Without Honor (1949)

69 mins | Melodrama | October 1949

Director:

Irving Pichel

Writer:

James Poe

Cinematographer:

Lionel Lindon

Editor:

Gregg G. Tallas

Production Designer:

Perry Ferguson

Production Company:

Strand Productions, Inc.
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HISTORY

This film's working titles were Twilight and Deep End . A Jan 1949 NYT news item of early Jan 1949 reported that James Nasser would produce the picture with his partner Robert Hakim later that month subject to the casting of a leading man acceptable to Laraine Day. Only Hakim's brother Raymond is listed onscreen as co-producer, however. Advertisements for the film's San Francisco run indicated that "Dr. Fenna Simms, Ph.D., Famous Marital Relations Counsultant" would be in the theater's lobby "to talk with you!" The film encountered censorship problems in certain states and was almost banned in Boston. The picture was reissued in the 1950s as Woman Accused ... More Less

This film's working titles were Twilight and Deep End . A Jan 1949 NYT news item of early Jan 1949 reported that James Nasser would produce the picture with his partner Robert Hakim later that month subject to the casting of a leading man acceptable to Laraine Day. Only Hakim's brother Raymond is listed onscreen as co-producer, however. Advertisements for the film's San Francisco run indicated that "Dr. Fenna Simms, Ph.D., Famous Marital Relations Counsultant" would be in the theater's lobby "to talk with you!" The film encountered censorship problems in certain states and was almost banned in Boston. The picture was reissued in the 1950s as Woman Accused . More Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
12 Nov 1949.
---
Daily Variety
7 Nov 49
p. 4.
Film Daily
18 Nov 49
p. 8.
Hollywood Reporter
21 Jan 49
p. 17.
Hollywood Reporter
7 Nov 49
p. 3.
Motion Picture Herald Product Digest
19 Nov 49
p. 90.
New York Times
3 Jul 50
p. 9.
San Francisco Chronicle
8 Nov 1949.
---
Variety
9 Nov 49
p. 6.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
WRITERS
Scr
Addl dial
PHOTOGRAPHY
Dir of photog
Cam op
Stills
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
SET DECORATOR
MUSIC
SOUND
MAKEUP
Makeup artist
Hairstylist
PRODUCTION MISC
Prod mgr
Prod asst
Scr supv
DETAILS
Alternate Titles:
Deep End
Twilight
Release Date:
October 1949
Premiere Information:
World premiere in Boston: 26 October 1949
Production Date:
mid January--mid February 1949 at General Service Studios
Copyright Claimant:
Strand Productions, Inc.
Copyright Date:
21 October 1949
Copyright Number:
LP2581
Physical Properties:
Sound
Western Electric Sound Recording
Black and White
Duration(in mins):
69
Length(in feet):
6,249
Length(in reels):
8
Country:
United States
PCA No:
13661
Passed by NBR:
No
SYNOPSIS

One afternoon, in the San Fernando Valley, Dennis Williams drives to the house of his lover, Jane Bandle, who becomes concerned about his presence as her husband Fred is due home shortly. Although Dennis tells Jane that Fred has found out about their affair, probably through a private investigator, Jane is happy that their six-week relationship is now out in the open. However, Dennis, sure that others will make it all look sordid, worries about the effect the affair will have on his two teenage daughters, whom, he feels, must come first. He is anxious to maintain his scandal-free reputation and, therefore, tells Jane that their affair is over and that he is returning to his wife Katherine. Jane, who had wanted out of her loveless marriage, is totally disillusioned by Dennis' rejection and threatens to commit suicide with a shish kebab skewer. Dennis tries to stop her, but accidentally falls on the skewer, stumbles into the laundry room and collapses. Jane panics and realizes that she must somehow conceal Dennis' lifeless body, but procrastinates and is interrupted by two Girl Scouts collecting clothes for refugees in Europe. Then, her rough-edged brother-in-law Bill stops by looking for Fred and decides to wait for his return. Jane is distant with Bill when he talks about the old days and how she caused a rift between Fred and him: At a picnic, when an eighteen-year-old Bill gets drunk and tries to kiss Jane, and she tells Fred to "keep that filthy kid" away from her. In the present, Bill grabs Jane and kisses her. She slaps him and threatens to tell Fred, but Bill then reveals that Katherine Williams is coming ... +


One afternoon, in the San Fernando Valley, Dennis Williams drives to the house of his lover, Jane Bandle, who becomes concerned about his presence as her husband Fred is due home shortly. Although Dennis tells Jane that Fred has found out about their affair, probably through a private investigator, Jane is happy that their six-week relationship is now out in the open. However, Dennis, sure that others will make it all look sordid, worries about the effect the affair will have on his two teenage daughters, whom, he feels, must come first. He is anxious to maintain his scandal-free reputation and, therefore, tells Jane that their affair is over and that he is returning to his wife Katherine. Jane, who had wanted out of her loveless marriage, is totally disillusioned by Dennis' rejection and threatens to commit suicide with a shish kebab skewer. Dennis tries to stop her, but accidentally falls on the skewer, stumbles into the laundry room and collapses. Jane panics and realizes that she must somehow conceal Dennis' lifeless body, but procrastinates and is interrupted by two Girl Scouts collecting clothes for refugees in Europe. Then, her rough-edged brother-in-law Bill stops by looking for Fred and decides to wait for his return. Jane is distant with Bill when he talks about the old days and how she caused a rift between Fred and him: At a picnic, when an eighteen-year-old Bill gets drunk and tries to kiss Jane, and she tells Fred to "keep that filthy kid" away from her. In the present, Bill grabs Jane and kisses her. She slaps him and threatens to tell Fred, but Bill then reveals that Katherine Williams is coming over with her husband Dennis, to meet Fred. Jane learns that it was Bill who hired the detective and has set her up out of revenge. When Katherine arrives from Beverly Hills, she notices that Jane is trembling. After Bill prevents her from phoning the police, Jane slips out of the house and attempts to catch a bus, but Fred, who is driving home, spots her and picks her up. Back at the house Bill introduces Katherine to Fred, who assumes she is Bill's date. Bill then takes Fred outside to tell him about Jane's affair while Katherine tells Jane that, as the wronged wife, she is supposed to hate her, but does not, considering her merely a fool and a weakling. After Katherine informs her that Dennis had two other affairs, Fred returns and asks if she has anything to say. When she does not respond, he slaps her, then demands to know when Dennis is going to arrive. Jane breaks down and takes them to where she left his body, but it is gone. Jane becomes hysterical as Fred and Katherine follow a trail of blood and Bill phones for an ambulance. When questioned, the two Girl Scouts tell Fred and Katherine that they saw an ice cream truck stop and drive Dennis to a hospital in Van Nuys. Katherine phones the hospital and learns that Dennis is recovering, that he still loves her and that his lung injury has been designated as an accident. Jane goes into her bathroom and cuts her wrists, but the ambulance Bill summoned arrives and the two attendants treat her. Before Katherine accompanies Jane to the hospital, Bill tells the ambulance men to report the injury as an accident. While Fred packs items to take to Jane in the hospital, Bill tries to persuade him to abandon her, revealing the depth of his jealousy. Fred, however, accuses Bill of setting it all up, and claims that he has always been jealous of him and his life with Jane. When Fred goes to his car, Bill follows and declares that Jane is a double-crossing cheat, whereupon Fred punches him on the jaw and tells him to keep away from them. Fred then drives off while Bill runs hysterically after the car. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.