Never Fear
(1950)
81-82 mins | Drama | January 1950
Director:
Ida LupinoWriters:
Ida Lupino, Collier YoungProducer:
Collier YoungCinematographer:
Archie StoutEditors:
Wm. H. Ziegler, Harvey MangerProduction Designer:
Van Nest PolglaseProduction Company:
The Filmakers, Inc.A May 1950 news item in DV notes that the title of this film was changed to The Young Lovers following its opening run in several cities. Although a print of this film bearing the title They're Called Young Lovers has been located, it may have been a television release title. The following written prologue appears at the beginning of the film: "This is a true story. It was photographed where it happened. Our grateful thanks to the many who made this motion picture possible." A contemporary news item in LAEx notes that director/actress Ida Lupino was diagnosed with polio at age sixteen and was successfully treated for paralysis in her right hand. An undated NYT pre-production news item in the AMPAS clipping file announced Frank Cavett as the intended director of the picture.
This film marked Lupino's first directorial credit, and the first onscreen credit for Hugh O'Brian. A contemporary news item notes that Lupino was diagnosed with polio at age sixteen and was successfully treated for paralysis in her right hand. An Apr 1949 news item in DV indicated that Anson Bond was to be the associate producer of the film, and that Leo Penn was set for a starring role. Bond and Penn were involved in Lupino's previous co-production with her then husband, Collier Young, Not Wanted (see below), but they did not participate in this film. Contemporary news items note that the name of Young and Lupino's production company, Emerald Productions, was changed to The Filmakers during the making of the picture.
According ...
A May 1950 news item in DV notes that the title of this film was changed to The Young Lovers following its opening run in several cities. Although a print of this film bearing the title They're Called Young Lovers has been located, it may have been a television release title. The following written prologue appears at the beginning of the film: "This is a true story. It was photographed where it happened. Our grateful thanks to the many who made this motion picture possible." A contemporary news item in LAEx notes that director/actress Ida Lupino was diagnosed with polio at age sixteen and was successfully treated for paralysis in her right hand. An undated NYT pre-production news item in the AMPAS clipping file announced Frank Cavett as the intended director of the picture.
This film marked Lupino's first directorial credit, and the first onscreen credit for Hugh O'Brian. A contemporary news item notes that Lupino was diagnosed with polio at age sixteen and was successfully treated for paralysis in her right hand. An Apr 1949 news item in DV indicated that Anson Bond was to be the associate producer of the film, and that Leo Penn was set for a starring role. Bond and Penn were involved in Lupino's previous co-production with her then husband, Collier Young, Not Wanted (see below), but they did not participate in this film. Contemporary news items note that the name of Young and Lupino's production company, Emerald Productions, was changed to The Filmakers during the making of the picture.
According to an Apr 1950 NYT news item, Lupino and Collier did not seek funding from the major studios, and instead used their own and their friends' money to make the film and cast Lupino's sister Rita in the film. Howard Hughes, after previewing the film, was said to have been so impressed with what Lupino and Collier accomplished on a $151,000 budget that he gave them a nine-month contract to join RKO as an independent producing unit. On 31 May 1949, HR noted that the film would be produced for Film Classics release, but subsequently reported on 19 Sep 1949 that it had been withdrawn from release by that company. According to a HR news item dated 25 Apr 1949, the film was to be shot at California Studio, although the same publication notes on 30 Aug 1949 that the film was to be shot entirely on location. Never Fear was shot at least in part on location at the Kabat Kaiser Institute in Santa Monica, CA.
Theyre Called Young Lovers
Seemingly destined for success, dancer Carol Williams and her partner Guy Richards celebrate the end of a fine performance at Club 18 and dream of the fame and fortune to come. Their dreams are suddenly shattered, however, when Carol suffers from blurred vision and is diagnosed with Poliomyelitis by Dr. Hugh Taylor. Carol despairs and believes that she will never walk or dance again. Scheduled for months of physical therapy under the care of doctors at the Kabat Kaiser Institute, Carol is told that she will be able to walk again only if she maintains the will to do so. Meanwhile, Guy, desperate for work now that he has no dance partner, takes a job as a realtor. At a hospital picnic, Carol begins to show signs of progress and joins her new friend Len Randall, a wheelchair-bound patient who has provided her with inspiration, in a square dance. Carol is in love with Len, and when Guy shows up at the hospital with an engagement ring for her, she refuses it and tells Guy that selling houses is no life for him. Carol says she will not allow Guy to become her "nursemaid," but he insists that he still loves her and will do anything to keep her. Unable to understand her change of heart, Guy asks Carol what is troubling her, and she shouts back, angrily, "I'm a cripple, Guy, that's what's the matter with me!" Guy is determined to win Carol back, and when they take a drive to talk matters over, he turns to Carol and pleads with her to "be a woman" for him. She rejects ...
Seemingly destined for success, dancer Carol Williams and her partner Guy Richards celebrate the end of a fine performance at Club 18 and dream of the fame and fortune to come. Their dreams are suddenly shattered, however, when Carol suffers from blurred vision and is diagnosed with Poliomyelitis by Dr. Hugh Taylor. Carol despairs and believes that she will never walk or dance again. Scheduled for months of physical therapy under the care of doctors at the Kabat Kaiser Institute, Carol is told that she will be able to walk again only if she maintains the will to do so. Meanwhile, Guy, desperate for work now that he has no dance partner, takes a job as a realtor. At a hospital picnic, Carol begins to show signs of progress and joins her new friend Len Randall, a wheelchair-bound patient who has provided her with inspiration, in a square dance. Carol is in love with Len, and when Guy shows up at the hospital with an engagement ring for her, she refuses it and tells Guy that selling houses is no life for him. Carol says she will not allow Guy to become her "nursemaid," but he insists that he still loves her and will do anything to keep her. Unable to understand her change of heart, Guy asks Carol what is troubling her, and she shouts back, angrily, "I'm a cripple, Guy, that's what's the matter with me!" Guy is determined to win Carol back, and when they take a drive to talk matters over, he turns to Carol and pleads with her to "be a woman" for him. She rejects his advances and asks him to find another woman to take care of his needs. Guy eventually gives up hope that he and Carol will ever be reunited and begins a romance with his secretary. On her twenty-first birthday, Carol, now able to take her first steps, is visited by Guy, who tells her that he has taken her advice and quit the real estate business and found another dance partner. Carol is hurt by the news but hides her pain from Guy. Len comforts Carol when she becomes hysterical and screams out her frustration, but he, too, hurts her when he tells her that he will be going back to his wife when he is released. On the day of her release from the Kabat Kaiser Institute, Carol has difficulty walking down the street alone, and is jealous of those who are able to walk freely. As she limps along, Guy shows up unexpectedly and they embrace in a kiss.
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