Coaling a Steamer, Nagasaki Bay, Japan (1901)

Documentary | 24 October 1901

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HISTORY

The Biograph catalog summarized this film as follows: "A splendid picture showing a crowd of Coolie men and women coaling a big ocean-going steamer by means of hand baskets passed from one to another."
       The U.S. Library of Congress catalog gives the following description: "The camera was positioned on a steamship dock at a distance that allowed photographing the process of coaling a ship. Primitive scaffolding reached to the deck of the ship from the dock. Many women and children standing on the dock passed the coal piece by piece from hand to hand to the deck of the ship. Since the camera did not move, no operations are visible other than the lifting of the coal pieces."
       The American Mutoscope Company was co-founded in Dec 1895 by former Edison Manufacturing Company inventor William K. L. Dickson (who left Edison in Apr of that year), fellow inventors Herman Casler and Harry Marvin, and businessman Elias Koopman. Their Mutoscope, which originally made flip-card peep show movies, soon rivaled Thomas Edison's Kinetoscope (see Edison Kinetoscopic Records for 1893). In the summer of 1896, when Edison introduced the Vitascope 35mm projector, American Mutoscope immediately came out with its own 68mm projector that offered a superior image. In 1899, the company changed its name to the American Mutoscope and Biograph Company, then shortened it nine years later to the Biograph Company. ...

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The Biograph catalog summarized this film as follows: "A splendid picture showing a crowd of Coolie men and women coaling a big ocean-going steamer by means of hand baskets passed from one to another."
       The U.S. Library of Congress catalog gives the following description: "The camera was positioned on a steamship dock at a distance that allowed photographing the process of coaling a ship. Primitive scaffolding reached to the deck of the ship from the dock. Many women and children standing on the dock passed the coal piece by piece from hand to hand to the deck of the ship. Since the camera did not move, no operations are visible other than the lifting of the coal pieces."
       The American Mutoscope Company was co-founded in Dec 1895 by former Edison Manufacturing Company inventor William K. L. Dickson (who left Edison in Apr of that year), fellow inventors Herman Casler and Harry Marvin, and businessman Elias Koopman. Their Mutoscope, which originally made flip-card peep show movies, soon rivaled Thomas Edison's Kinetoscope (see Edison Kinetoscopic Records for 1893). In the summer of 1896, when Edison introduced the Vitascope 35mm projector, American Mutoscope immediately came out with its own 68mm projector that offered a superior image. In 1899, the company changed its name to the American Mutoscope and Biograph Company, then shortened it nine years later to the Biograph Company.

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GEOGRAPHIC LOCATIONS
LOCATION
SOURCE CITATIONS
SOURCE
DATE
PAGE
LCMP
p. 12, column 2
LCPP
p. 282
EMP
p. 60
AMB Picture Catalogue
Nov 1902
p. 143
BIOB1
p. 68
BPL
pp. 114-115
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
PHOTOGRAPHY
DETAILS
Alternate Title:
Coaling a Steamer in Nagasaki Bay, Japan
Release Date:
24 October 1901
Production Date:

Copyright Info
Claimant
Date
Copyright Number
American Mutoscope and Biograph Co.
16 April 1902
H16648
Physical Properties:
Silent
Black and White
Length(in feet):
267 , 1507
Country:
United States
Language:
English
SYNOPSIS

Coolie men and women load coal on an ocean-going steamer in Nagasaki Bay, Japan, by passing hand baskets from one to ...

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Coolie men and women load coal on an ocean-going steamer in Nagasaki Bay, Japan, by passing hand baskets from one to another.

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GENRE
Genre:
Sub-genre:
Travelogue


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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KEEP EXPLORING
Wharfs, Nagasaki (Japan), Docks, Ships, Coal
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.