Broadway Babies (1929)

89 mins | Drama | 30 June 1929

Director:

Mervyn LeRoy

Producer:

Robert North

Cinematographer:

Sol Polito

Editor:

Frank Ware

Production Designer:

Jack Okey

Production Company:

First National Pictures, Inc.
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HISTORY

The 1928 short story, “The Broadway Musketeers” by Jay Gelzer, was purchased by First National Pictures, Inc., which planned to make it the talking-picture debut of actress Alice White, according to the 3 Jan 1929 and 6 Jan 1929 editions of Film Daily. The title was later revised to Broadway Baby (23 Jan 1929 Var) before it was officially changed to Broadway Babies (30 Jan 1929 Film Daily). Principal photography began on 11 Feb 1929 at First National Studios in Burbank, CA, as stated in the 9 Mar 1929 Exhibitors Herald-World.
       A news item in the 28 Feb 1929 LAT revealed that co-star Sally Eilers arrived at the studio every morning at 8:00 AM followed by four hours of rehearsals, six hours of shooting silent sequences, and six hours of talking sequences. The 3 Feb 1929 Film Daily credited Charles Murray as the leading man, while the majority of sources credited Charles Delaney. The 6 Mar 1929 Var noted that property man Sam Deige made his acting debut as an assistant stage manager. The 13 Mar 1929 LAT erroneously credited Alan Crosland as director and claimed that actor William Bakewell had been cast in a juvenile role. Actress Marion Byron was billed on screen as Miriam Byron.
       According to the 2 Mar 1929 Exhibitors Herald-World, Alice White was scheduled to perform her songs from the picture on a national radio broadcast, which featured such stars as Al Jolson, Colleen Moore, Conrad Nagel, and Jack Mulhall, all of whom were ...

