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HISTORY

The working title for this film was Between the Worlds. Referring to it by that title, an item in the 10 April 1922 Paramount Pep noted that Paul Powell was set to direct Agnes Ayres in the film, written by Beulah Marie Dix. Another item in the same issue identified the picture by its revised title, Borderland, and announced that filming had begun at Paramount Pictures’ studio in Hollywood, CA. The following month, a 20 May 1922 Camera brief stated that shooting was scheduled to end that week. However, a production chart in the 10 June 1922 issue indicated that principal photography was scheduled to conclude that week. Final scenes entailed Agnes Ayres dressing as a ghost and “much complicated double exposure” camerawork excecuted by director of photography Harry Perry, according to an article in the 17 June 1922 Moving Picture World.
       Child actors “Baby Muriel McCormac” and May Giracci were cast in the picture, as noted in the 6 May 1922 Camera and 13 May 1922 Motion Picture News.
       The National Film Preservation Board (NFPB) included this picture on its list of Lost U.S. Silent Feature Films as of February 2021. ...

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The working title for this film was Between the Worlds. Referring to it by that title, an item in the 10 April 1922 Paramount Pep noted that Paul Powell was set to direct Agnes Ayres in the film, written by Beulah Marie Dix. Another item in the same issue identified the picture by its revised title, Borderland, and announced that filming had begun at Paramount Pictures’ studio in Hollywood, CA. The following month, a 20 May 1922 Camera brief stated that shooting was scheduled to end that week. However, a production chart in the 10 June 1922 issue indicated that principal photography was scheduled to conclude that week. Final scenes entailed Agnes Ayres dressing as a ghost and “much complicated double exposure” camerawork excecuted by director of photography Harry Perry, according to an article in the 17 June 1922 Moving Picture World.
       Child actors “Baby Muriel McCormac” and May Giracci were cast in the picture, as noted in the 6 May 1922 Camera and 13 May 1922 Motion Picture News.
       The National Film Preservation Board (NFPB) included this picture on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
1 Apr 1922
p. 9
Camera
6 May 1922
p. 7
Camera
20 May 1922
p. 8
Camera
10 Jun 1922
---
Camera
24 Jun 1922
p. 7
Exhibitors Trade Review
8 Jul 1922
p. 329
Film Daily
30 Jul 1922
p. 7
Motion Picture News
13 May 1922
p. 2698
Motion Picture News
5 Aug 1922
p. 661
Moving Picture World
17 Jun 1922
p. 623
Paramount Pep
10 Apr 1922
pp. 14-15
Variety
21 Apr 1922
p. 42
DETAILS
Alternate Title:
Between the Worlds
Release Date:
30 July 1922
Production Date:
early Apr--late May or early Jun 1922
Copyright Info
Claimant
Date
Copyright Number
Famous Players-Lasky Corp.
26 July 1922
LP18095
Physical Properties:
Silent
Black and White
Length(in feet):
5,500
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Dora, a poor soul wandering through space looking for her lost child, stops at the Well at the World's End where she sees Edith, her great-grandniece, about to ruin her life just as she herself did seventy years before, by abandoning her husband and child for another man. Acting through an aging servant, Dora effects a reconciliation between Edith and her husband, and Dora herself is at last reunited with her lost ...

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Dora, a poor soul wandering through space looking for her lost child, stops at the Well at the World's End where she sees Edith, her great-grandniece, about to ruin her life just as she herself did seventy years before, by abandoning her husband and child for another man. Acting through an aging servant, Dora effects a reconciliation between Edith and her husband, and Dora herself is at last reunited with her lost child.

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GENRE
Genres:


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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Marriage, Ghosts
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.