Director:
Charles WaltersWriters:
Betty Comden, Adolph GreenProducer:
Arthur FreedCinematographer:
Harry StradlingEditor:
Albert AkstProduction Designers:
Cedric Gibbons, Edward CarfagnoProduction Company:
Metro-Goldwyn-Mayer Corp.The working title of this film was You Made Me Love You. Some contemporary reviews incorrectly refer to the film as The Berkleys of Broadway. According to a Jul 1948 HR news item, Judy Garland, originally set for the part played by Ginger Rogers, began work on the picture but was later replaced due to an "illness." (As noted in modern sources, Garland's "illness" was widely known to be a nervous breakdown.) The film marked the screen debut of Broadway musical star Joyce Mathews, and was the first re-teaming of Fred Astaire and Ginger Rogers since their appearance in the 1939 film The Story of Irene and Vernon Castle (see AFI Catalog of Feature Films, 1931-40; F3.4333). The Barkleys of Broadway was the final film in which Astaire and Rogers were co-starred. Actor Jacques Francois was borrowed from Universal-International for this picture.
A Sep 1948 HR news item indicates that three Harry Warren and Ira Gershwin songs written for the film were not included in the picture: "Swing Time," "The Courtin' of Elmer and Ella" and "Natchez on the Mississippi." Modern sources note that a fourth song, "Poetry in Motion," was written for the film but never used. The song "They Can't Take That Away from Me" was also used in another Rogers and Astaire film, the 1937 RKO picture Shall We Dance (see AFI Catalog of Feature Films, 1931-40; F3.3991). The Barkleys on Broadway included one of Astaire's most famous solo numbers, "Shoes with Wings On." The number, which is part of a ...
The working title of this film was You Made Me Love You. Some contemporary reviews incorrectly refer to the film as The Berkleys of Broadway. According to a Jul 1948 HR news item, Judy Garland, originally set for the part played by Ginger Rogers, began work on the picture but was later replaced due to an "illness." (As noted in modern sources, Garland's "illness" was widely known to be a nervous breakdown.) The film marked the screen debut of Broadway musical star Joyce Mathews, and was the first re-teaming of Fred Astaire and Ginger Rogers since their appearance in the 1939 film The Story of Irene and Vernon Castle (see AFI Catalog of Feature Films, 1931-40; F3.4333). The Barkleys of Broadway was the final film in which Astaire and Rogers were co-starred. Actor Jacques Francois was borrowed from Universal-International for this picture.
A Sep 1948 HR news item indicates that three Harry Warren and Ira Gershwin songs written for the film were not included in the picture: "Swing Time," "The Courtin' of Elmer and Ella" and "Natchez on the Mississippi." Modern sources note that a fourth song, "Poetry in Motion," was written for the film but never used. The song "They Can't Take That Away from Me" was also used in another Rogers and Astaire film, the 1937 RKO picture Shall We Dance (see AFI Catalog of Feature Films, 1931-40; F3.3991). The Barkleys on Broadway included one of Astaire's most famous solo numbers, "Shoes with Wings On." The number, which is part of a Broadway show starring "Josh Barkley," features Astaire as a cobbler whose shoes "come to life" and dance around his shop.
A biography of producer Arthur Freed lists writer Sidney Sheldon as having contributed to the screenplay. Modern sources indicate that the final cost of the film was $2,325,420. Harry Stradling was nominated for an Academy Award in the category of Best Color Cinematography. Rogers reprised her role for a Lux Radio Theatre broadcast of the story on 1 Jan 1951. George Murphy played Astaire's role in the radio version.
In New York, on the opening night of their new show, Josh and Dinah Barkley, a husband and wife musical comedy team, quarrel when Josh accuses his wife of flirting with French playwright Jacques Pierre Barredout. Jacques has suggested to Dinah that she leave musical comedy theater to play tragic roles, but Josh wants her to continue as his partner. The following day, the Barkleys' producer, Ezra Miller, introduces the couple to the hopelessly untalented singer Shirlene May, who has been signed as Dinah's understudy. Later, at the Flandreau Art Gallery, Dinah is disgusted by a portrait of herself and Josh, and is insulted when the artist likens Josh to Svengali and implies that Dinah is under Josh's spell. One weekend, the Barkleys and Ezra visit Jacques at his country home in Danbridge, where Jacques is celebrating the completion of his new play. The play, about the life of Sarah Bernhardt, is to star Pamela Driscoll, a second-rate actress. When Dinah criticizes Jacques' casting decision, he agrees with her and tells her that she would be the better choice. Back in New York, Josh discovers that Dinah has secretly been rehearsing for the leading role in Jacques' play, and accuses her of having an affair with the playwright. The ensuing quarrel results in the Barkleys' separation and the end of their professional association. Josh performs his next show without Dinah, while Dinah continues to rehearse her part in Jacques' play. As she is unaccustomed to dramatic acting, Dinah's initial rehearsals prove disastrous. In the hopes of reuniting the Barkleys, Ezra tricks Dinah and Josh into performing together at a Mercy Hospital benefit show. ...
In New York, on the opening night of their new show, Josh and Dinah Barkley, a husband and wife musical comedy team, quarrel when Josh accuses his wife of flirting with French playwright Jacques Pierre Barredout. Jacques has suggested to Dinah that she leave musical comedy theater to play tragic roles, but Josh wants her to continue as his partner. The following day, the Barkleys' producer, Ezra Miller, introduces the couple to the hopelessly untalented singer Shirlene May, who has been signed as Dinah's understudy. Later, at the Flandreau Art Gallery, Dinah is disgusted by a portrait of herself and Josh, and is insulted when the artist likens Josh to Svengali and implies that Dinah is under Josh's spell. One weekend, the Barkleys and Ezra visit Jacques at his country home in Danbridge, where Jacques is celebrating the completion of his new play. The play, about the life of Sarah Bernhardt, is to star Pamela Driscoll, a second-rate actress. When Dinah criticizes Jacques' casting decision, he agrees with her and tells her that she would be the better choice. Back in New York, Josh discovers that Dinah has secretly been rehearsing for the leading role in Jacques' play, and accuses her of having an affair with the playwright. The ensuing quarrel results in the Barkleys' separation and the end of their professional association. Josh performs his next show without Dinah, while Dinah continues to rehearse her part in Jacques' play. As she is unaccustomed to dramatic acting, Dinah's initial rehearsals prove disastrous. In the hopes of reuniting the Barkleys, Ezra tricks Dinah and Josh into performing together at a Mercy Hospital benefit show. The Barkleys give a crowd-pleasing performance, after which Josh suggests a reconciliation. Dinah rejects Josh's offer, though, and tells him that he has taken her for granted for too long. Josh later attends the opening night of Jacques' play and is filled with pride as he watches Dinah give a brilliant performance as Sarah Bernhardt. After the show, Dinah discovers that Josh impersonated Jacques in many telephone calls he made to her, and she decides to get even by telling him that she loves Jacques. The news leaves Josh heartbroken until Dinah confesses her trick and professes her love for him. The Barkleys celebrate their reconciliation with a dance, and they return to the stage as a dancing team.
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