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HISTORY

       The Jun 1922 issue of The Educational Screen listed The Black Panther's Cub as one of the year’s “Ten Worst Productions (of those reviewed so far).” It called the film “An excellent story portrayed by the reliable Florence Reed made impossible by poor and cluttered continuity." ...

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       The Jun 1922 issue of The Educational Screen listed The Black Panther's Cub as one of the year’s “Ten Worst Productions (of those reviewed so far).” It called the film “An excellent story portrayed by the reliable Florence Reed made impossible by poor and cluttered continuity."

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SOURCE CITATIONS
SOURCE
DATE
PAGE
The Educational Screen
June 1922
p. 203
DETAILS
Release Date:
15 May 1921
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Ziegfeld Cinema Corp.
7 March 1921
LU16407
Physical Properties:
Silent
Black and White
Length(in reels):
6-7
Country:
United States
SYNOPSIS

The situation is liberally drawn from Swinburne's poem. Mary Maudsley, daughter of the Black Panther of Paris--a ruthless destroyer of men and mistress of a gambling house--grows up in the care of her adopted father, who believes that the environment he provides will counteract any tendencies she may have inherited from her mother. Just as she seems about to be led into a career patterned after her mother's she reveals herself to be self-sacrificing and capable of a genuine ...

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The situation is liberally drawn from Swinburne's poem. Mary Maudsley, daughter of the Black Panther of Paris--a ruthless destroyer of men and mistress of a gambling house--grows up in the care of her adopted father, who believes that the environment he provides will counteract any tendencies she may have inherited from her mother. Just as she seems about to be led into a career patterned after her mother's she reveals herself to be self-sacrificing and capable of a genuine love.

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GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.