Union Station (1950)

80-81 mins | Drama | September 1950

Director:

Rudolph Maté

Writer:

Sydney Boehm

Producer:

Jules Schermer

Cinematographer:

Daniel L. Fapp

Production Designers:

Hans Dreier, Earl Hedrick

Production Company:

Paramount Pictures Corp.
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HISTORY

Thomas Walsh's novel was originally published in The Saturday Evening Post under the title Manhattan Madness. The working titles of this film were Manhattan Madness and Nightmare in Manhattan. According to a pre-production LAT news item, John Lund was at one time considered for the lead role. HR news items reported that Alan Ladd was initially considered for the lead, and Wanda Hendrix was cast as "Lorna." Union Station marked the feature film debut of character actor Robert Cornthwaite (1917--2006), who was billed as Robert R. Cornthwaite. Technical advisor E. W. Smith worked as a lieutenant in the Los Angeles police force.
       Many scenes were shot on location in and around Los Angeles, most notably Union Station, and the L.A. Union Depot and Stockyards. Other locations included Griffith Park in Los Angeles, Saugus, a train station in Pasadena, which doubled for the "Westhampton" station in the film, and an East Los Angeles station. The LAT review noted that "actually, so many of the sequences were shot here (or in a reasonable facsimile thereof) that it will come as something of a surprise to Angelenos to find an L [sic] train and stockyards suspiciously like those in Chicago popping up suddenly in the same city. To be sure, Paramount never says 'This is L.A.' in so many words, and an early reference to a suburb as 'Westhampton' should be the tip-off that it isn't." ...

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Thomas Walsh's novel was originally published in The Saturday Evening Post under the title Manhattan Madness. The working titles of this film were Manhattan Madness and Nightmare in Manhattan. According to a pre-production LAT news item, John Lund was at one time considered for the lead role. HR news items reported that Alan Ladd was initially considered for the lead, and Wanda Hendrix was cast as "Lorna." Union Station marked the feature film debut of character actor Robert Cornthwaite (1917--2006), who was billed as Robert R. Cornthwaite. Technical advisor E. W. Smith worked as a lieutenant in the Los Angeles police force.
       Many scenes were shot on location in and around Los Angeles, most notably Union Station, and the L.A. Union Depot and Stockyards. Other locations included Griffith Park in Los Angeles, Saugus, a train station in Pasadena, which doubled for the "Westhampton" station in the film, and an East Los Angeles station. The LAT review noted that "actually, so many of the sequences were shot here (or in a reasonable facsimile thereof) that it will come as something of a surprise to Angelenos to find an L [sic] train and stockyards suspiciously like those in Chicago popping up suddenly in the same city. To be sure, Paramount never says 'This is L.A.' in so many words, and an early reference to a suburb as 'Westhampton' should be the tip-off that it isn't."

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
15 Jul 1950
---
Daily Variety
11 Jul 1950
p. 3
Film Daily
14 Jul 1950
p. 5
Hollywood Reporter
7 Jun 1949
p. 2
Hollywood Reporter
17 Jan 1950
p. 2
Hollywood Reporter
30 Jan 1950
p. 3
Hollywood Reporter
11 Jul 1950
p. 3
Los Angeles Examiner
6 Dec 1949
---
Los Angeles Times
5 Nov 1949
---
Motion Picture Herald Product Digest
15 Jul 1950
p. 390
New York Times
5 Oct 1950
p. 38
Variety
12 Jul 1950
p. 6
CAST
NAME
CREDITED AS
CREDIT
Robert R. Cornthwaite
Howard J. Negley
Thomas E. Jackson
Mike P. Donovan
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Eddie Salven
Asst dir
Asst dir
Danny McCauley
2d asst dir
2d unit dir
2d unit asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
Cam asst
Gaffer
Stills
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
SET DECORATORS
Set dec
Set dec
Props, asst
COSTUMES
MUSIC
Mus dir
SOUND
Sd rec
VISUAL EFFECTS
process photog
Transparencies
MAKEUP
Makeup supv
Makeup artist
Makeup artist
Makeup artist
Makeup artist
Makeup artist
PRODUCTION MISC
Union Station superintendent
Union Station station master
Jimmy Vincent
Dial coach
Prod mgr
Casting
C. Kenneth DeLand
Prod mgr
Scr supv
Co grip
Mike grip
Cableman
Best boy
SOURCES
LITERARY
Based on the novel Nightmare in Manhattan by Thomas Walsh (Boston, 1950).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Titles:
Manhattan Madness
Nightmare in Manhattan
Release Date:
September 1950
Production Date:
18 Jan--7 Mar 1950
Copyright Info
Claimant
Date
Copyright Number
Paramount Pictures Corp.
18 September 1950
LP407
Physical Properties:
Sound
Western Electric Recording
Black and White
Duration(in mins):
80-81
Length(in feet):
7,241
Length(in reels):
8
Country:
United States
SYNOPSIS

