Free and Easy (1941)

55-56 mins | Comedy | 28 February 1941

Director:

George Sidney

Writer:

Marvin Borowsky

Cinematographers:

George Folsey, Charles Lawton

Editor:

Frank E. Hull

Production Designer:

Cedric Gibbons

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

HR production charts include actors Donald Meek and Henry O'Neill in the cast, but neither were in the viewed print or mentioned in reviews. Production charts list Edward Buzzell, rather than George Sidney, as director, Frederick Y. Smith, rather than Frank E. Hull, as the film editor and George Folsey as the sole cameraman. According to news items, retakes were necessary on the film in late Jan 1941. It is possible that changes in the cast and production staff were made at that time. The HR reviewer also speculated that producer Milton Bren's name was not in the onscreen credits because of production problems with the film. This was writer George Sidney's first film as a director. Robert Cummings was borrowed from Universal for the picture. After principal photography was completed, Cummings went to RKO to make The Devil and Miss Jones (see above) but, according to news items, was called back to M-G-M for retakes on Free and Easy, thus causing an interruption of several days on the RKO film.
       M-G-M made an earlier version of Ivor Novello's play in 1932 under the title But the Flesh Is Weak (see AFI Catalog of Feature Films, 1931-40; F3.0541). screenplay for that version was written by Novello and is almost identical to the 1941 version except that the female lead in the 1932 film was from Vienna instead of America. The 1932 film starred Robert Montgomery and Nora Gregor. Although C. Aubrey Smith and Forrester Harvey were both in the 1932 and 1941 versions, neither recreated their earlier roles.

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HR production charts include actors Donald Meek and Henry O'Neill in the cast, but neither were in the viewed print or mentioned in reviews. Production charts list Edward Buzzell, rather than George Sidney, as director, Frederick Y. Smith, rather than Frank E. Hull, as the film editor and George Folsey as the sole cameraman. According to news items, retakes were necessary on the film in late Jan 1941. It is possible that changes in the cast and production staff were made at that time. The HR reviewer also speculated that producer Milton Bren's name was not in the onscreen credits because of production problems with the film. This was writer George Sidney's first film as a director. Robert Cummings was borrowed from Universal for the picture. After principal photography was completed, Cummings went to RKO to make The Devil and Miss Jones (see above) but, according to news items, was called back to M-G-M for retakes on Free and Easy, thus causing an interruption of several days on the RKO film.
       M-G-M made an earlier version of Ivor Novello's play in 1932 under the title But the Flesh Is Weak (see AFI Catalog of Feature Films, 1931-40; F3.0541). screenplay for that version was written by Novello and is almost identical to the 1941 version except that the female lead in the 1932 film was from Vienna instead of America. The 1932 film starred Robert Montgomery and Nora Gregor. Although C. Aubrey Smith and Forrester Harvey were both in the 1932 and 1941 versions, neither recreated their earlier roles.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
29 Mar 1941
---
Daily Variety
10-Apr-41
---
Film Daily
3 Apr 1941
p. 6
Hollywood Reporter
24 Dec 1940
p. 3
Hollywood Reporter
30 Dec 1940
p. 11
Hollywood Reporter
3 Jan 1941
p. 18
Hollywood Reporter
10 Jan 1941
p. 7
Hollywood Reporter
28 Jan 1941
p. 9
Hollywood Reporter
31 Jan 1941
p. 8
Hollywood Reporter
10 Apr 1941
p. 3
Motion Picture Herald
22 Mar 1941
---
Motion Picture Herald Product Digest
22 Feb 1941
p. 63
New York Times
3 Apr 1941
p. 29
Variety
19 Mar 1941
p. 16
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
Milton Bren
Prod
WRITER
PHOTOGRAPHY
Dir of photog
Dir of photog
ART DIRECTORS
Art dir
Assoc
FILM EDITORS
Film ed
SET DECORATOR
Set dec
COSTUMES
Ward
SOUND
Rec dir
SOURCES
LITERARY
Based on the play The Truth Game by Ivor Novello (London 5 Oct 1928).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
28 February 1941
Production Date:
23 Dec 1940--10 Jan 1941; retakes completed 30 Jan 1941
Copyright Info
Claimant
Date
Copyright Number
Loew's Inc.
25 February 1941
LP10295
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
55-56
Length(in feet):
5,005
Length(in reels):
5
Country:
United States
PCA No:
7099
Passed by NBR:
Yes
SYNOPSIS

