A Yank in the R.A.F. (1941)

98 mins | Drama | 3 October 1941

Director:

Henry King

Producer:

Darryl F. Zanuck

Cinematographer:

Leon Shamroy

Editor:

Barbara McLean

Production Designers:

Richard Day, James Basevi

Production Company:

Twentieth Century-Fox Film Corp.
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HISTORY

The working titles of this film were The Eagle Flies Again and The Eagle Squadron. After the opening credits, there is a written prologue stating: "The Producers wish to express their appreciation to the officers and personnel of the Royal Air Force whose cooperation, under difficult conditions, made possible the filming of the aerial scenes in this production." According to information in the Twentieth Century-Fox Produced Scripts Collection at the UCLA Arts--Special Collections Library, the original story outline for the picture, dated 25 Oct 1940 and entitled The Eagle Squadron, was dictated by producer Darryl F. Zanuck. The Var review also noted that "Melville Crossman," who is credited with "original story" in the onscreen credits, was Zanuck's pseudonym.
       In Zanuck's original story, "Tim Baker" was to be killed at the end: "What we are working towards is a climax where Ty[rone Power] does some terrifically spectacular thing which ends in his death. During the early days of the present war, in fact, a few days after England came into it, Billy Fiske, the American sportsman and pilot, enlisted with the British Air Force. He was killed in defending England against an air raid, and in his last flight brought down three planes before he himself was shot down. We may be able to use this as a pattern for this part of our story." (William "Billy" M. L. Fiske III, an American former Olympian, joined the R.A.F. in Sep 1939, served with distinction and died on 17 Aug 1940 of injuries received during an engagement with German bombers). The scripts collection and a ...

