The Red Pony (1949)

88-89 mins | Drama | 28 March 1949

Director:

Lewis Milestone

Writer:

John Steinbeck

Producer:

Lewis Milestone

Cinematographer:

Tony Gaudio

Editor:

Harry Keller

Production Designer:

Nicolai Remisoff
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HISTORY

The film's opening title card reads: "Charles K. Feldman presents Myrna Loy and Robert Mitchum in John Steinbeck's The Red Pony." The title card is preceded by shots of ranch life at dawn and a shot in which "Billy" is seen exiting the ranch house and glancing at a copy of The Red Pony lying at the foot of the front steps. The camera focuses on the book's cover, which then becomes the title card. Included in the film are two partially animated sequences depicting "Tom's" daydreams.
       Steinbeck's novel is actually made up of four short stories, "The Gift," "The Great Mountain," "The Leader of the People" and "The Promise." Each story was published separately in journals between 1933 and 1937. Three of the stories, "The Gift," "The Great Mountain" and "The Promise," were published as a collected work in 1937. When director Lewis Milestone and Steinbeck began their collaboration on The Red Pony in 1941, they incorporated elements from the fourth story, "The Leader of the People," into the screenplay. The four stories were not compiled under the title The Red Pony until 1945.
       Although other films featuring screenplays by Steinbeck were released prior to The Red Pony, The Red Pony was actually his first film assignment. A 4 Nov 1946 LAT news item indicates that producer/director Lewis Milestone initially became interested in adapting Steinbeck's story in 1939, around the same time that he was adapting the author's Of Mice and Men for the screen. According to a 29 Oct 1940 HR news item, ...

