Black Magic (1929)

66 mins | Melodrama | 7 July 1929

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HISTORY

The scenario was adapted from the 1925 play, Cape Smoke by Walter A. Frost and Paul Dickey, which was based on Frost’s novel, The Man Between. A news item in the Sep 1925 Picture-Play noted that screen rights for the property had been purchased by an unidentified studio.
       On 30 Mar 1929, Exhibitors Herald-World reported the 11 Mar 1929 start of principal photography at Fox Studios in Hollywood, CA, under the working title, Cape Smoke. Cast member Fritz Feld was concurrently appearing in Broadway (1929, see entry) at Universal Studios, as stated in the 17 Mar 1929 Film Daily. The 23 Mar 1929 Exhibitors Herald-World noted that African American comedian Stepin Fetchit had been reassigned to The Fox Movietone Follies of 1929 (1929, see entry), after being replaced in this film by Blue Washington. The official title was announced as Black Magic in the 5 Apr 1929 Film Daily.
       The 19 May 1929 New York Daily News revealed that director George B. Seitz employed “a secret camera attachment” in the making of the picture, which eliminated the need for double exposures. According to the article, Seitz’s invention enabled him to film an entire scene “with the ghost action in the background perfectly timed to match with the main scene.” The close of production was reported in the 15 Apr 1929 Film Daily.
       Black Magic was released on 7 Jul 1929, followed ...

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The scenario was adapted from the 1925 play, Cape Smoke by Walter A. Frost and Paul Dickey, which was based on Frost’s novel, The Man Between. A news item in the Sep 1925 Picture-Play noted that screen rights for the property had been purchased by an unidentified studio.
       On 30 Mar 1929, Exhibitors Herald-World reported the 11 Mar 1929 start of principal photography at Fox Studios in Hollywood, CA, under the working title, Cape Smoke. Cast member Fritz Feld was concurrently appearing in Broadway (1929, see entry) at Universal Studios, as stated in the 17 Mar 1929 Film Daily. The 23 Mar 1929 Exhibitors Herald-World noted that African American comedian Stepin Fetchit had been reassigned to The Fox Movietone Follies of 1929 (1929, see entry), after being replaced in this film by Blue Washington. The official title was announced as Black Magic in the 5 Apr 1929 Film Daily.
       The 19 May 1929 New York Daily News revealed that director George B. Seitz employed “a secret camera attachment” in the making of the picture, which eliminated the need for double exposures. According to the article, Seitz’s invention enabled him to film an entire scene “with the ghost action in the background perfectly timed to match with the main scene.” The close of production was reported in the 15 Apr 1929 Film Daily.
       Black Magic was released on 7 Jul 1929, followed by an 8 Aug 1929 opening at the Fox Boulevard Theatre in Los Angeles, CA, and a one-day showing on 27 Aug 1929 at Loew’s New York Theatre in New York City. The 4 Sep 1929 Var dismissed it as “a not too intelligent picture for not too intelligent audiences.”
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Chester Times [Chester, PA]
16 Jul 1929
p. 5
Exhibitors Herald-World
23 Mar 1929
p. 32
Exhibitors Herald-World
30 Mar 1929
p. 48
Exhibitors Herald-World
3 Aug 1929
p. 66
Film Daily
17 Mar 1929
p. 6
Film Daily
5 Apr 1929
p. 4
Film Daily
15 Apr 1929
p. 4
Film Daily
1 Sep 1929
---
Harrison's Reports
31 Aug 1929
p. 138
Harrison's Reports
18 Jan 1930
p. 12
Hollywood Filmograph
13 Jul 1929
p. 13
Los Angeles Evening Express
7 Aug 1929
p. 12
Motion Picture News
9 Mar 1929
p. 752
Motion Picture News
15 Mar 1930
p. 70
New York Daily News
19 May 1929
p. 529
Picture-Play
Sep 1925
p. 50
Variety
7 Jan 1925
p. 23
Variety
28 Jan 1925
p. 16
Variety
4 Feb 1925
p. 15
Variety
4 Apr 1928
p. 30
Variety
11 Apr 1928
p. 9
Variety
4 Sep 1929
p. 31
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
WRITERS
PHOTOGRAPHY
Dir of photog
FILM EDITOR
SOURCES
LITERARY
Based on the play Cape Smoke by Walter Archer Frost and Paul Dickey (New York, 16 Feb 1925), and the novel The Man Between by Walter Archer Frost (Garden City, NY, 1913).
LITERARY SOURCE AUTHORS
DETAILS
Alternate Title:
Cape Smoke
Release Date:
7 July 1929
Premiere Information:
Los Angeles opening: 8 Aug 1929; New York showing: 27 Aug 1929
Production Date:
11 Mar--early Apr 1929
Copyright Info
Claimant
Date
Copyright Number
Fox Film Corp.
5 July 1929
LP513
Physical Properties:
Silent with sound sequences
Mus score and sd eff by Movietone
Black and White
Sound, also silent
Also si; 5,833 ft.
Duration(in mins):
66
Length(in feet):
5,855
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

On a South Pacific island, three exiled men, Hugh Darrell, James Fraser, and Dr. Bradbroke, spend their time drinking to forget the misdeeds of their past: the doctor performed surgery while drunk; James dressed as a woman to escape a sinking ship; and Hugh seduced a young woman. One day, Bradbroke’s daughter, Katherine, wanders into the jungle and is rescued by John Ormsby, a visiting pearl trader. The three derelicts plan to swindle John and employ a witch-doctor to aid in their deceipt. John learns of the plot, and when an attempt is made on his life, the doctor sacrifices his life by stepping in front of the bullet. Afterward, Katherine and her sister, Ann, leave the island with ...

More Less

On a South Pacific island, three exiled men, Hugh Darrell, James Fraser, and Dr. Bradbroke, spend their time drinking to forget the misdeeds of their past: the doctor performed surgery while drunk; James dressed as a woman to escape a sinking ship; and Hugh seduced a young woman. One day, Bradbroke’s daughter, Katherine, wanders into the jungle and is rescued by John Ormsby, a visiting pearl trader. The three derelicts plan to swindle John and employ a witch-doctor to aid in their deceipt. John learns of the plot, and when an attempt is made on his life, the doctor sacrifices his life by stepping in front of the bullet. Afterward, Katherine and her sister, Ann, leave the island with John.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.