Barriers Burned Away (1925)

Melodrama | 20 January 1925

Director:

W. S. Van Dyke

Writer:

Leah Baird

Cinematographer:

André Barlatier

Production Company:

Encore Pictures
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HISTORY

Principal photography was scheduled to begin during the week of 22 Jun 1924 at Thomas H. Ince Studios in Culver City, CA, as stated in the 21 Jun 1924 LAT. Screenwriter Leah Baird was credited as producer, although, the 14 Sep 1924 [Brooklyn, NY] Brooklyn Daily Eagle later attributed that job to Baird’s husband, Encore Pictures president Arthur F. Beck. Additional shooting locations included Goldwyn Studios in Culver City and Universal Studios in Universal City, CA, according to the 2 Jul 1924 Var. Alice Howell was listed among the cast members.
       An item in the 19 Jul 1924 Exhibitors Trade Review noted that the Chicago, IL, Historical Society consulted on the production, which depicted the great Chicago fire of 1871. The scenario, based on the 1872 novel, Barriers Burned Away by Edward Payson Roe, and the 1910 stage play of the same name by George Middleton, included such historical figures as Marshall Field, Potter Palmer, Allan Pinkerton, and General Philip Sheridan as peripheral characters.
       On 10 Dec 1924, Var announced that the completed picture had arrived at the offices of the distributor, Associated Exhibitors, Inc., in New York City. Company executive John S. Woody had initially intended to open the film as a roadshow, but ultimately opted for a standard release. The article also revealed that considerable footage was taken in Chicago, and that Leah Baird had interrupted her acting career to oversee the production.
       Although the 18 Apr 1925 Exhibitors Trade Review listed the release date as 20 Jan 1925, the 5 Feb 1925 Chicago ...

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Principal photography was scheduled to begin during the week of 22 Jun 1924 at Thomas H. Ince Studios in Culver City, CA, as stated in the 21 Jun 1924 LAT. Screenwriter Leah Baird was credited as producer, although, the 14 Sep 1924 [Brooklyn, NY] Brooklyn Daily Eagle later attributed that job to Baird’s husband, Encore Pictures president Arthur F. Beck. Additional shooting locations included Goldwyn Studios in Culver City and Universal Studios in Universal City, CA, according to the 2 Jul 1924 Var. Alice Howell was listed among the cast members.
       An item in the 19 Jul 1924 Exhibitors Trade Review noted that the Chicago, IL, Historical Society consulted on the production, which depicted the great Chicago fire of 1871. The scenario, based on the 1872 novel, Barriers Burned Away by Edward Payson Roe, and the 1910 stage play of the same name by George Middleton, included such historical figures as Marshall Field, Potter Palmer, Allan Pinkerton, and General Philip Sheridan as peripheral characters.
       On 10 Dec 1924, Var announced that the completed picture had arrived at the offices of the distributor, Associated Exhibitors, Inc., in New York City. Company executive John S. Woody had initially intended to open the film as a roadshow, but ultimately opted for a standard release. The article also revealed that considerable footage was taken in Chicago, and that Leah Baird had interrupted her acting career to oversee the production.
       Although the 18 Apr 1925 Exhibitors Trade Review listed the release date as 20 Jan 1925, the 5 Feb 1925 Chicago Tribune and 28 Feb 1925 Exhibitors Trade Review reported that the film made its world premiere at Chicago’s Randolph Theatre on 8 Feb 1925. A New York City opening followed at the Cameo Theatre on 8 Mar 1925.
       An unrelated picture with the same title was released by the Vitagraph Co. of America in 1911.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Brooklyn Eagle
14 Sep 1924
p. 73
Chicago Tribune
5 Feb 1925
p. 20
Exhibitors Trade Review
19 Jul 1924
p. 16
Exhibitors Trade Review
13 Dec 1924
p. 59
Exhibitors Trade Review
27 Dec 1924
p. 78, 175
Exhibitors Trade Review
3 Jan 1925
p. 31
Exhibitors Trade Review
28 Feb 1925
p. 26
Exhibitors Trade Review
18 Apr 1925
p. 66
Los Angeles Times
22 Oct 1924
p. 58
Film Daily
21 Dec 1924
---
Film Daily
9 Mar 1925
p. 2
Los Angeles Examiner
6 Jun 1925
p. 8
Los Angeles Times
21 Jun 1924
p. 7
Motography
Jul 1911
p. 40
Moving Picture World
25 Oct 1924
p. 674
Moving Picture World
27 Dec 1924
p. 831, 882
New York Times
12 Mar 1925
p. 17
Variety
2 Jul 1924
p. 27
Variety
10 Dec 1924
p. 26
Variety
11 Mar 1925
p. 39, 42
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITERS
Scen
Story
PHOTOGRAPHY
Dir of photog
SOURCES
LITERARY
Based on the novel Barriers Burned Away by Edward Payson Roe (New York, 1872), and the play of the same name by George Middleton (New York, 1910).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
20 January 1925
Premiere Information:
World premiere in Chicago, IL: 8 Feb 1925; New York opening: 8 Mar 1925
Production Date:
began the week of 22 Jun 1924
Copyright Info
Claimant
Date
Copyright Number
Associated Exhibitors, Inc.
9 December 1924
LU20783
Physical Properties:
Silent
Black and White
Length(in feet):
6,474
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

In 1871 Chicago, Illinois, artist Wayne Morgan takes a menial position as a porter at the Randolph Art Shop, hoping to recover a valuable painting that was stolen from his mother. Meanwhile, Mark Randolph, the wealthy owner of the store, expects his proud and spoiled daughter, Christine, to marry the Earl of Tarnsey, but she will consent only after her copy of an old masterpiece is accepted by the Academy of Design. Wayne recognizes Christine's painting as a copy of the one stolen from his mother and traces the theft to store manager Howard Mellon. Following Howard’s arrest, Wayne advises the Academy judges to dismiss Christine's copy as lacking in inspiration. The infuriated Christine gets her revenge by flirting with Wayne and then rejecting him. However, when the Chicago fire breaks out, Wayne comes to her rescue and they protect her father's store from looters before being separated. After days of desperate searching, Wayne finds Christine praying among the ruins, and they declare their mutual ...

More Less

In 1871 Chicago, Illinois, artist Wayne Morgan takes a menial position as a porter at the Randolph Art Shop, hoping to recover a valuable painting that was stolen from his mother. Meanwhile, Mark Randolph, the wealthy owner of the store, expects his proud and spoiled daughter, Christine, to marry the Earl of Tarnsey, but she will consent only after her copy of an old masterpiece is accepted by the Academy of Design. Wayne recognizes Christine's painting as a copy of the one stolen from his mother and traces the theft to store manager Howard Mellon. Following Howard’s arrest, Wayne advises the Academy judges to dismiss Christine's copy as lacking in inspiration. The infuriated Christine gets her revenge by flirting with Wayne and then rejecting him. However, when the Chicago fire breaks out, Wayne comes to her rescue and they protect her father's store from looters before being separated. After days of desperate searching, Wayne finds Christine praying among the ruins, and they declare their mutual love.

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GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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