Fingers at the Window (1942)

79-80 mins | Mystery | April 1942

Director:

Charles Lederer

Producer:

Irving Starr

Cinematographers:

Charles Lawton, Harry Stradling

Editor:

George Boemler

Production Designer:

Cedric Gibbons

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

Fingers at the Window was screenwriter Charles Lederer's first film as a director and Lew Ayres's last released film for M-G-M. Shortly after the film's previews, Ayres declared himself a conscientious objector to war and, as a result, was confined to an internment camp. By mid-Apr 1942, he requested a change in status from conscientious objector to "non-combatant," and joined the Army Medical Corps. According to news items in HR , M-G-M was concerned about adverse public reaction to Ayres's status and re-shot a "Dr. Kildare" film he had just completed, removing him entirely from the cast. According to one news item, by the time Fingers at the Window was released, the "panic" had lessened and the film opened without incident.
       Most reviews appearing in connection with the film's New York City opening made little or no mention of Ayres' problems, although NYHT said that it was "probably his last appearance on screen" and Kate Cameron wrote in her NYDN review of the film: "Lew's changed status, or the public's curiosity to take a good look at the actor who had the temerity to defy the public opinion and jeopardize his career on the screen for the sake of his principles, must account for the well-filled theatre that greeted Lew."
       Ayres returned to the screen in the 1946 Universal film The Dark Mirror . For additional information on Ayres and the effect of his military status on other films, please consult the entries above for Calling Dr. Gillespie , The Dark Mirror and Dr. Kildare's Victory ... More Less

Fingers at the Window was screenwriter Charles Lederer's first film as a director and Lew Ayres's last released film for M-G-M. Shortly after the film's previews, Ayres declared himself a conscientious objector to war and, as a result, was confined to an internment camp. By mid-Apr 1942, he requested a change in status from conscientious objector to "non-combatant," and joined the Army Medical Corps. According to news items in HR , M-G-M was concerned about adverse public reaction to Ayres's status and re-shot a "Dr. Kildare" film he had just completed, removing him entirely from the cast. According to one news item, by the time Fingers at the Window was released, the "panic" had lessened and the film opened without incident.
       Most reviews appearing in connection with the film's New York City opening made little or no mention of Ayres' problems, although NYHT said that it was "probably his last appearance on screen" and Kate Cameron wrote in her NYDN review of the film: "Lew's changed status, or the public's curiosity to take a good look at the actor who had the temerity to defy the public opinion and jeopardize his career on the screen for the sake of his principles, must account for the well-filled theatre that greeted Lew."
       Ayres returned to the screen in the 1946 Universal film The Dark Mirror . For additional information on Ayres and the effect of his military status on other films, please consult the entries above for Calling Dr. Gillespie , The Dark Mirror and Dr. Kildare's Victory . More Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
14 Mar 1942.
---
Daily Variety
16 Jan 1942.
---
Daily Variety
16 Mar 42
p. 3.
Film Daily
18 Mar 42
p. 8.
Hollywood Reporter
26 Dec 41
p. 10.
Hollywood Reporter
16 Jan 42
p. 14.
Hollywood Reporter
16 Mar 42
p. 4.
Hollywood Reporter
19 May 42
p. 2.
Hollywood Reporter
23 Jul 42
p. 9.
Motion Picture Daily
16 Mar 1942.
---
Motion Picture Herald Product Digest
14 Mar 42
p. 549.
New York Daily News
23 Apr 42
p. 44.
New York Herald Tribune
23 Apr 1942.
---
New York Times
23 Apr 42
p. 27.
Variety
18 Mar 42
p. 8.
CAST
NAME
CREDITED AS
CREDIT
Art Belasco
Eddie Parker
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITERS
From a story by
PHOTOGRAPHY
Dir of photog
Dir of photog
ART DIRECTORS
Art dir
FILM EDITOR
Film ed
SET DECORATOR
Set dec
COSTUMES
Gowns
MUSIC
Mus score
SOUND
Rec dir
PRODUCTION MISC
DETAILS
Release Date:
April 1942
Premiere Information:
New York opening: 22 April 1942
Production Date:
21 December 1941--mid January 1942
Copyright Claimant:
Loew's Inc.
Copyright Date:
13 March 1942
Copyright Number:
LP11253
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
79-80
Length(in feet):
7,231
Length(in reels):
8
Country:
United States
PCA No:
8102
Passed by NBR:
Yes
SYNOPSIS

A series of apparently unrelated ax murders terrorizes Chicago and baffles the police, leading police psychologist Dr. Cromwell to deduce that the murderers are suffering from "an epidemic" of schizophrenia. Actor Oliver Duffy, whose play has closed because Chicagoans are afraid to go out at night, sees a man wielding an ax following a young woman. He tries to warn the woman, Edwina Brown, but she thinks he is a trying to pick her up. When she is then nearly killed, she realizes that he was telling the truth. After escorting Edwina home and arranging to meet her the following evening for dinner, Oliver sees something suspicious at her window. Unknown to her, he spends the night on her fire escape to make sure she is safe. The next evening, Oliver is waiting inside her apartment and explains that he secretly pocketed her key the night before and fell asleep on her fire escape hoping to catch the intruder he saw at the window. Asking her to trust him, Oliver explains a plan to set a trap for the man. Shortly thereafter, a man wielding an ax breaks in and Oliver stops him. At the police station, Inspector Gallagher questions Edwina as the only live witness they have, but Edwina has no idea why the man wanted to kill her. For her protection, the police rent a suite for her but as they get to the room, Oliver sees that the fire ax is missing and chases a fleeing man to the hotel basement. Although the man escapes, Oliver deduces that it is Edwina, not a random victim who is the target. ... +


