The Lawton Story (1949)

101 or 111 mins | Drama | 1 April 1949

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HISTORY

According to a Mar 1948 NYT news item, Harold Daniels, the director of the film’s pageant sequences, interested three wealthy oilmen from Tulsa, OK--Neil Bogan, Ted Law and John McNutt--into financing a record of the Lawton, OK, Easter pageant under the banner of Principal, Films, Inc. According to the Var review, the pageant, an annual event, was begun twenty-four years earlier by the Rev. A. Mark Wallock, who wrote the screen narration and served as technical advisor on the film. Re-enacting the story of Christ’s birth, his teachings, crucifixion and resurrection, the pageant drew a large cast of non-professional actors from the surrounding areas and attracted thousands of visitors from all over the country. It was staged at Holy City in the Wichita Mountains outside of Lawton, at a site constructed by the state soley for its production.
       Publicity materials contained in the file on the film in the AMPAS Library add that filming began the day after Rev. Wallock’s Eastern Sunrise service in 1948 and continued for several weeks. Final location shots were filmed in Lawton in early Dec 1948. After the pageant portion was completed, according to an Apr 1949 Time article, producers Kroger Babb and J. S. Jossey acquired the 16mm print, blew it up to 35mm and added the modern day story. That portion, directed by William Beaudine, was filmed at the Hal Roach Studios in Culver City, CA, and was completed on 16 Dec 1948. Ten days later, Rev. Wallock, who had been ailing throughout the production, died.
       According to materials contained in the file on the film in the MPAA/PCA Collection at the AMPAS Library, Hallmark wanted ...

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According to a Mar 1948 NYT news item, Harold Daniels, the director of the film’s pageant sequences, interested three wealthy oilmen from Tulsa, OK--Neil Bogan, Ted Law and John McNutt--into financing a record of the Lawton, OK, Easter pageant under the banner of Principal, Films, Inc. According to the Var review, the pageant, an annual event, was begun twenty-four years earlier by the Rev. A. Mark Wallock, who wrote the screen narration and served as technical advisor on the film. Re-enacting the story of Christ’s birth, his teachings, crucifixion and resurrection, the pageant drew a large cast of non-professional actors from the surrounding areas and attracted thousands of visitors from all over the country. It was staged at Holy City in the Wichita Mountains outside of Lawton, at a site constructed by the state soley for its production.
       Publicity materials contained in the file on the film in the AMPAS Library add that filming began the day after Rev. Wallock’s Eastern Sunrise service in 1948 and continued for several weeks. Final location shots were filmed in Lawton in early Dec 1948. After the pageant portion was completed, according to an Apr 1949 Time article, producers Kroger Babb and J. S. Jossey acquired the 16mm print, blew it up to 35mm and added the modern day story. That portion, directed by William Beaudine, was filmed at the Hal Roach Studios in Culver City, CA, and was completed on 16 Dec 1948. Ten days later, Rev. Wallock, who had been ailing throughout the production, died.
       According to materials contained in the file on the film in the MPAA/PCA Collection at the AMPAS Library, Hallmark wanted to release the film as The Prince of Peace, but discovered that Principal Films, the producer of the pageant film, already owned that title. Consequently the film was released as The Lawton Story. In the early 1950s, the confusion between the two companies was cleared up, and the title of The Lawton Story was changed to The Prince of Peace. According to a 1951 LADN item, the film was screened in two parts, with an advertisement for a souvenir program inserted in the middle. The proceeds from that program went to defray the cost of the next year’s pageant.
       Kroger Babb, though listed as producer, was actually a huckster who specialized in film exploitation. He told the 11 Nov 1977 Los Angeles Times, “That picture, you couldn’t give it away.” Telephone poles were visible in the background, and Oklahoma accents were so strong that it was known as “the only film that had to dubbed from English into English.” “But I said, ‘nothing’s hopeless if it’s advertised right.’” Babb claimed that it was his idea to change the title to The Prince of Peace” and create an ad campaign with lines like “Be Brave—bring your troubles and your family to history’s most sublime event.” When they “four-walled” the film from town to town, crowds lined up to see it, Babb said.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
9 Apr 1949
---
Daily Variety
30 Mar 1949
p. 3
Film Daily
5 Apr 1949
p. 6
Hollywood Reporter
21 Jan 1949
p. 8
Hollywood Reporter
30 Mar 1949
p. 3
Los Angeles Daily News
4 Jul 1951
---
Los Angeles Examiner
16 Feb 1949
---
Los Angeles Examiner
28 Mar 1951
---
Los Angeles Times
11 Nov 1977
Section IV, p. 22
Motion Picture Herald Product Digest
9 Apr 1949
pp. 4565-66
New York Times
3 Oct 1948
---
Time
18 Apr 1949
---
Variety
6 Apr 1949
p. 8
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Dir of pageant
Asst dir
2d asst dir
Dial dir
Dial dir
Dial dir
PRODUCERS
Pageant prod
WRITERS
Mildred A. Horn
Orig story
Scr trmt
Scott Darling
Scr story
Orig pageant story
Narration
Narration
PHOTOGRAPHY
Cinecolor photog
Assoc cam
Assoc cam
Still photog
Still photog
Edward Jones
Still photog
Jimmy Hysaw
Still photog
ART DIRECTOR
Dave Milton
Art dir
FILM EDITORS
Dick Currier
Film ed
Asst ed
Asst ed
SET DECORATOR
Set dir
COSTUMES
MUSIC
Mus dir
VISUAL EFFECTS
Spec eff
MAKEUP
Makeup
Asst makeup
Asst makeup
PRODUCTION MISC
Dick Currier
Prod mgr
Prod mgr
COLOR PERSONNEL
Assoc col supv
SOURCES
SONGS
"Down in Oklahoma," words and music by Lee "Lasses" White; "Right Under My Nose," words and music by Steven Edwards and Andy Page; "The Turtle," words and music by Vachel Lindsey; "Holy, Holy, Holy," words and music by Rev. John B. Dykes.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Alternate Title:
The Prince of Peace
Release Date:
1 April 1949
Premiere Information:
Lawton, OK premiere: 1 Apr 1949
Production Date:
Apr--early Dec 1948 in Lawton, OK; early--mid Dec 1948 at the Hal Roach Studios
Copyright Info
Claimant
Date
Copyright Number
Hallmark Productions, Inc.
1 April 1949
LP2567
Physical Properties:
Sound
Western Electric Sound; RCA Sound
Color
Cinecolor
Duration(in mins):
101 or 111
Length(in feet):
10,020
Country:
United States
PCA No:
13648
SYNOPSIS

