Deep in the Heart of Texas (1942)

61 mins | Western | 25 September 1942

Director:

Elmer Clifton

Cinematographer:

Harry Newman

Editor:

Maurice Wright

Production Designer:

Jack Otterson

Production Company:

Universal Pictures Company, Inc.
Full page view
HISTORY

The working titles of this film were Texas Cowboy and The Lone Star Trail. According to MPHPD, the tit;e was changed tt Deep in the Heart of Texas in order to capitalize on the popularity of that current song. In mid-Apr 1942, Tex Ritter signed a contract with Universal to co-star with Johnny Mack Brown in seven westerns, while also agreeing to make one non-western for the studio. This was the first film under that contract. While Universal press materials list Otto Ludwig as the film's editor, the HR and DV reviews credit Maurice Wright in that position, and HR production charts list Russ Schoengarth as editor. Universal press materials include the song "Out on the Lone Star Trail," written by Oliver Drake, but it was not in the print viewed and was not listed by any other source. Modern sources include Frank Ellis, Tom Smith, Ray Jones and Eddie Polo in the cast. ...

More Less

The working titles of this film were Texas Cowboy and The Lone Star Trail. According to MPHPD, the tit;e was changed tt Deep in the Heart of Texas in order to capitalize on the popularity of that current song. In mid-Apr 1942, Tex Ritter signed a contract with Universal to co-star with Johnny Mack Brown in seven westerns, while also agreeing to make one non-western for the studio. This was the first film under that contract. While Universal press materials list Otto Ludwig as the film's editor, the HR and DV reviews credit Maurice Wright in that position, and HR production charts list Russ Schoengarth as editor. Universal press materials include the song "Out on the Lone Star Trail," written by Oliver Drake, but it was not in the print viewed and was not listed by any other source. Modern sources include Frank Ellis, Tom Smith, Ray Jones and Eddie Polo in the cast.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
12 Sep 1942
---
Daily Variety
11 Sep 1942
p. 3
Film Daily
16 Sep 1942
p. 6
Hollywood Reporter
23 Apr 1942
p. 8
Hollywood Reporter
25 May 1942
p. 4
Hollywood Reporter
26 May 1942
p. 6
Hollywood Reporter
5 Jun 1942
p. 11
Hollywood Reporter
10 Jun 1942
p. 2
Hollywood Reporter
1 Jul 1942
p. 6
Hollywood Reporter
11 Sep 1942
p. 3
Motion Picture Herald Product Digest
12 Sep 1942
p. 898
Variety
9 Sep 1942
p. 14
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
Assoc prod
WRITERS
Orig scr, Orig scr
PHOTOGRAPHY
Harry Newman
Dir of photog
ART DIRECTORS
Art dir
FILM EDITORS
Film ed
Film ed
SET DECORATORS
R. A. Gausman
Set dec
Edward R. Robinson
Assoc
MUSIC
Mus dir
Gen mus dir
SOUND
[Sd] tech
SOURCES
SONGS
"Deep in the Heart of Texas," words by June Hershey, music by Don Swander; "Song of the Sage," words and music by Johnny Bond; "Sweet Genevieve," words by George Cooper, music by Henry Tucker; "Dixie," words and music attributed to Daniel Decatur Emmett; "Streets of Laredo (The Cowboy's Lament)," traditional.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Titles:
Texas Cowboy
The Lone Star Trail
Release Date:
25 September 1942
Production Date:
1 Jun--mid Jun 1942
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures Co., inc.
21 August 1942
LP11538
Physical Properties:
Sound
Western Electric Recording
Black and White
Duration(in mins):
61
Length(in feet):
5,461
Length(in reels):
6
Country:
United States
PCA No:
8617
Passed by NBR:
Yes
SYNOPSIS

When Jim Mallory returns home to Texas after the Civil War, he learns that his father, Colonel Mallory, has become the leader of an unscrupulous band of land owners. These land barons, who have refused to adhere to a Congressional decision which removed their titles from vast land holdings, have formed their own "independent" territory known as "The Republic of Rio Grande." Jim and his friend, "Happy" T. Snodgrass, enter the territory just in time to save newspaper editor Jonathan Taylor from the murderous hands of his father's henchmen, Peabody and Idaho. Jonathan and his daughter Nan then tell Jim that the colonel has used such outlaws to force the newly arrived settlers from their legal lands. Brent Gordon, a special representative to the Regional Governor, under an appointment from Congress, arrives in Rio Grande to investigate the homesteaders' complaints. He openly goes to the colonel and accuses him of mistreating the new ranchers. Jim then defies his father and joins ranks with the settlers. Jonathan and Nan are wary of Jim's offer of help, but their suspicions are put to rest when the younger Mallory kills one of the colonel's would-be assassins. Sneed, the colonel's top henchman, then has Jim arrested and convicted of murder. When the colonel orders his condemnmed son's release, Sneed revolts against his employer, hoping to take the elder Mallory's place as leader of the republic. With nowhere else to turn, the colonel goes to Brent, Jonathan and Nan for help, and they agree to take arms against Sneed, on the condition that the colonel disband the new "republic." He agrees, and with Happy's ...

More Less

When Jim Mallory returns home to Texas after the Civil War, he learns that his father, Colonel Mallory, has become the leader of an unscrupulous band of land owners. These land barons, who have refused to adhere to a Congressional decision which removed their titles from vast land holdings, have formed their own "independent" territory known as "The Republic of Rio Grande." Jim and his friend, "Happy" T. Snodgrass, enter the territory just in time to save newspaper editor Jonathan Taylor from the murderous hands of his father's henchmen, Peabody and Idaho. Jonathan and his daughter Nan then tell Jim that the colonel has used such outlaws to force the newly arrived settlers from their legal lands. Brent Gordon, a special representative to the Regional Governor, under an appointment from Congress, arrives in Rio Grande to investigate the homesteaders' complaints. He openly goes to the colonel and accuses him of mistreating the new ranchers. Jim then defies his father and joins ranks with the settlers. Jonathan and Nan are wary of Jim's offer of help, but their suspicions are put to rest when the younger Mallory kills one of the colonel's would-be assassins. Sneed, the colonel's top henchman, then has Jim arrested and convicted of murder. When the colonel orders his condemnmed son's release, Sneed revolts against his employer, hoping to take the elder Mallory's place as leader of the republic. With nowhere else to turn, the colonel goes to Brent, Jonathan and Nan for help, and they agree to take arms against Sneed, on the condition that the colonel disband the new "republic." He agrees, and with Happy's explosives expertise, Brent frees Jim from the jail. In the ensuing gunfight, the colonel is mortally wounded, and Jim avenges his father by killing Sneed. With his dying breath, the colonel then leads his "rebel" forces in their first uttering of the Oath of Allegiance to the United States of America.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Psycho

Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Alfred Hitchcock

The working title of this film was The Unmarried Bride. Some sources list the film as 6 reels in ... >>

2001: A Space Odyssey

Opening credits precede a title card that reads: "The Dawn of Man."
       In an interview in the 16 Jan 1966 NYT, writer-director-producer Stanley Kubrick discussed ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.