The Awakening (1928)

105 mins | Drama | 11 November 1928

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HISTORY

Referring to the film by its working title, The Innocent, the 1 Mar 1928 FD announced that the feature, an original written by Frances Marion, would be the first starring role for Vilma Banky. The 14 Mar 1928 FD indicated that Samuel Goldwyn, Inc. was handling the production, with filming set to occur at the United Studios in Hollywood, CA. Victor Fleming was named as the director.
       Principal photography began on 7 May 1928, according to the 23 Jun 1928 Motion Picture News. Extensive sets of post-war Alsace-Lorraine were built on the lot, and production was expected to continue into early Aug 1928.
       On 13 May 1928, FD reported the title change to The Awakening. One week later, the 21 May 1928 issue noted that the film would be the first all-talking Movietone release from United Artists Corp.
       The 16 Jun 1928 Motion Picture News added Yola D’Avril, Ferdinand Schumann-Heink, Owen Gorin, and Arno Frey to the cast.
       As of 22 Aug 1928, principal photography was still underway, as stated in that day’s Exhibitors Daily Review. The 13 Oct 1928 Exhibitors Herald and Moving Picture World announced that husband and wife team H. H. Caldwell and Katherine Hilliker had recently completed the editing and titling of the picture.
       The Awakening opened in Los Angeles, CA, at the United Artists Theatre on 11 Nov 1928, according to the following day’s Exhibitors Daily Review. The New York opening was held on 20 Dec 1928 at the Rivoli Theatre, as noted in the 9 Jan 1929 Var review, ...

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Referring to the film by its working title, The Innocent, the 1 Mar 1928 FD announced that the feature, an original written by Frances Marion, would be the first starring role for Vilma Banky. The 14 Mar 1928 FD indicated that Samuel Goldwyn, Inc. was handling the production, with filming set to occur at the United Studios in Hollywood, CA. Victor Fleming was named as the director.
       Principal photography began on 7 May 1928, according to the 23 Jun 1928 Motion Picture News. Extensive sets of post-war Alsace-Lorraine were built on the lot, and production was expected to continue into early Aug 1928.
       On 13 May 1928, FD reported the title change to The Awakening. One week later, the 21 May 1928 issue noted that the film would be the first all-talking Movietone release from United Artists Corp.
       The 16 Jun 1928 Motion Picture News added Yola D’Avril, Ferdinand Schumann-Heink, Owen Gorin, and Arno Frey to the cast.
       As of 22 Aug 1928, principal photography was still underway, as stated in that day’s Exhibitors Daily Review. The 13 Oct 1928 Exhibitors Herald and Moving Picture World announced that husband and wife team H. H. Caldwell and Katherine Hilliker had recently completed the editing and titling of the picture.
       The Awakening opened in Los Angeles, CA, at the United Artists Theatre on 11 Nov 1928, according to the following day’s Exhibitors Daily Review. The New York opening was held on 20 Dec 1928 at the Rivoli Theatre, as noted in the 9 Jan 1929 Var review, which praised the lavish and elegant production, and stated that George Barnes’s photography was “distinguished for clearness, beauty and imagination.” However, the review complained that the picture suffered from “dragginess,” and the story had a “kindergarten plot.”
       The Awakening was nominated for an Academy Award in 1930 for “Art Direction” by William Cameron Menzies.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Daily Review
22 Aug 1928
p. 4
Exhibitors Daily Review
12 Nov 1928
p. 1
Exhibitors Herald and Moving Picture World
26 May 1928
p. 102
Exhibitors Herald and Moving Picture World
13 Oct 1928
p. 38
Film Daily
1 Mar 1928
p. 2
Film Daily
14 Mar 1928
p. 4
Film Daily
13 May 1928
p. 9
Film Daily
21 May 1928
p. 2
Film Daily
18 Nov 1928
---
Motion Picture News
16 Jun 1928
p. 2024
Motion Picture News
23 Jun 1928
p. 2138
New York Times
31 Dec 1928
p. 9
Variety
9 Jan 1929
p. 11
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
FILM EDITORS
Film ed
Film ed
MUSIC
Mus score
SOURCES
SONGS
"Marie," music and lyrics by Irving Berlin.
SONGWRITER/COMPOSER
DETAILS
Alternate Title:
The Innocent
Release Date:
11 November 1928
Premiere Information:
Los Angeles opening: 11 Nov 1928; New York opening: 20 Dec 1928
Production Date:
began 7 May 1928
Copyright Info
Claimant
Date
Copyright Number
Samuel Goldwyn
5 December 1928
LP25887
Physical Properties:
Black and White
Sound, also silent
Mus score and sd eff by Movietone
Duration(in mins):
105
Length(in feet):
8,081
Length(in reels):
9
Country:
United States
Language:
English
SYNOPSIS

In Alsace just before the World War, Marie Ducrot, a beautiful and virtuous peasant who falls in love with Count Karl von Hagen--a lieutenant in the German Army--is seen visiting Karl in his quarters, and an angry mob of townspeople hurl stones and curses at her. Marie, mistakenly reported dead, becomes a novice in a religious order. War breaks out, and von Hagen is injured in fighting near Marie's convent; he is cared for by Marie and persuades her to return to Germany with him. Le Bête, a French Army sergeant of their acquaintance, helps them to reach the German lines and safety. Le Bête is killed by a sniper's bullet, and Marie and Karl prepare for a brighter ...

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In Alsace just before the World War, Marie Ducrot, a beautiful and virtuous peasant who falls in love with Count Karl von Hagen--a lieutenant in the German Army--is seen visiting Karl in his quarters, and an angry mob of townspeople hurl stones and curses at her. Marie, mistakenly reported dead, becomes a novice in a religious order. War breaks out, and von Hagen is injured in fighting near Marie's convent; he is cared for by Marie and persuades her to return to Germany with him. Le Bête, a French Army sergeant of their acquaintance, helps them to reach the German lines and safety. Le Bête is killed by a sniper's bullet, and Marie and Karl prepare for a brighter future.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.