In Lawton, Oklahoma, the Reverend Mark Wallock readies his plans for his annual Easter pageant while the community expresses concern over their beloved pastor's deteriorating health. When Mark's younger sister and her six-year-old daughter Ginger arrive for an extended stay, Ginger determines to reconcile Mark with his estranged brother Jonathan, the town banker. The brothers have been estranged since the death of their father, who bequeathed thousands of acres of land as a site for the Easter pageant, thus embittering Jonathan, whose interests lie in the monetary world. When Mark collapses in the church foyer after conducting Sunday services, the doctor declares that he is too frail to continue the arduous work of directing and starring in the pageant and orders him to stay in bed. Disappointed because Jonathan did not attend the church services, Ginger visits her uncle to discuss her plans of depositing her piggy bank savings in his bank. After scolding him for his absence in church, Ginger tells him of Mark's illness and invites him to Sunday dinner. Mark, meanwhile, reluctantly accepts his doctor's advice and asks bank clerk Millard Coody, who has been understudying Mark in the role of Jesus, to assume the part. At the bank the next day, Coody, encouraged by the fact that his employer has deposited ten dollars in Ginger's account, requests time off to rehearse for the pageant. In reply, Jonathan warns Coody that he will be fired if his work suffers. As Mark's health grows worse, his congregation presents him with a television set so that he can view the pageant from his bed. On Easter Sunday morning, Ginger surprises everyone ...

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In Lawton, Oklahoma, the Reverend Mark Wallock readies his plans for his annual Easter pageant while the community expresses concern over their beloved pastor's deteriorating health. When Mark's younger sister and her six-year-old daughter Ginger arrive for an extended stay, Ginger determines to reconcile Mark with his estranged brother Jonathan, the town banker. The brothers have been estranged since the death of their father, who bequeathed thousands of acres of land as a site for the Easter pageant, thus embittering Jonathan, whose interests lie in the monetary world. When Mark collapses in the church foyer after conducting Sunday services, the doctor declares that he is too frail to continue the arduous work of directing and starring in the pageant and orders him to stay in bed. Disappointed because Jonathan did not attend the church services, Ginger visits her uncle to discuss her plans of depositing her piggy bank savings in his bank. After scolding him for his absence in church, Ginger tells him of Mark's illness and invites him to Sunday dinner. Mark, meanwhile, reluctantly accepts his doctor's advice and asks bank clerk Millard Coody, who has been understudying Mark in the role of Jesus, to assume the part. At the bank the next day, Coody, encouraged by the fact that his employer has deposited ten dollars in Ginger's account, requests time off to rehearse for the pageant. In reply, Jonathan warns Coody that he will be fired if his work suffers. As Mark's health grows worse, his congregation presents him with a television set so that he can view the pageant from his bed. On Easter Sunday morning, Ginger surprises everyone by announcing that Jonathan will escort her to the pageant. When Ginger approaches her uncle, however, he refuses to go. Witnessing the child's disappointment, Henrietta, Jonathan's housekeeper, declares that she will take Ginger to the pageant even if they have to walk. Shamed, Jonathan reluctantly agrees to drive them to the festivities. As the play begins, Jonathan remains aloof, until finally, touched by the unfolding of the Christ story, he recognizes the awe-inspiring work that his brother has accomplished. After the complete New Testament is presented, capped by a depiction of the resurrection of Christ, Jonathan returns home with Ginger to reconcile with his brother.

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GENRE
Genre:
Sub-genre:
Religious


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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