The Saint Meets the Tiger (1943)

70 mins | Drama | 29 July 1943

Full page view
HISTORY

This film, which was produced as a "quota" production in England by RKO to access the company's frozen British funds, was the second of the studio's three British "Saint" pictures. The film was produced in 1941, but according to modern sources, RKO declined to distribute it in the United States. HR news items indicate that RKO sold the American distribution rights to Republic in Jul 1943, and that Republic intended to use the film as "a testing ground" to see if the public would accept a "Saint" picture that did not star George Sanders, who had become identified with the role in the RKO series. Hugh Sinclair made his second and final appearance as "The Saint" in The Saint Meets the Tiger, and RKO did not produce another picture featuring the character until the 1954 film The Saint's Girl Friday. For additional information about "The Saint" series, please consult the Series Index and see the entry for the 1938 film The Saint in New York in AFI Catalog of Feature Films, 1931-40; F3.3879. ...

More Less

This film, which was produced as a "quota" production in England by RKO to access the company's frozen British funds, was the second of the studio's three British "Saint" pictures. The film was produced in 1941, but according to modern sources, RKO declined to distribute it in the United States. HR news items indicate that RKO sold the American distribution rights to Republic in Jul 1943, and that Republic intended to use the film as "a testing ground" to see if the public would accept a "Saint" picture that did not star George Sanders, who had become identified with the role in the RKO series. Hugh Sinclair made his second and final appearance as "The Saint" in The Saint Meets the Tiger, and RKO did not produce another picture featuring the character until the 1954 film The Saint's Girl Friday. For additional information about "The Saint" series, please consult the Series Index and see the entry for the 1938 film The Saint in New York in AFI Catalog of Feature Films, 1931-40; F3.3879.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
2 Aug 1943
---
Film Daily
4 Aug 1943
p. 8
Hollywood Reporter
28 Jul 1943
p. 2
Hollywood Reporter
2 Aug 1943
---
Motion Picture Herald Product Digest
7 Aug 1943
p. 1471
Motion Picture Herald Product Digest
25 Sep 1943
p. 1558
Variety
4 Aug 1943
---
DETAILS
Series:
Release Date:
29 July 1943
Production Date:
1941 at D & P Studios, England
Copyright Info
Claimant
Date
Copyright Number
Republic Pictures Corp.
29 July 1943
LP12253
Physical Properties:
Sound
RCA Sound System
Black and White
Duration(in mins):
70
Length(in reels):
8
Countries:
United Kingdom, United States
Language:
English
PCA No:
9323
Passed by NBR:
Yes
SYNOPSIS

Late one night in London, Simon Templar, a debonair private detective known as "The Saint," receives a phone call from a stranger offering him a million pounds in gold. When the man appears on Simon's doorstep, he is stabbed by an unseen assailant, but before dying, the man gasps, "The Tiger, Baycombe and the gold." Simon then calls Inspector Teal of Scotland Yard, a friendly rival, and the dead man is eventually identified as Joe Gallo, a well-known bookie. After Teal reveals that Gallo was involved in a recent bank robbery, Simon suspects that the still-missing loot is the gold that Gallo mentioned, and that he will find the answers in Baycombe. The next morning, Simon and his valet Horace travel to the Cornish village of Baycombe, where they begin searching for "The Tiger," the mysterious leader of the gang of bank robbers. As he meets the townspeople, Simon becomes acquainted with pretty Pat Holmes, who invites him to tea, where he meets banker Lionel Bentley and entrepreneur Bittle. Simon is immediately suspicious of the pair, and as Simon deduces, Bentley and Bittle are in league with The Tiger, who, under the name Tidmarsh, is working in Baycombe as a newspaper reporter. Also present at Pat's gathering is Teal, who poses as a geologist named Professor Kahn. Later, at Simon's rented cottage, one of Bentley's henchmen attempts to shoot him but misses, leading Teal to comment that Simon revealed too much earlier when he intimated to Bentley and Bittle that he knows about their compliticy in the robbery and Gallo's death. Simon insists that the assassination attempt proves that he is on the right track, ...