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The working titles of this film were The Eagle Flies Again and The Eagle Squadron. After the opening credits, there is a written prologue stating: "The Producers wish to express their appreciation to the officers and personnel of the Royal Air Force whose cooperation, under difficult conditions, made possible the filming of the aerial scenes in this production." According to information in the Twentieth Century-Fox Produced Scripts Collection at the UCLA Arts--Special Collections Library, the original story outline for the picture, dated 25 Oct 1940 and entitled The Eagle Squadron, was dictated by producer Darryl F. Zanuck. The Var review also noted that "Melville Crossman," who is credited with "original story" in the onscreen credits, was Zanuck's pseudonym.
       In Zanuck's original story, "Tim Baker" was to be killed at the end: "What we are working towards is a climax where Ty[rone Power] does some terrifically spectacular thing which ends in his death. During the early days of the present war, in fact, a few days after England came into it, Billy Fiske, the American sportsman and pilot, enlisted with the British Air Force. He was killed in defending England against an air raid, and in his last flight brought down three planes before he himself was shot down. We may be able to use this as a pattern for this part of our story." (William "Billy" M. L. Fiske III, an American former Olympian, joined the R.A.F. in Sep 1939, served with distinction and died on 17 Aug 1940 of injuries received during an engagement with German bombers). The scripts collection and a 5 Nov 1940 HR news item both noted that the story was based on the exploits of the American volunteers in the R.A.F. The news item, and another in early Dec 1940, indicate that Henry Fonda, Don Ameche and Mary Beth Hughes were scheduled to appear as the film's stars.
       According to notes from a 25 Nov 40 conference with Zanuck and the production team, the death of "Tim Baker" would mean that an actor other than Power would have to play the part because "the serious objection to Ty would be that audiences would resent his dying at the finish, and not getting the girl." It was suggested that the part should therefore be played by either James Cagney or Fred MacMurray. The ending in which "Tim Baker" is killed was apparently filmed, however, and according to the 13 Sep 1941 MPH review, "the happy ending [was] filmed after early preview audiences protested the killing of the hero at Dunkirk."
       An 18 Aug 1941 HR news item reported that Zanuck had just ordered the new ending to be filmed. According to the scripts collection, however, it was in late Jan 1941 that Zanuck changed his mind about "Tim Baker" getting killed in the end and "Wing Commander Robert Morley" coming to a romantic conclusion with "Carol Brown." Notes from a 31 Jan 41 conference with Zanuck reveal that Zanuck had discussed the problem "unofficially with some British officials," who felt that the lead character should not die because no more deaths should be shown than were "absolutely essential" to the story. The scripts collection and studio publicity note that also planned but deleted was an elaborate wedding between "Tim Baker" and "Carol Brown" at the end of the picture after "Tim" is discovered to be alive.
       Although the scripts collections and the Twentieth Century-Fox Records of the Legal Department, also at UCLA, note that Robert Hopkins worked on a "story outline" entitled The Eagle Flies Again, the extent of his contribution to the completed picture has not been confirmed. A 5 Nov 1940 HR news item notes that Hopkins was working on the screenplay, as was Martin Hudson, whose contribution to the release film has also not been confirmed. According to HR news items, Phillip Reed was tested for a role in the picture, and Ronald Sinclair was also to be included in the cast, but their participation in the completed picture has not been confirmed.
       According to the MPAA/PCA Collection at the AMPAS Library, both the 21 Mar 1941 and 28 Mar 1941 versions of the film's script were rejected by the PCA because of "the inescapable suggestion" of an "illicit sex affair" between "Tim" and "Carol." The PCA also objected to a long drinking sequence in which "Tim and Roger" and shown "staggeringly drunk." The problems were eventually resolved and the picture approved. The PCA file also reveals that by 8 Aug 1941, the film had had three public previews.
       Many contemporary sources remarked on the unusual amount of cooperation received by Twentieth Century-Fox from the British government and military in the making of the picture. According to studio publicity, Lord Beaverbrook, the British Air Minister, was consulted about the story and "expressed the wish that the comedy and romance might lift the film out of the usual category of war plots." Lord Beaverbrook "set the facilities of the Air Ministry at the disposal of the studio," and numerous contemporary sources noted that thousands of feet of film showing the R.A.F. in action fighting against German planes were sent to Twentieth Century-Fox by Britian. According to studio publicity, studio cameraman Otto Kanturek and his assistant, Jack Perry, went to England to film airplane fight sequences and were shot down and killed during a dogfight between R.A.F. and German fliers.
       According to HR news items, Life and studio publicity, portions of the film were shot on location at the Lockheed Air terminal in Burbank, CA, where all cast and crew members were required to submit proof of American citizenship to gain entry. The Dunkirk sequences were filmed on location at Point Magu, near Oxnard, CA, and at an artificial lake on the Twentieth Century-Fox backlot. The sequences, which took either 27 or 28 days to complete, employed over 1,100 extras, most of whom were American Legion veterans, had more than 2,000 special effects explosions and cost between $190,00 and $250,000. Additional shooting was done in Santa Ana, CA. A 14 Apr 1941 HR news item noted that a German Messerschmitt airplane, shot down by the R.A.F. and sent to the studio for inspection and use in the film, was later put on exhibit at Gilmore Stadium in Los Angeles and the proceeds were donated to British War Relief. A 24 Jan 1942 studio press release reported that Lt. Harold Barlow, an R.A.F. pilot used as Tyrone Power's flying double, had been shot down and taken prisoner in Germany.
       Tyrone Power appeared in a special trailer, entitled "Three of a Kind," for the 1941 Twentieth Century-Fox film Charley's Aunt (see above). In the trailer, Jack Benny, the star of Charley's Aunt, sits in the studio café and discusses his film with Power, who comments on A Yank in the R.A.F., and Randolph Scott, who talks about Belle Starr. No scenes of the three pictures were shown. A 8 Sep 1941 HR news item noted that the studio planned an "international broadcast" that would "include an American salute to the R.A.F. in London, and a greeting from the R.A.F. and the American Eagles to the people of the United States." Although details of the broadcast have not been confirmed, HR news items noted that Power and Betty Grable attended the Hollywood premiere at Grauman's Chinese Theatre, at which 10,000 spectators gathered, while New York Governor Herbert Lehman, Mayor Fiorella LaGuardia and Undersecretary of the Navy James Forrestal attended the New York City premiere. The film received an Academy Award nomination in the Special Effects (Photographic Effects, Fred Sersen; Sound Effects E. H. Hansen) category. HR news items noted that in Jul--Aug 1941, pre-production began on A Tommy in the U.S.A., which Zanuck intended as a "companion picture" to the production. That film, which details the training of British pilots at an Arizona flying school, was released in 1942 as Thunderbirds (see above).