Londoner Max Clemington and his widowed father Florian make a meager living from romancing rich women but are always hopeful that one of them will someday secure their future by marrying a millionairess. Florian, who had had many opportunities to marry for money in his younger days, chose instead to marry for love, but Max assures his father that he will follow money instead of beauty. He starts by introducing himself at a concert to the wealthy but plain Lady Joan Culver. Joan is attracted to Max and invites him to a party at her home. Max likes the down-to-earth Joan, but when he sees the beautiful American widow Martha Gray at the party, he falls immediately in love. Martha is also attracted to Max, but is currently seeing the wealthy Sir George Kelvin. The next day, at Ascot Racecourse, Max writes a note to Martha indicating his feelings and, after taking her home, proposes to her. She is happy to accept until she learns that he is not wealthy, as she is also poor and needs a rich spouse. After Max leaves, George arrives and proposes to Martha, who accepts, but changes her mind when Max returns and convinces her that money isn't everything. The next evening, after Max happily tells Martha about his new job as a door-to-door salesman, he introduces her to Florian. Because Florian sees how much they love each other, his reservations about the marriage dissolve, and he determines to give them some financial security. He then plays chemin de fer , but loses a large pot that would have brought £5,000. To ...

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Londoner Max Clemington and his widowed father Florian make a meager living from romancing rich women but are always hopeful that one of them will someday secure their future by marrying a millionairess. Florian, who had had many opportunities to marry for money in his younger days, chose instead to marry for love, but Max assures his father that he will follow money instead of beauty. He starts by introducing himself at a concert to the wealthy but plain Lady Joan Culver. Joan is attracted to Max and invites him to a party at her home. Max likes the down-to-earth Joan, but when he sees the beautiful American widow Martha Gray at the party, he falls immediately in love. Martha is also attracted to Max, but is currently seeing the wealthy Sir George Kelvin. The next day, at Ascot Racecourse, Max writes a note to Martha indicating his feelings and, after taking her home, proposes to her. She is happy to accept until she learns that he is not wealthy, as she is also poor and needs a rich spouse. After Max leaves, George arrives and proposes to Martha, who accepts, but changes her mind when Max returns and convinces her that money isn't everything. The next evening, after Max happily tells Martha about his new job as a door-to-door salesman, he introduces her to Florian. Because Florian sees how much they love each other, his reservations about the marriage dissolve, and he determines to give them some financial security. He then plays chemin de fer , but loses a large pot that would have brought £5,000. To cover a £4,500 loss, Florian has to write a bad check and decides that suicide is the only way to avoid prison. That night, after Max goes to bed, Florian takes out his pistol and plans to shoot himself, but is stopped by Max. After he hears Florian's problem, Max decides to marry Joan in exchange for her settling his father's debt. Before he has a chance to tell Martha, however, Joan's father, the Duke, announces their engagement at a reception attended by a shocked Martha. That evening, at an impromptu engagement party, Max becomes jealous of Captain Ferris, an attractive young millionaire who is paying too much attention to Martha. Realizing that he must be honest, Max tells Joan everything. He promises to try to love her, but Joan is hurt and does not want a loveless marriage. She then announces to the guests that their "engagement" was just a joke to win a bet from her father. Max then goes looking for Martha and discovers that she is about to become engaged to Ferris. After telling Martha what he thinks of her attempts to snag a millionaire, Max leaves the party. On his way to his car, he runs into Florian, who reveals that he has just married a wealthy old flame who has settled his debt. As Max drives off, Martha runs after him and, knowing everything, realizes that she cannot live without him. After a brief but frenetic chase, Martha's car sideswipes Max's and they finally kiss and make up.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.