More Less

Late one night in London, Simon Templar, a debonair private detective known as "The Saint," receives a phone call from a stranger offering him a million pounds in gold. When the man appears on Simon's doorstep, he is stabbed by an unseen assailant, but before dying, the man gasps, "The Tiger, Baycombe and the gold." Simon then calls Inspector Teal of Scotland Yard, a friendly rival, and the dead man is eventually identified as Joe Gallo, a well-known bookie. After Teal reveals that Gallo was involved in a recent bank robbery, Simon suspects that the still-missing loot is the gold that Gallo mentioned, and that he will find the answers in Baycombe. The next morning, Simon and his valet Horace travel to the Cornish village of Baycombe, where they begin searching for "The Tiger," the mysterious leader of the gang of bank robbers. As he meets the townspeople, Simon becomes acquainted with pretty Pat Holmes, who invites him to tea, where he meets banker Lionel Bentley and entrepreneur Bittle. Simon is immediately suspicious of the pair, and as Simon deduces, Bentley and Bittle are in league with The Tiger, who, under the name Tidmarsh, is working in Baycombe as a newspaper reporter. Also present at Pat's gathering is Teal, who poses as a geologist named Professor Kahn. Later, at Simon's rented cottage, one of Bentley's henchmen attempts to shoot him but misses, leading Teal to comment that Simon revealed too much earlier when he intimated to Bentley and Bittle that he knows about their compliticy in the robbery and Gallo's death. Simon insists that the assassination attempt proves that he is on the right track, and then refuses Teal's offer to work together. Soon after, Simon goes to Bentley's home and interrupts as Bentley buys Pat's shares in a defunct gold mine. Simon announces that the banker must have a criminal reason to be buying the worthless mine, and the angry Bentley orders two henchmen to pursue Simon and Pat after they resist his attempts to detain them. Simon sends Pat to his cottage, then returns to Bentley's house, where he discovers a secret passageway to Bentley's office. There, he is captured by Bentley, Bittle and other members of the gang, and accuses them of plotting to plant the stolen gold in the old mine and thereby be able to sell the gold legally. Simon also accuses them of killing Gallo to prevent him from revealing the scheme. Simon throws a knife at Bittle's hand when the criminal tries to shoot him, then is released by Bentley when Tidmarsh telephones and orders them not to kill Simon, but instead get him "out of the way" until they can escape with the gold. Bittle then attempts to get Simon arrested for assault, but the smooth-talking detective pressures Teal into providing an alibi for him. The next day, having learned from Pat that a network of ancient smugglers' caves exists in Baycombe, and that they can be accessed through the local museum, Simon questions Merridew, the curator. Merridew admits his involvement with the gang, but before he can reveal the entrance to the caves, he is killed by a knife thrown by Eddie, one of Bentley's men. Unaware that Eddie has escaped through the secret entrance, Teal, who is in the museum's outer room, arrests Simon for murdering Merridew. Tidmarsh arrives as Teal states that he is taking Simon back to London, and after they leave, calls Bentley with the news that Simon will be off the case. Tidmarsh then orders Bentley to load the gold into a boat anchored near the secret caves, but Bentley, angered by Tidmarsh's arrogance, plots with Bittle to double-cross him. The still unsuspecting Pat then informs Tidmarsh of her plan to sneak aboard Bentley's boat with Horace and retrieve the gold. That night, Bentley and Bittle knock Tidmarsh unconscious before he can join Pat and Horace, who board the boat and begin their search for the loot and the Tiger. Meanwhile, Teal explains to Simon that he arrested him as a ruse to lure the Tiger into a false sense of security, and the pair return to the museum. There, they find the entrance to the smugglers' caves, and Simon sneaks onto the boat. Pat, Horace and Simon eventually find one another, but they are captured by Bentley and Bittle. Tidmarsh arrives onboard soon after, and tells Simon that because he is a worthy opponent, he and his friends can go free. Tidmarsh is determined to kill his double-crossing partners, but Bittle shoots him while he is talking to Simon. Simon then throws a knife at Bittle's hand and succeeds in disarming him. Teal arrives with reinforcements and is informed of Tidmarsh's identity and death, although Simon announces that the police cannot have the gold, as he will be turning it over to the bank's insurance company for a hefty commission. Pat then bestows congratulatory kisses on both Simon and Horace.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

Citizen Kane

This film's end credits begin with the statement, “Most of the principal actors in Citizen Kane are new to motion pictures. The Mercury Theatre is proud ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.