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
13 Sep 1941
---
Daily Variety
9 Sep 1941
p. 3, 5
Film Daily
30 Apr 1941
p. 1
Film Daily
9 Sep 1941
p. 5
Hollywood Reporter
5 Nov 1940
p. 3
Hollywood Reporter
9 Dec 1940
p. 2
Hollywood Reporter
26 Dec 1940
p. 8
Hollywood Reporter
15 Jan 1941
p. 2
Hollywood Reporter
19 Feb 1941
p. 4
Hollywood Reporter
25 Feb 1941
p. 1
Hollywood Reporter
26 Feb 1941
p. 3
Hollywood Reporter
7 Mar 1941
p. 14
Hollywood Reporter
14 Mar 1941
p. 3
Hollywood Reporter
17 Mar 1941
p. 8
Hollywood Reporter
27 Mar 1941
p. 2
Hollywood Reporter
14 Apr 1941
p. 11
Hollywood Reporter
15 Apr 1941
p. 2
Hollywood Reporter
25 Apr 1941
p. 13
Hollywood Reporter
29 Apr 1941
p. 6
Hollywood Reporter
1 May 1941
p. 3
Hollywood Reporter
6 May 1941
p. 4
Hollywood Reporter
7 May 1941
pp. 3-4
Hollywood Reporter
9 May 1941
p. 2, 6
Hollywood Reporter
15 May 1941
p. 4
Hollywood Reporter
16 May 1941
p. 3
Hollywood Reporter
19 May 1941
p. 4
Hollywood Reporter
20 May 1941
p. 4
Hollywood Reporter
23 May 1941
p. 1
Hollywood Reporter
5 Jun 1941
p. 3
Hollywood Reporter
17 Jun 1941
p. 1
Hollywood Reporter
19 Jun 1941
p. 4
Hollywood Reporter
1 Jul 1941
p. 1
Hollywood Reporter
3 Jul 1941
p. 8
Hollywood Reporter
7 Jul 1941
p. 7
Hollywood Reporter
10 Jul 1941
p. 6
Hollywood Reporter
22 Jul 1941
p. 6
Hollywood Reporter
28 Jul 1941
p. 4
Hollywood Reporter
31 Jul 1941
p. 1
Hollywood Reporter
5 Aug 1941
p. 3
Hollywood Reporter
12 Aug 1941
p. 3
Hollywood Reporter
14 Aug 1941
p. 7
Hollywood Reporter
18 Aug 1941
p. 9
Hollywood Reporter
20 Aug 1941
p. 4, 6
Hollywood Reporter
21 Aug 1941
p. 3
Hollywood Reporter
5 Sep 1941
p. 4
Hollywood Reporter
8 Sep 1941
p. 4
Hollywood Reporter
9 Sep 1941
p. 3
Hollywood Reporter
22 Sep 1941
p. 2
Hollywood Reporter
24 Sep 1941
p. 4, 13
Hollywood Reporter
25 Sep 1941
p. 4
Hollywood Reporter
26 Sep 1941
pp. 2-3
Hollywood Reporter
29 Sep 1941
pp. 1-2
Life
22 Sep 1941
pp. 86-87
Motion Picture Daily
9 Sep 1941
---
Motion Picture Herald Product Digest
31 May 1941
p. 149
Motion Picture Herald Product Digest
13 Sep 1941
p. 257
New York Times
27 Sep 1941
p. 11
Variety
10 Sep 1941
p. 8
CAST
NAME
CREDITED AS
CREDIT
Bobbie Hale
Edna Mae Jones
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
Dial dir
PRODUCERS
Lou Edelman
Assoc prod
WRITERS
Melville Crossman
Orig story
Contr wrt
Contr wrt
PHOTOGRAPHY
Dir of photog
R.A.F. flying seq photog in England by
R.A.F. flying seq photog in England by
R.A.F. flying seq photog in England by
Dir of R.A.F. flying seq photog in England
Asst to Otto Kanturek
Dir of aerial seq filmed in U.S.
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Set dec
Joe Behm
Props
COSTUMES
MUSIC
Mus dir
SOUND
E. H. Hansen
Sd eff
VISUAL EFFECTS
Spec eff
Spec eff
DANCE
Dances staged by
PRODUCTION MISC
Dir of London office
Tech adv
Prod mgr
Construction superintendant
Pub dir
STAND INS
R.A.F. flying double for Tyrone Power
SOURCES
SONGS
"Hi-Ya Love" and "Another Little Dream Won't Do Us Any Harm," music by Ralph Rainger, lyrics by Leo Robin.
SONGWRITER/COMPOSER
DETAILS
Alternate Titles:
The Eagle Flies Again
The Eagle Squadron
Release Date:
3 October 1941
Premiere Information:
Hollywood and Chicago premieres: 25 Sep 1941; New York premiere: 26 Sep 1941
Production Date:
late Apr--21 Jul 1941; addl shooting mid Aug 1941
Copyright Info
Claimant
Date
Copyright Number
Twentieth Century-Fox Film Corp.
3 October 1941
LP10765
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Black and White
Duration(in mins):
98
Length(in feet):
8,854
Length(in reels):
10
Country:
United States
PCA No:
7276
SYNOPSIS