A series of apparently unrelated ax murders terrorizes Chicago and baffles the police, leading police psychologist Dr. Cromwell to deduce that the murderers are suffering from "an epidemic" of schizophrenia. Actor Oliver Duffy, whose play has closed because Chicagoans are afraid to go out at night, sees a man wielding an ax following a young woman. He tries to warn the woman, Edwina Brown, but she thinks he is a trying to pick her up. When she is then nearly killed, she realizes that he was telling the truth. After escorting Edwina home and arranging to meet her the following evening for dinner, Oliver sees something suspicious at her window. Unknown to her, he spends the night on her fire escape to make sure she is safe. The next evening, Oliver is waiting inside her apartment and explains that he secretly pocketed her key the night before and fell asleep on her fire escape hoping to catch the intruder he saw at the window. Asking her to trust him, Oliver explains a plan to set a trap for the man. Shortly thereafter, a man wielding an ax breaks in and Oliver stops him. At the police station, Inspector Gallagher questions Edwina as the only live witness they have, but Edwina has no idea why the man wanted to kill her. For her protection, the police rent a suite for her but as they get to the room, Oliver sees that the fire ax is missing and chases a fleeing man to the hotel basement. Although the man escapes, Oliver deduces that it is Edwina, not a random victim who is the target. Although Edwina still cannot fathom that anyone would hate her so much, she admits that something involving a man had happened in Paris a few years before. She tells Oliver it has nothing to do with the ax murders, but he is convinced that she is lying and angrily leaves. While Oliver again secretly spends the night guarding Edwina, the man he was chasing goes to the home of Dr. H. Santelle and is shot. Later, at the police station, Oliver offers his theory to Gallagher that the "voices" that all of the murderers talk about are real, not imaginary. Following a hunch and hoping to earn the $25,000 reward being offered by a newspaper, Oliver goes to a psychiatric clinic and, pretending to be a lunatic, ransacks the files and learns that all of the ax murderers have been patients and all have names beginning with the letter "B." As only psychiatrists have access to the files, Oliver and Edwina go to a psychiatric society meeting that evening to see if she recognizes anyone. Because she does not see any familiar faces, Oliver takes her to the home of Dr. Santelle, who was absent from the meeting. When they arrive, Santelle observes Edwina and asks his assistant Paul to talk with them, pretending he is Santelle. Reaching an apparent dead end, Oliver and Edwina take the elevated train and are secretly followed by Santelle, who pushes Oliver unto the tracks as a train approaches. Oliver saves himself by slipping through the tracks and hanging on with one hand. Although his injuries are not serious, Oliver is taken to the hospital, where a distressed Edwina confesses her "secret" that she had been engaged to a doctor in Paris but after a picture of her and her fiancé, Caesar Ferrari, appeared in the paper, he disappeared and she never heard from him again. He is happy she is not a liar and indicates that he wants to marry her. He is then given a sedative and after Edwina leaves, Santelle sneaks into his room, gives him an injection and asks about Edwina. Oliver, whom Santelle has injected with insulin, then passes out before revealing Edwina's whereabouts. A few moments later, Edwina sees "Caesar" in the hallway, and when a nurse says that the doctor's name is Santelle, Edwina follows him. Meanwhile, a nurse checks on Oliver and, realizing something is wrong, summons the doctor, who recognizes the symptons of insulin shock and saves his life. When Oliver comes out of his coma, the nurse tells him about Edwina and he immediately calls Gallagher, who has become convinced that Oliver has a persecution complex. Gallagher dismisses Oliver's theory about Santelle, because Dr. Cromwell says Santelle has an international reputation, and, believing that Oliver is the mastermind killer, orders his men to find Edwina. At Santelle's house, Caesar tells Edwina that he took the real Santelle's place because the psychiatrist, who had been his mentor, inherited a lot of money just before his death. Caesar came to Santelle's Chicago home to collect it and of the seven people in Chicago who could identify him as an impostor, all but Edwina have been killed. Edwina tries to stall him by offering to take him to a mutual Parisian friend who has just moved to Chicago, then tries to escape, but he knocks her out just as the police arrive. Thinking that "Santelle" is a potential victim, they immediately go after Oliver, who enters through a window. During a scuffle, a piece of paper that had been in Edwina's possession is found on the floor and the police realize that she has recently been there. Now trapped, Caesar tries to escape, but is shot by the police. After Edwina is found in a closet, she says that Oliver has to marry her right away because she never wants to spend another night alone. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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