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The 1928 short story, “The Broadway Musketeers” by Jay Gelzer, was purchased by First National Pictures, Inc., which planned to make it the talking-picture debut of actress Alice White, according to the 3 Jan 1929 and 6 Jan 1929 editions of Film Daily. The title was later revised to Broadway Baby (23 Jan 1929 Var) before it was officially changed to Broadway Babies (30 Jan 1929 Film Daily). Principal photography began on 11 Feb 1929 at First National Studios in Burbank, CA, as stated in the 9 Mar 1929 Exhibitors Herald-World.
       A news item in the 28 Feb 1929 LAT revealed that co-star Sally Eilers arrived at the studio every morning at 8:00 AM followed by four hours of rehearsals, six hours of shooting silent sequences, and six hours of talking sequences. The 3 Feb 1929 Film Daily credited Charles Murray as the leading man, while the majority of sources credited Charles Delaney. The 6 Mar 1929 Var noted that property man Sam Deige made his acting debut as an assistant stage manager. The 13 Mar 1929 LAT erroneously credited Alan Crosland as director and claimed that actor William Bakewell had been cast in a juvenile role. Actress Marion Byron was billed on screen as Miriam Byron.
       According to the 2 Mar 1929 Exhibitors Herald-World, Alice White was scheduled to perform her songs from the picture on a national radio broadcast, which featured such stars as Al Jolson, Colleen Moore, Conrad Nagel, and Jack Mulhall, all of whom were under contract to either Warner Bros. Pictures or its subsidiary, First National Pictures, Inc. As filming drew to a close, the [Pasadena, CA] Pasadena Post reported that White received two offers to join stage shows over the previous week: one in which she starred in a live prologue for a West Coast theater chain, and another in which she played the lead in local musical production. White declined the first offer due to her contract with First National, but considered accepting the second, despite her lack of stage experience. An item in the 16 Mar 1929 LAT indicated the completion of principal photography. That same day, Exhibitors Herald-World reported that the Jantzen Company, a swimwear manufacturer, had arranged a cross-promotion with First National to feature Alice White in print advertising and window displays at more than 10,000 retailers.
       One month prior to the film’s release, the 1 Jun 1929 Harrison’s Reports noted that it was a substitution for the scheduled feature, On the Air, based on a story by Paul D. Augsberg.
       Broadway Babies was released on 30 Jun 1929, preceded by a late-night premiere on 14 Jun 1929 at the Hillstreet Theatre in Los Angeles, CA. The event included personal appearances by the principal cast members, director Mervyn LeRoy, and songwriters Al Bryan, George W. Meyer, Harry Akst, and Grant Clarke. Gross receipts of $17,500 were reported in the 29 Jun 1929 Motion Picture News. A New York City opening followed on 21 Jun 1929 at the Central Theatre, earning $10,223.25, as noted in the 13 Jul 1929 issue. The 11 Sep 1929 Var estimated the picture’s New York City earnings for Aug 1929 at $34,500. A silent version was released on 28 Jul 1929.
       On 27 Jul 1929, Hollywood Filmograph reported that the picture’s success earned White a new contract with Warner Bros.-First National, which included a substantial pay increase and a luxury automobile. Various sources have stated in the ensuing years that the actress had been earning only $150 per week up to that point, and she had threatened to quit if was not paid a salary commensurate with her star status.
       The Dec 1929 Screenland recognized "Wishing and Waiting for Love" as the hit song from the film.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald-World
2 Mar 1929
p. 39
Exhibitors Herald-World
9 Mar 1929
p. 41
Exhibitors Herald-World
16 Mar 1929
p. 45, 55
Film Daily
3 Jan 1929
p. 6
Film Daily
6 Jan 1929
p. 6
Film Daily
30 Jan 1929
p. 8
Film Daily
3 Feb 1929
p. 10
Film Daily
17 Feb 1929
p. 6
Film Daily
28 Feb 1929
---
Film Daily
20 Jun 1929
p. 2
Film Daily
30 Jun 1929
---
Harrison's Reports
1 Jun 1929
p. 88
Harrison's Reports
24 Aug 1929
p. 105
Harrison's Reports
21 Sep 1929
p. 149
Hollywood Filmograph
15 Jun 1929
p. 14
Hollywood Filmograph
29 Jun 1929
p. 4
Hollywood Filmograph
27 Jul 1929
p. 17
International Photographer
Apr 1929
p. 16
Los Angeles Evening Express
12 Apr 1929
p. 24
Los Angeles Evening Express
14 Jun 1929
p. 16
Los Angeles Times
28 Feb 1929
p. 34
Los Angeles Times
13 Mar 1929
p. 35
Los Angeles Times
16 Mar 1929
p. 7
Motion Picture News
29 Jun 1929
p. 2322
Motion Picture News
13 Jul 1929
p. 194-C
Motion Picture News
10 Aug 1929
p. 626
Motion Picture News
7 Sep 1929
p. 860
New York Times
30 Jun 1929
Section VIII, p. 3
Pasadena Post [Pasadena, CA]
14 Mar 1929
p. 24
Picture-Play
Dec 1929
p. 94
Screenland
Dec 1929
p. 116
Variety
23 Jan 1929
p. 29
Variety
6 Mar 1929
p. 62
Variety
26 Jun 1929
p. 8, 22
Variety
3 Jul 1929
p. 89
Variety
11 Sep 1929
p. 15
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
Richard A. Rowland
Pres
WRITERS
Story
Monte Katterjohn
Scr
Monte Katterjohn
Dial
Titles
PHOTOGRAPHY
Dir of photog
Spec photog
Lyman Broening
Cam
Stills
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
COSTUMES
Cost
MUSIC
Conducted by
DANCE
Dance dir
SOURCES
LITERARY
Based on the short story "Broadway Musketeers" by Jay Gelzer in Good Housekeeping (Oct 1928).
LITERARY SOURCE AUTHOR
SONGS
"Wishing and Waiting for Love," words by Grant Clarke, music by Harry Akst; "Jig, Jig, Jigaloo" and "Broadway Baby Dolls," words by Al Bryan, music by George W. Meyer.
SONGWRITERS/COMPOSERS
+ −
SONGWRITERS/COMPOSERS
+ −
DETAILS
Alternate Titles:
Broadway Baby
Broadway Musketeers
Release Date:
30 June 1929
Premiere Information:
Los Angeles opening: 14 Jun 1929; New York opening: 21 Jun 1929
Production Date:
11 Feb--early Mar 1929
Copyright Info
Claimant
Date
Copyright Number
First National Pictures, Inc.
8 July 1929
LP512
Physical Properties:
Sound
Western Electric Apparatus (Vitaphone)
Black and White
Sound, also silent
Also a silent version, 28 Jul 1929; 6,690 ft.
Duration(in mins):
89
Length(in feet):
8,067
Length(in reels):
9
Country:
United States
Language:
English
SYNOPSIS

Inseparable chorus girls Delight Foster, Florine Chandler, and Navarre King become known throughout New York City as the “Broadway Musketeers.” Delight plans to leave the group to marry stage manager Billy Buvanny, but the romance is threatened when Percé Gessant, an affable Canadian bootlegger, falls in love with her. Delight mistakenly believes that Billy has been unfaithful and she agrees to marry Percé, who is being cheated at poker by gambler and mob boss Gus Brand. On their wedding day, Percé wins $170,000 from Gus, and when the gangster refuses to pay, Percé’s gunmen take the money by force. The gangster shoots Percé on the way to his wedding, just as Delight reveals that she still loves Billy. The wounded Percé gives the money to Billy and Delight, who use it to finance their own Broadway ...

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Inseparable chorus girls Delight Foster, Florine Chandler, and Navarre King become known throughout New York City as the “Broadway Musketeers.” Delight plans to leave the group to marry stage manager Billy Buvanny, but the romance is threatened when Percé Gessant, an affable Canadian bootlegger, falls in love with her. Delight mistakenly believes that Billy has been unfaithful and she agrees to marry Percé, who is being cheated at poker by gambler and mob boss Gus Brand. On their wedding day, Percé wins $170,000 from Gus, and when the gangster refuses to pay, Percé’s gunmen take the money by force. The gangster shoots Percé on the way to his wedding, just as Delight reveals that she still loves Billy. The wounded Percé gives the money to Billy and Delight, who use it to finance their own Broadway musical.

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GENRE
Genre:
Sub-genre:
with songs, Show business


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.