Beware of Blondes (1928)

Melodrama | 1 July 1928

Director:

George B. Seitz

Producer:

Harry Cohn

Cinematographer:

Joe Walker

Editor:

James McKay

Production Designer:

Joseph Wright

Production Company:

Columbia Pictures Corp.
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HISTORY

Items in the 15 April 1927 Motion Picture News and 21 May 1927 Exhibitors Herald stated that the upcoming Columbia Pictures Corp. production was based on a story by Pierre Dumond. Thomas Buckingham was initially hired to direct, as announced in the 7 April 1928 issue of Motion Picture News. A week later, Buckingham was said to be at work on the script with the scenarist, identified as George C. Hull in the 19 May 1928 Motion Picture News. A studio directory in the 26 May 1928 Exhibitors Herald and Moving Picture World reported that production began on 15 May 1928. However, a 19 May 1928 Motion Picture News item indicated that the script was not yet finished, and shortly after, the 3 June 1928 Film Daily noted that filming had recently begun under the direction of George B. Seitz, rather than Buckingham. An item in the 17 June 1928 [Sioux City, IA] Sioux City Journal suggested that filming took place at Columbia’s studio in Hollywood, CA.
       Theatrical release was scheduled to take place on 1 July 1928, according to the 7 July 1928 issues of Motion Picture News and Harrison’s Reports. The film was set to open in New York City on 20 August 1928 at the Hippodrome Theatre, as noted in the 2 August 1928 Exhibitors Daily Review.
       The National Film Preservation Board (NFPB) included Beware of Blondes on its list of Lost U.S. Silent Feature Films as of October 2019. ...

More Less

Items in the 15 April 1927 Motion Picture News and 21 May 1927 Exhibitors Herald stated that the upcoming Columbia Pictures Corp. production was based on a story by Pierre Dumond. Thomas Buckingham was initially hired to direct, as announced in the 7 April 1928 issue of Motion Picture News. A week later, Buckingham was said to be at work on the script with the scenarist, identified as George C. Hull in the 19 May 1928 Motion Picture News. A studio directory in the 26 May 1928 Exhibitors Herald and Moving Picture World reported that production began on 15 May 1928. However, a 19 May 1928 Motion Picture News item indicated that the script was not yet finished, and shortly after, the 3 June 1928 Film Daily noted that filming had recently begun under the direction of George B. Seitz, rather than Buckingham. An item in the 17 June 1928 [Sioux City, IA] Sioux City Journal suggested that filming took place at Columbia’s studio in Hollywood, CA.
       Theatrical release was scheduled to take place on 1 July 1928, according to the 7 July 1928 issues of Motion Picture News and Harrison’s Reports. The film was set to open in New York City on 20 August 1928 at the Hippodrome Theatre, as noted in the 2 August 1928 Exhibitors Daily Review.
       The National Film Preservation Board (NFPB) included Beware of Blondes on its list of Lost U.S. Silent Feature Films as of October 2019.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Educational Screen
Dec 1928
p. 266
Exhibitors Daily Review
2 Aug 1928
p. 2
Exhibitors Herald
21 May 1927
p. 8
Exhibitors Herald and Moving Picture World
26 May 1928
p. 102
Film Daily
9 Apr 1928
p. 4
Film Daily
3 Jun 1928
p. 12
Film Daily
26 Aug 1928
---
Harrison's Reports
7 Jul 1928
p. 110
Harrison's Reports
11 Aug 1928
p. 128
Harrison's Reports
25 Aug 1928
p. 134
Harrison's Reports
17 Nov 1928
p. 180
Kokomo Daily Tribune [Kokomo, IN]
1 Aug 1928
p. 11
Los Angeles Evening Express
7 Jun 1928
p. 8
Lowell Sun [Lowell, MA]
23 Jul 1928
p. 11
Messenger [Madisonville, KY]
7 Jul 1928
p. 6
Motion Picture News
15 Apr 1927
p. 1363
Motion Picture News
7 Apr 1928
p. 1146
Motion Picture News
14 Apr 1928
p. 1206
Motion Picture News
19 May 1928
p. 1689
Motion Picture News
16 Jun 1928
p. 2056
Motion Picture News
30 Jun 1928
p. 2181, 2212
Motion Picture News
7 Jul 1928
p. 66
New York Times
21 Aug 1928
p. 27
San Francisco Examiner
27 Jun 1928
p. 17
Sioux City Journal [Sioux City, IA]
17 Jun 1928
p. 25
Variety
22 Aug 1928
p. 16
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Joe Nadel
Asst dir
PRODUCER
Prod
WRITERS
Story
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Joseph Wright
Art dir
FILM EDITOR
Film ed
DETAILS
Release Date:
1 July 1928
Premiere Information:
Lowell, MA, opening: week of 23 Jul 1928; New York opening: 20 Aug 1928
Production Date:
began mid May or early Jun 1928
Copyright Info
Claimant
Date
Copyright Number
Columbia Pictures Corp.
15 August 1928
LP25532
Physical Properties:
Silent
Black and White
Length(in feet):
5,649
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Jeffrey Black, a clerk in a jewelry store, prevents a robbery there and, as a reward, is given a vacation in Honolulu, Hawaii, provided that he transport a valuable emerald to the islands. On the boat, he meets Mary, a blonde, and having been warned against a thief called Blonde Mary, he regards her every action with suspicion while simultaneously falling in love with her. Mary, who is in reality a detective, sees that the emerald arrives safely at its destination and brings the real Blonde Mary and a thief named Harry to ...

More Less

Jeffrey Black, a clerk in a jewelry store, prevents a robbery there and, as a reward, is given a vacation in Honolulu, Hawaii, provided that he transport a valuable emerald to the islands. On the boat, he meets Mary, a blonde, and having been warned against a thief called Blonde Mary, he regards her every action with suspicion while simultaneously falling in love with her. Mary, who is in reality a detective, sees that the emerald arrives safely at its destination and brings the real Blonde Mary and a thief named Harry to justice.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.