Big Time (1929)

85 mins | Melodrama | 29 September 1929

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HISTORY

Broadway actor Lee Tracy was in Hollywood, ready to start shooting his first talking picture, the 16 June 1929 Film Daily reported. Actually, Big Time was the first credited film appearance for him and costar Mae Clarke, who would both go on to long movie careers. According to a studio production chart in the 24 August 1929 Exhibitors Herald-World, filming began 8 July 1929 at the Hollywood Fox Studios.
       Big Time was released as both an "All Dialogue" picture and a silent film. The sound version opened in New York City at the Roxy Theater on Broadway; it netted $103,792 its first week, according to the 21 September 1929 Motion Picture News. It opened in Los Angeles at the Loew's State Theater at 703 South Broadway.
       According to the November 1929 Photoplay, "Dialogue is bright and natural, background realistic, and the players are so spontaneous they managed to make the story convincing." The National Board of Review Review deemed Big Time: "For family audience, including young people."
       The sound version of Big Time was given a length of 7,815 feet in the 15 September 1929 Film Daily, and 7,004 feet (and 77 minutes) in the 14 September 1929 Harrison's Report.
       Big Time is extant. ...

More Less

Broadway actor Lee Tracy was in Hollywood, ready to start shooting his first talking picture, the 16 June 1929 Film Daily reported. Actually, Big Time was the first credited film appearance for him and costar Mae Clarke, who would both go on to long movie careers. According to a studio production chart in the 24 August 1929 Exhibitors Herald-World, filming began 8 July 1929 at the Hollywood Fox Studios.
       Big Time was released as both an "All Dialogue" picture and a silent film. The sound version opened in New York City at the Roxy Theater on Broadway; it netted $103,792 its first week, according to the 21 September 1929 Motion Picture News. It opened in Los Angeles at the Loew's State Theater at 703 South Broadway.
       According to the November 1929 Photoplay, "Dialogue is bright and natural, background realistic, and the players are so spontaneous they managed to make the story convincing." The National Board of Review Review deemed Big Time: "For family audience, including young people."
       The sound version of Big Time was given a length of 7,815 feet in the 15 September 1929 Film Daily, and 7,004 feet (and 77 minutes) in the 14 September 1929 Harrison's Report.
       Big Time is extant.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald-World
24 Aug 1929
p. 41
Film Daily
15 Sep 1929
p. 13
Harrison's Report
14 Sep 1929
p. 146
Motion Picture News
21 Sep 1929
p. 1051
National Board of Review Magazine
Sep-Oct 1929
p. 15
New York Times
9 Sep 1929
p. 30
Photoplay
Nov 1929
p. 53
Variety
2 Jan 1929
p. 77
Variety
11 Sep 1929
p. 18
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Stage dir
Asst dir
PRODUCERS
Assoc prod
PHOTOGRAPHY
L. William O'Connell
Dir of photog
FILM EDITOR
Al De Gaetano
Film ed
COSTUMES
SOUND
Harold Hobson
Sd
SOURCES
LITERARY
Based on the short story "Little Ledna" by William Wallace Smith in Hearst's International-Cosmopolitan (Aug 1926).
LITERARY SOURCE AUTHOR
SONGS
"Nobody Knows You Like I Do," music and lyrics by Sidney Lanfield.
SONGWRITER/COMPOSER
DETAILS
Release Date:
29 September 1929
Premiere Information:
New York opening: 7 Sep 1929
Production Date:
began 8 July 1929
Copyright Info
Claimant
Date
Copyright Number
Fox Film Corp.
14 September 1929
LP679
Physical Properties:
Sound
Movietone
Silent
Black and White
Duration(in mins):
85
Length(in feet):
7,480 , 7,815
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

The vaudeville husband-and-wife team of comic Eddie Burns and singer Lily Clark breaks up when he brings a schemer named Gloria into the act while Lily is having a baby. The self-centered Eddie tumbles into a spiral as his act goes from bad to worse, while, on her own, Lily becomes a motion picture star under another name. Eddie eventually hops a freight to Hollywood, where he gets into one of Lily's pictures as an extra without realizing who she is. They reunite, and he meets his four-year-old son for the first ...

More Less

The vaudeville husband-and-wife team of comic Eddie Burns and singer Lily Clark breaks up when he brings a schemer named Gloria into the act while Lily is having a baby. The self-centered Eddie tumbles into a spiral as his act goes from bad to worse, while, on her own, Lily becomes a motion picture star under another name. Eddie eventually hops a freight to Hollywood, where he gets into one of Lily's pictures as an extra without realizing who she is. They reunite, and he meets his four-year-old son for the first time.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.