At a suburban train station, private secretary Joyce Willecombe bids farewell to her wealthy boss's blind daughter, Lorna Murchison, and boards a train bound for the city. After the train gets underway, Joyce notices a car chasing it to the next stop, where the car's male passengers, Gus Hadder and Vince Marley, then separately board the train. Joyce notifies the conductor when she notices one of the men carrying a gun, and the conductor wires ahead to Union Station to arrange for station police lieutenant William Calhoun to meet her on arrival. Although Bill expresses his doubts about her claims, Joyce's suspicions are heightened when she sees Hadder and Marley deposit a suitcase in a locker and mail the key in an envelope. Bill retrieves the suitcase, which Joyce identifies as belonging to Lorna. Bill realizes that Lorna must have been kidnapped and sends for Inspector Donnelly from the city police, and Lorna's father Henry Murchison, who, although he has not yet received a ransom demand, does not want the police involved. Joyce becomes angry because the kidnappers manage to escape, so she stays at the station to help identify them when they return. When the kidnappers finally make first contact with Murchison at the station, Joyce identifies them. Bill and his men surreptitiously follow Hadder on the elevated trains to a freight depot, but Hadder becomes suspicious and runs into a cattle stockyard, where he is killed by a stampede of cattle frightened by the police gunshots. Donnelly and Bill stifle news of Hadder's death so as not to alarm the other kidnappers, and then set up plainclothesmen in the station to watch ...

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At a suburban train station, private secretary Joyce Willecombe bids farewell to her wealthy boss's blind daughter, Lorna Murchison, and boards a train bound for the city. After the train gets underway, Joyce notices a car chasing it to the next stop, where the car's male passengers, Gus Hadder and Vince Marley, then separately board the train. Joyce notifies the conductor when she notices one of the men carrying a gun, and the conductor wires ahead to Union Station to arrange for station police lieutenant William Calhoun to meet her on arrival. Although Bill expresses his doubts about her claims, Joyce's suspicions are heightened when she sees Hadder and Marley deposit a suitcase in a locker and mail the key in an envelope. Bill retrieves the suitcase, which Joyce identifies as belonging to Lorna. Bill realizes that Lorna must have been kidnapped and sends for Inspector Donnelly from the city police, and Lorna's father Henry Murchison, who, although he has not yet received a ransom demand, does not want the police involved. Joyce becomes angry because the kidnappers manage to escape, so she stays at the station to help identify them when they return. When the kidnappers finally make first contact with Murchison at the station, Joyce identifies them. Bill and his men surreptitiously follow Hadder on the elevated trains to a freight depot, but Hadder becomes suspicious and runs into a cattle stockyard, where he is killed by a stampede of cattle frightened by the police gunshots. Donnelly and Bill stifle news of Hadder's death so as not to alarm the other kidnappers, and then set up plainclothesmen in the station to watch Murchison's arranged meeting. Although the kidnappers fail to make contact at the appointed hour, Joyce sees Joe Beacom, the mastermind, whom she recalls as the driver of the car, and follows him. She then writes down the license plate number of his car, while the police capture Marley. Terrified when the police threaten to push him in front of a train, Marley reveals the address where Lorna is being held. Beacom, meanwhile, tells his girl friend, Marge Wrighter, that he intends to kill Lorna after he gets the ransom. By the time the police raid his apartment, he, Marge and Lorna have gone. When Bill visits Joyce to let her know that Lorna is alive, Joyce finds herself caring for him, even though he once seemed more interested in the logistics of the kidnapping than in actually saving Lorna. That same night, a patrolman identifies Beacom and attempts to arrest him, but Beacom kills the policeman and ruthlessly shoots Marge, leaving her in the street as he escapes with Lorna. In the hospital, Marge tells Donnelly, Calhoun and Murchison about Beacom's plan to kill Lorna. Beacom, meanwhile, takes his terrified captive into the municipal tunnels below the city, which feed into Union Station. After placing her in a freight cart where she is in danger of being electrocuted by live wires, Beacom wends his way up to the station, dressed as a conductor. Murchison arrives in the morning for the next ransom drop off, and Beacom quietly takes a parcel clerk hostage. Murchison then receives a telegram advising him to give the suitcase of money to the messenger, who then drops off the suitcase for the parcel clerk. When the clerk appears to send the messenger away with the same suitcase, both Bill and Joyce notice that the suitcases have merely been exchanged. Beacom then shoots Bill and escapes into the tunnels. Despite his injury, Bill follows Beacom into the tunnels, and shoots the kidnapper in the process. Using a utility phone, Bill gives Donnelly and the police his location. Bill then wounds Beacom a second time, and the kidnapper drops the money and staggers toward Lorna. Bill kills Beacom as the kidnapper aims for Lorna, and she is saved. As father and daughter are reunited, Joyce tends to Bill's shoulder wound, and announces her intention of looking after him for a long time.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.