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HISTORY

On 8 April 1922, Camera! announced that director Philip E. Rosen would soon be taking his crew to San Francisco to shoot scenes in the harbor and aboard a ship. Other locations included Balboa Beach and Honolulu, Hawaii. An advertisement in the 8 July 1922 Exhibitors Trade Review stated that the shipwreck sequence was “one of the biggest scenes ever staged.”
       Listing the length of the picture as 7,178 feet, an early review in the 26 August 1922 Exhibitors Herald praised the films as “a strong, virile story of the sea containing sufficient love interest and suspense, human appeal and thrills to make it a pleasing attraction, and cause spectators to overlook the illogical sequences.” However, the 4 August 1922 Variety noted that this film was “the third picture in a short time from the same producer having a girl skipper of a roughneck crew on a deep-sea vessel. They all run to the South Sea Islands, and they’re all rather silly. This one makes a new mark for absurdity.”
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.
...

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On 8 April 1922, Camera! announced that director Philip E. Rosen would soon be taking his crew to San Francisco to shoot scenes in the harbor and aboard a ship. Other locations included Balboa Beach and Honolulu, Hawaii. An advertisement in the 8 July 1922 Exhibitors Trade Review stated that the shipwreck sequence was “one of the biggest scenes ever staged.”
       Listing the length of the picture as 7,178 feet, an early review in the 26 August 1922 Exhibitors Herald praised the films as “a strong, virile story of the sea containing sufficient love interest and suspense, human appeal and thrills to make it a pleasing attraction, and cause spectators to overlook the illogical sequences.” However, the 4 August 1922 Variety noted that this film was “the third picture in a short time from the same producer having a girl skipper of a roughneck crew on a deep-sea vessel. They all run to the South Sea Islands, and they’re all rather silly. This one makes a new mark for absurdity.”
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera!
8 Apr 1922
p. 8
Exhibitors Herald
26 Aug 1922
---
Exhibitors Trade Review
8 Jul 1922
---
Variety
4 Aug 1922
p. 36
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
Philip E. Rosen
Dir
PRODUCER
WRITER
PHOTOGRAPHY
James C. Van Trees
Dir of photog
SOURCES
LITERARY
Based on the short story "The Salving of John Somers" by John Fleming Wilson in Everybody's (Aug 1920).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
21 August 1922
Production Date:
April 1922
Copyright Info
Claimant
Date
Copyright Number
Famous Players-Lasky Corp.
8 August 1922
LP18172
Physical Properties:
Silent
Black and White
Length(in feet):
5,486
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Though wooed by a wealthy shipowner, Angela Gaskell is attracted to Somers, a drunken first mate who rescued her father in a shipwreck. To repay him, the Gaskells mortgage their property and thus obtain funds for the bond necessary for Somers to captain a ship of his own. When money is stolen from the ship and Somers disappears, Angela rejects her suitor, Marvin, and goes to the South Seas in search of Somers, her true love. She is able to regenerate him, and the thief is finally ...

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Though wooed by a wealthy shipowner, Angela Gaskell is attracted to Somers, a drunken first mate who rescued her father in a shipwreck. To repay him, the Gaskells mortgage their property and thus obtain funds for the bond necessary for Somers to captain a ship of his own. When money is stolen from the ship and Somers disappears, Angela rejects her suitor, Marvin, and goes to the South Seas in search of Somers, her true love. She is able to regenerate him, and the thief is finally revealed.

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GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.