Prior to the United States' entry into World War II, egotistical American pilot Tim Baker seeks adventure and money by ferrying a bomber from Canada to England. While in London, he meets a former girl friend, Carol Brown, a nightclub performer who volunteers in the ambulance reserve during the day. Carol is both pleased and annoyed to see Tim, with whom she broke up a year earlier because of his irresponsible nature. Hoping to win Carol back, Tim accepts her dare to join the R.A.F. but quickly becomes bored with the classes teaching basic flying techniques. One afternoon, Carol goes to the airfield and meets Wing Commander John Morley, who is immediately taken with her. Morley sees her nightclub show and escorts her home, after which Carol, angry at Tim for standing her up that evening, tells him that she has a new man in her life. She continues seeing both of them while Tim finishes his training and is assigned to Morley's squadron, but the men are not aware that they are romantic rivals. One night Tim makes a trial run with Corporal Harry Baker, during which they are to drop propaganda leaflets on Berlin. Tim is disgusted with what he perceives to be a useless task, but returns to the base safely and tells Carol that he will be late for their date that night. When Tim arrives at four in the morning, however, after carousing with friends Al Bennett and Roger Pillby, Carol has left her apartment for a weekend in Kent with Morley. Tim's perpetual nonchalance about her, combined with the enjoyable weekend, prompt Carol to tell him that they ...

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Prior to the United States' entry into World War II, egotistical American pilot Tim Baker seeks adventure and money by ferrying a bomber from Canada to England. While in London, he meets a former girl friend, Carol Brown, a nightclub performer who volunteers in the ambulance reserve during the day. Carol is both pleased and annoyed to see Tim, with whom she broke up a year earlier because of his irresponsible nature. Hoping to win Carol back, Tim accepts her dare to join the R.A.F. but quickly becomes bored with the classes teaching basic flying techniques. One afternoon, Carol goes to the airfield and meets Wing Commander John Morley, who is immediately taken with her. Morley sees her nightclub show and escorts her home, after which Carol, angry at Tim for standing her up that evening, tells him that she has a new man in her life. She continues seeing both of them while Tim finishes his training and is assigned to Morley's squadron, but the men are not aware that they are romantic rivals. One night Tim makes a trial run with Corporal Harry Baker, during which they are to drop propaganda leaflets on Berlin. Tim is disgusted with what he perceives to be a useless task, but returns to the base safely and tells Carol that he will be late for their date that night. When Tim arrives at four in the morning, however, after carousing with friends Al Bennett and Roger Pillby, Carol has left her apartment for a weekend in Kent with Morley. Tim's perpetual nonchalance about her, combined with the enjoyable weekend, prompt Carol to tell him that they are through when she returns to London. Upon learning that the other man proposed, Tim offers to marry Carol as well, but the self-sacrificing tone he adopts makes Carol throw him out. When Tim returns to the base, he and Morley discover that they are both Carol's suitors, but just then, they are called on an emergency mission to Dortmund because Germany has invaded Holland and Belgium. Pillby is shot down as he draws fire from Tim after his plane is hit, but Tim is still forced to land on a Dutch beach because of a lost engine. A German patrol spots Tim, Morley and Baker, and Baker bravely sacrifices himself so that the others can escape. Tim attempts to play on Carol's sympathy when he returns by pretending to have a broken arm, and despite her aggravation at the ruse, he forces an engagement ring on her before he has to return to the airfield on another emergency call. At the base, Tim learns of the siege at Dunkirk and finally has a chance to fly a Spitfire as the squadron takes off. After shooting down two German planes, one for Pillby and one for Baker, Tim is shot down himself and appears to be lost. Morley returns safely and realizes that Carol is in love with Tim as she tries to convince herself that he will be okay. They rush to one of the last returning boatloads of evacuated soldiers and are about to give up hope when Tim appears. Carol tearfully shows him that she is still wearing his ring, and after Morley congratulates Tim, the trio walk off arm in arm.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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