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The film's opening title card reads: "Charles K. Feldman presents Myrna Loy and Robert Mitchum in John Steinbeck's The Red Pony." The title card is preceded by shots of ranch life at dawn and a shot in which "Billy" is seen exiting the ranch house and glancing at a copy of The Red Pony lying at the foot of the front steps. The camera focuses on the book's cover, which then becomes the title card. Included in the film are two partially animated sequences depicting "Tom's" daydreams.
       Steinbeck's novel is actually made up of four short stories, "The Gift," "The Great Mountain," "The Leader of the People" and "The Promise." Each story was published separately in journals between 1933 and 1937. Three of the stories, "The Gift," "The Great Mountain" and "The Promise," were published as a collected work in 1937. When director Lewis Milestone and Steinbeck began their collaboration on The Red Pony in 1941, they incorporated elements from the fourth story, "The Leader of the People," into the screenplay. The four stories were not compiled under the title The Red Pony until 1945.
       Although other films featuring screenplays by Steinbeck were released prior to The Red Pony, The Red Pony was actually his first film assignment. A 4 Nov 1946 LAT news item indicates that producer/director Lewis Milestone initially became interested in adapting Steinbeck's story in 1939, around the same time that he was adapting the author's Of Mice and Men for the screen. According to a 29 Oct 1940 HR news item, Milestone was considering Lon Chaney, Jr. for a principal role in The Red Pony. In late Jan 1941, HR announced that Twentieth Century-Fox was planning to produce the film. According to a 12 Nov 1941 Var news item, RKO Radio Pictures was also scheduled to produce the film, but Steinbeck chose to withdraw the production from that studio. The same item notes that Steinbeck wanted Burgess Meredith, who along with Chaney had appeared in Of Mice and Men, for the "lead part." On 11 Sep 1944, HR announced that Milestone was planning to make the film in association with Samuel Bronston, but that collaboration never came to fruition. In early 1947, HR reported that Milestone, who was under contract to Enterprise Productions at the time, would be loaned out for the picture, because Enterprise could not "get a Technicolor commitment" for the film.
       After Republic agreed to distribute the picture, Robert Mitchum was borrowed from RKO and David O. Selznick's production company Vanguard, as both companies controlled his contract. The picture was shot on location on a ranch in Agoura, CA, and its eighty-one day shooting schedule was the longest and costliest in Republic's history to that time, according to news items. The copyright records note that the name of the pony in the film, "Gabilan," was taken from the Gabilan Mountains, located near California's Salinas Valley, where the film was set. The picture was well-received by critics, many of whom praised in particular the scene in which Tom fights with a vulture. On 21 Mar 1973, the NBC network broadcast a second version of Steinbeck's story, directed by Robert Totten and starring Henry Fonda, Maureen O'Hara, Ben Johnson and Clint Howard. That version was later released theatrically.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
19 Feb 1949
---
Daily Variety
3 Feb 1949
p. 3
Film Daily
3 Feb 1949
p. 6
Hollywood Reporter
29 Oct 1940
---
Hollywood Reporter
28 Jan 1941
p. 1
Hollywood Reporter
10 Oct 1941
p. 5
Hollywood Reporter
11 Sep 1944
p. 1
Hollywood Reporter
6 Mar 1947
p. 3
Hollywood Reporter
1 Apr 1947
p. 3
Hollywood Reporter
30 Apr 1947
p. 14
Hollywood Reporter
16 May 1947
p. 20
Hollywood Reporter
21 May 1947
p. 2
Hollywood Reporter
16 Jul 1947
p. 16
Hollywood Reporter
15 Aug 1947
p. 20
Hollywood Reporter
19 Aug 1947
p. 10
Hollywood Reporter
3 Feb 1949
p. 3
Hollywood Reporter
15 Mar 1949
p. 10
Los Angeles Times
4 Nov 1946
---
Motion Picture Daily
3 Feb 1949
---
Motion Picture Herald
5 Feb 1949
---
Motion Picture Herald Product Digest
12 Feb 1949
p. 4494
New York Times
9 Mar 1949
p. 33
Variety
12 Nov 1941
---
Variety
9 Feb 1949
p. 13
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
Lewis Milestone Productions, Inc.
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
Asst to prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
Gaffer
Stills
ART DIRECTORS
Prod des
Art dir
FILM EDITOR
Film ed
SET DECORATORS
COSTUMES
MUSIC
SOUND
Victor B. Appel
Sd
VISUAL EFFECTS
Spec photog eff
Spec photog eff
MAKEUP
Makeup supv
Hairstylist
Louise Landmier
Hairstylist
PRODUCTION MISC
Prod mgr
Scr supv
ANIMATION
COLOR PERSONNEL
Technicolor col dir
SOURCES
LITERARY
Based on the novel The Red Pony by John Steinbeck (New York, 1937).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
28 March 1949
Premiere Information:
New York opening: 8 Mar 1949
Production Date:
20 May--mid Aug 1947
Copyright Info
Claimant
Date
Copyright Number
Chas. K. Feldman Group Productions and Lewis Milestone Productions, Inc.
2 February 1949
LP2200
Physical Properties:
Sound
RCA Sound System
Color
Technicolor
Duration(in mins):
88-89
Country:
United States
PCA No:
12907
Passed by NBR:
Yes
SYNOPSIS

Over breakfast one morning at his wife Alice's family ranch in California's Salinas Valley, Fred Tiflin informs ranch hand Billy Buck that he is going with him to an upcoming auction to ensure that he stays sober and on time. Fred, a former schoolteacher, then complains to Alice that their young son Tom is spending too much time on ranch business and not enough on his studies. Tom, meanwhile, asks Billy, a horse expert, if he can borrow the newspaper clipping about a race that Billy's mare Rosie recently won, as his schoolmates do not believe him. On his way to school, the impressionable Tom, who daydreams about knights in armor and circuses, shows the clipping and Rosie's blue ribbon to his friends and hints that Billy may give him the colt that Rosie is carrying. Later, Alice's father, a former wagon train leader who loves to reminisce about the "westerin'" years, returns from a hunting trip. Fred and Billy then return from the auction, and after dinner that night, Fred presents Tom with a red pony he bought while away. Thrilled by his new responsibility, Tom names the horse Gabilan and gratefully accepts a show saddle from Billy. Although Billy warns Tom that Gabilan will not be strong enough to hold his weight for some time, Tom persuades Billy to help him begin training the young pony right away. Unaware that Billy is instructing Tom, Fred, who has a respectful but distant relationship with his son, offers to help him with Gabilan and is hurt when he realizes that Tom has turned to Billy. Fred then rails against his self-centered father-in-law for telling his ...

