. The play is about a shrewish wife who beats her husband, who is an awful liar. John and Maria, who are more or less reconciled, do not want to appear in something so violent and inappropriate to their new mood. When McNulty accuses the doctors of having ruined the finest acting team in the country, John and Maria deduce that they have both been under observation and another battle erupts between them. While arguing, they slip into performing a scene from the new play, and when they realize what is happening, they fall into each other's arms, happy at last.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Blue Movie

The 25 Jun 1969 Var review noted that Blue Movie was shot in Sep 1968 in New York City. Along with several other contemporary sources, ... >>

Psycho

Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>

Fame

       The last name of principal dancer Ranko Yokoyama is misspelled "Yokoyana."
       The film is divided into five acts indicated by title cards stating: “The Auditions,” “Freshman Year,” “Sophomore ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.