The Saint's Vacation (1941)

61 mins | Drama | 9 May 1941

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HISTORY

The working title of this film was Getaway. A HR news item notes that in Feb 1941, the studio decided to stop American production of their "Saint" pictures and assigned producer William Sistrom to begin filming the series in London with a new set of British actors. The Var review explained that the move was prompted by the British government's decision to freeze RKO's funds in England, thus making them available only for British production. In the early 1940's, the British government enacted the Films Act which placed the revenues earned from American films distributed in Britain under the auspices of the British Treasury. The act limited the earnings that an American company could take out of the country to 50 percent, effectively freezing the other 50 percent in Britain. To access those "frozen funds," RKO decided to produce The Saint's Vacation and several others in Britain, although only one other "Saint" picture, The Saint Meets the Tiger, was produced (see below). In The Saint's Vacation, Hugh Sinclair took over the title role from George Sanders, who then stepped into RKO's "Falcon" series. For additional information about "The Saint" series, consult the Series Index and see entry for the 1938 film The Saint in New York in AFI Catalog of Feature Films, 1931-40. ...

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The working title of this film was Getaway. A HR news item notes that in Feb 1941, the studio decided to stop American production of their "Saint" pictures and assigned producer William Sistrom to begin filming the series in London with a new set of British actors. The Var review explained that the move was prompted by the British government's decision to freeze RKO's funds in England, thus making them available only for British production. In the early 1940's, the British government enacted the Films Act which placed the revenues earned from American films distributed in Britain under the auspices of the British Treasury. The act limited the earnings that an American company could take out of the country to 50 percent, effectively freezing the other 50 percent in Britain. To access those "frozen funds," RKO decided to produce The Saint's Vacation and several others in Britain, although only one other "Saint" picture, The Saint Meets the Tiger, was produced (see below). In The Saint's Vacation, Hugh Sinclair took over the title role from George Sanders, who then stepped into RKO's "Falcon" series. For additional information about "The Saint" series, consult the Series Index and see entry for the 1938 film The Saint in New York in AFI Catalog of Feature Films, 1931-40.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
21 Jun 1941
---
Hollywood Reporter
22 Nov 1940
p. 3
Hollywood Reporter
7 Feb 1941
p. 2
Motion Picture Herald
22 Mar 1941
---
New York Times
13 Jun 1941
p. 22
Variety
18 Jun 1941
p. 16
DETAILS
Series:
Alternate Title:
Getaway
Release Date:
9 May 1941
Production Date:
1941 at D & P Studios, England
Copyright Info
Claimant
Date
Copyright Number
RKO Radio Pictures, Inc.
6 June 1941
LP10635
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Black and White
Duration(in mins):
61
Length(in feet):
5,995
Countries:
United Kingdom, United States
Language:
English
SYNOPSIS

Simon Templar, the debonair sleuth known as "The Saint," is hounded by the press for a story as he sets sail for a vacation in Switzerland with his friend, Monty Hayward. Determined to get a story, reporter Mary Langdon trails Simon to the Hotel Regina and corners him in the lobby. There Simon excuses himself to greet Valerie, an old friend, but knows something is amiss when she denies knowing him and furtively sneaks away to meet a man she calls Gregory. Simon watches as Gregory speeds away in his car and is followed by Rudolph Hauser, Simon's old adversary. Simon then proposes that Mary and Monty accompany him on a stroll in the woods, where they witness a man being assaulted. Simon comes to the rescue and takes the injured man to his hotel suite. After finding a locked box in the man's possession, Simon goes into the next room to show it to his companions, and when he returns to his room, he discovers that the man has been stabbed to death. When Hauser and his accomplice Marko appear and reclaim the box at gunpoint, Simon jumps onto the rear bumper of their car and follows them to their headquarters, where he watches as Hauser interrogates Gregory about the box. Simon then steps in to claim the box, calling Mary with instructions to meet him at the St. Gallen crossroad. As Simon speaks into the phone, Hauser grabs the box and disappears through a secret panel. Hauser and Marko drive to the crossroad, where they plan to eliminate Simon, but are surprised when Simon pops out of ...

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Simon Templar, the debonair sleuth known as "The Saint," is hounded by the press for a story as he sets sail for a vacation in Switzerland with his friend, Monty Hayward. Determined to get a story, reporter Mary Langdon trails Simon to the Hotel Regina and corners him in the lobby. There Simon excuses himself to greet Valerie, an old friend, but knows something is amiss when she denies knowing him and furtively sneaks away to meet a man she calls Gregory. Simon watches as Gregory speeds away in his car and is followed by Rudolph Hauser, Simon's old adversary. Simon then proposes that Mary and Monty accompany him on a stroll in the woods, where they witness a man being assaulted. Simon comes to the rescue and takes the injured man to his hotel suite. After finding a locked box in the man's possession, Simon goes into the next room to show it to his companions, and when he returns to his room, he discovers that the man has been stabbed to death. When Hauser and his accomplice Marko appear and reclaim the box at gunpoint, Simon jumps onto the rear bumper of their car and follows them to their headquarters, where he watches as Hauser interrogates Gregory about the box. Simon then steps in to claim the box, calling Mary with instructions to meet him at the St. Gallen crossroad. As Simon speaks into the phone, Hauser grabs the box and disappears through a secret panel. Hauser and Marko drive to the crossroad, where they plan to eliminate Simon, but are surprised when Simon pops out of their trunk and demands the box. Just then, Monty, disguised as a police officer, drives up and, after returning the box to Hauser, pretends to arrest Simon. As they drive away, Simon informs Monty that he emptied the contents of the box, and thus to Monty's chagrin, the troublesome object is still their traveling companion. At the hotel, Simon examines the music box that he removed from Hauser's box and discovers that its playing cylinder punches a peculiar code on a piece of blank paper. When Valerie calls and demands the box, Simon decides to mail it across the border and books passage on the train that carries the mail. Also on board the train are Mary, Monty, Hauser, Marko, Gregory and Valerie. Rudolph and Marko begin to rifle the mail car but are interrupted by Gregory, who is killed in the ensuing shootout. Nevertheless, Rudolph finds the box and when the train stops at the next station, the police, who have been alerted by Hauser, board the train and arrest Simon for the murder of the man found in his hotel room. When Hauser opens the box, he finds a medicine kit and, realizing that Simon has tricked him, abducts Monty and calls Simon in jail to demand the box in exchange for Monty's freedom. Meanwhile, Mary goes to visit Simon in jail and is arrested as his accomplice. Feigning a fire in their cell, the two escape and drive to Hauser's castle. Simon realizes that Hauser is unaware that the box is stowed in Monty's luggage, and offers to tell him the location of the box in return for clearing Simon's name and releasing Monty. Hauser agrees to Simon's terms, and after Mary speeds off to Paris with Monty, Simon informs Hauser that the box is on its way to Paris and threatens to charge Hauser with murder and mail theft unless he is allowed to go free. As Simon returns to London, he is greeted at dockside by the story-hungry press and Inspector Teal, who accompanies Simon, Mary and Monty to headquarters, where Simon turns the box over to Charles Leighton of the war office. As Leighton explains that the notches on the box's music cylinder replicate a plan for a secret sound detection device, Valerie, who was also working for the British government, enters the room and greets Simon.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.