Barriers Burned Away (1925)
Melodrama | 20 January 1925
Cast:
Mabel Ballin, Eric Mayne, Frank Mayo [ More ]Director:
W. S. Van DykeWriter:
Leah BairdCinematographer:
André BarlatierProduction Company:
Encore PicturesPrincipal photography was scheduled to begin during the week of 22 Jun 1924 at Thomas H. Ince Studios in Culver City, CA, as stated in the 21 Jun 1924 LAT. Screenwriter Leah Baird was credited as producer, although, the 14 Sep 1924 [Brooklyn, NY] Brooklyn Daily Eagle later attributed that job to Baird’s husband, Encore Pictures president Arthur F. Beck. Additional shooting locations included Goldwyn Studios in Culver City and Universal Studios in Universal City, CA, according to the 2 Jul 1924 Var. Alice Howell was listed among the cast members.
An item in the 19 Jul 1924 Exhibitors Trade Review noted that the Chicago, IL, Historical Society consulted on the production, which depicted the great Chicago fire of 1871. The scenario, based on the 1872 novel, Barriers Burned Away by Edward Payson Roe, and the 1910 stage play of the same name by George Middleton, included such historical figures as Marshall Field, Potter Palmer, Allan Pinkerton, and General Philip Sheridan as peripheral characters.
On 10 Dec 1924, Var announced that the completed picture had arrived at the offices of the distributor, Associated Exhibitors, Inc., in New York City. Company executive John S. Woody had initially intended to open the film as a roadshow, but ultimately opted for a standard release. The article also revealed that considerable footage was taken in Chicago, and that Leah Baird had interrupted her acting career to oversee the production.
Although the 18 Apr 1925 Exhibitors Trade Review listed the release date as 20 Jan 1925, the 5 Feb 1925 Chicago ...
Principal photography was scheduled to begin during the week of 22 Jun 1924 at Thomas H. Ince Studios in Culver City, CA, as stated in the 21 Jun 1924 LAT. Screenwriter Leah Baird was credited as producer, although, the 14 Sep 1924 [Brooklyn, NY] Brooklyn Daily Eagle later attributed that job to Baird’s husband, Encore Pictures president Arthur F. Beck. Additional shooting locations included Goldwyn Studios in Culver City and Universal Studios in Universal City, CA, according to the 2 Jul 1924 Var. Alice Howell was listed among the cast members.
An item in the 19 Jul 1924 Exhibitors Trade Review noted that the Chicago, IL, Historical Society consulted on the production, which depicted the great Chicago fire of 1871. The scenario, based on the 1872 novel, Barriers Burned Away by Edward Payson Roe, and the 1910 stage play of the same name by George Middleton, included such historical figures as Marshall Field, Potter Palmer, Allan Pinkerton, and General Philip Sheridan as peripheral characters.
On 10 Dec 1924, Var announced that the completed picture had arrived at the offices of the distributor, Associated Exhibitors, Inc., in New York City. Company executive John S. Woody had initially intended to open the film as a roadshow, but ultimately opted for a standard release. The article also revealed that considerable footage was taken in Chicago, and that Leah Baird had interrupted her acting career to oversee the production.
Although the 18 Apr 1925 Exhibitors Trade Review listed the release date as 20 Jan 1925, the 5 Feb 1925 Chicago Tribune and 28 Feb 1925 Exhibitors Trade Review reported that the film made its world premiere at Chicago’s Randolph Theatre on 8 Feb 1925. A New York City opening followed at the Cameo Theatre on 8 Mar 1925.
An unrelated picture with the same title was released by the Vitagraph Co. of America in 1911.
In 1871 Chicago, Illinois, artist Wayne Morgan takes a menial position as a porter at the Randolph Art Shop, hoping to recover a valuable painting that was stolen from his mother. Meanwhile, Mark Randolph, the wealthy owner of the store, expects his proud and spoiled daughter, Christine, to marry the Earl of Tarnsey, but she will consent only after her copy of an old masterpiece is accepted by the Academy of Design. Wayne recognizes Christine's painting as a copy of the one stolen from his mother and traces the theft to store manager Howard Mellon. Following Howard’s arrest, Wayne advises the Academy judges to dismiss Christine's copy as lacking in inspiration. The infuriated Christine gets her revenge by flirting with Wayne and then rejecting him. However, when the Chicago fire breaks out, Wayne comes to her rescue and they protect her father's store from looters before being separated. After days of desperate searching, Wayne finds Christine praying among the ruins, and they declare their mutual ...
In 1871 Chicago, Illinois, artist Wayne Morgan takes a menial position as a porter at the Randolph Art Shop, hoping to recover a valuable painting that was stolen from his mother. Meanwhile, Mark Randolph, the wealthy owner of the store, expects his proud and spoiled daughter, Christine, to marry the Earl of Tarnsey, but she will consent only after her copy of an old masterpiece is accepted by the Academy of Design. Wayne recognizes Christine's painting as a copy of the one stolen from his mother and traces the theft to store manager Howard Mellon. Following Howard’s arrest, Wayne advises the Academy judges to dismiss Christine's copy as lacking in inspiration. The infuriated Christine gets her revenge by flirting with Wayne and then rejecting him. However, when the Chicago fire breaks out, Wayne comes to her rescue and they protect her father's store from looters before being separated. After days of desperate searching, Wayne finds Christine praying among the ruins, and they declare their mutual love.
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