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Over breakfast one morning at his wife Alice's family ranch in California's Salinas Valley, Fred Tiflin informs ranch hand Billy Buck that he is going with him to an upcoming auction to ensure that he stays sober and on time. Fred, a former schoolteacher, then complains to Alice that their young son Tom is spending too much time on ranch business and not enough on his studies. Tom, meanwhile, asks Billy, a horse expert, if he can borrow the newspaper clipping about a race that Billy's mare Rosie recently won, as his schoolmates do not believe him. On his way to school, the impressionable Tom, who daydreams about knights in armor and circuses, shows the clipping and Rosie's blue ribbon to his friends and hints that Billy may give him the colt that Rosie is carrying. Later, Alice's father, a former wagon train leader who loves to reminisce about the "westerin'" years, returns from a hunting trip. Fred and Billy then return from the auction, and after dinner that night, Fred presents Tom with a red pony he bought while away. Thrilled by his new responsibility, Tom names the horse Gabilan and gratefully accepts a show saddle from Billy. Although Billy warns Tom that Gabilan will not be strong enough to hold his weight for some time, Tom persuades Billy to help him begin training the young pony right away. Unaware that Billy is instructing Tom, Fred, who has a respectful but distant relationship with his son, offers to help him with Gabilan and is hurt when he realizes that Tom has turned to Billy. Fred then rails against his self-centered father-in-law for telling his wagon train stories over and over, and a chagrined Grandfather apologizes. Ashamed by his outburst, Fred suggests that he and Alice leave immediately for the upcoming homecoming celebrations in his home town of San Jose, but Alice, who knows that Fred feels out of place at the ranch, suggests that he go alone to "think things through." Some time later, Tom brags to Billy about how much he has taught Gabilan and shows him how the pony can open the stable door with his mouth, a trick that gives Billy cause for concern. One morning, after a wet night, Tom makes Billy promise to put Gabilan away if it begins to rain again and heads off for school. A few hours later, the rain starts, and, as promised, Billy puts Gabilan into his stable. As soon as Billy goes back inside, however, Gabilan opens the stable door and wanders into the yard. Tom, meanwhile, is unable to concentrate in school out of worry for Gabilan and races home. To his dismay, he finds Gabilan standing in the heavy rain and accuses Billy of breaking his promise. Denying Tom's charge, Billy examines Gabilan and determines that he has contracted a case of "the strangles," a disease in which an overproduction of mucus blocks the horse's windpipe, leading to suffocation. Having been wired by a concerned Alice, Fred finally returns from San Jose, but tells Alice that he is considering taking a permanent position in the city. Soon after, Billy is forced to lance a lump that has developed on Gabilan's neck and consults with Grandfather and Alice about cutting a hole in Gabilan's windpipe to allow air into the pony's lungs. The normally confident Billy then reveals to Alice and Grandfather his distress that Tom still does not believe that he put the pony in the stable during the storm. Later, Tom is traumatized to see Billy cut the hole in Gabilan's windpipe. When Gabilan's end appears imminent, the adults gather at the breakfast table and decide not to try to shield Tom from the reality of death. Before dawn the next morning, Tom, who has been sleeping in the pony's stable, awakens with a start and, seeing Gabilan gone, rushes outside. Frantically following the pony's hoofprints, he finds the spot where Gabilan chose to die during the night. When Tom sees a flock of vultures gnawing on Gabilan's corpse, he is thrown into an hysterical rage. Tom fights with one of the birds and is about to kill it when he is stopped by his father and Billy. Despite Billy's attempts to console Tom, the boy remains disconsolate, even when Billy promises him Rosie's colt. Later, in the middle of night, Billy awakens and searches for Rosie, certain that she is about to deliver. He confides to Grandfather that he has had a dream that the colt has become caught in the breech position in Rosie's womb. Determined to deliver it for Tom's sake, Billy sharpens his knife, ready to sacrifice his beloved Rosie to ensure her unborn's safety. Having eavesdropped on Billy and Grandfather's conversation, Tom, who has since come to terms with Gabilan's death, sneaks into Billy's room and steals the knife. Fred, meanwhile, also wakes up, and informs Alice that he now knows that he has been a stranger to everyone but is ready to make the ranch his home. Billy then catches Tom with his knife and grabs it from him, but Tom follows him to the stable and screams for him to stop. When they all reach the stable door, however, they are surprised and delighted to see a healthy colt struggling to stand at its mother's feet.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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