Call of the Flesh (1930)

100 mins | Romance | 16 August 1930

Director:

Charles Brabin

Writer:

Dorothy Farnum

Cinematographer:

Merritt B. Gerstad

Production Designer:

Cedric Gibbons

Production Company:

Metro-Goldwyn-Mayer Corp.
Full page view
HISTORY

The film's pre-release title was The Singer of Seville. Although reviews and ads for the film mention that it contained [two-strip] Technicolor sequences, the print viewed was solely black and white. Spanish and French-language versions of the film also were produced, both of which were directed by and starred Ramón Novarro. For information on those films, please consult the entry for Sevilla de mis amores. ...

More Less

The film's pre-release title was The Singer of Seville. Although reviews and ads for the film mention that it contained [two-strip] Technicolor sequences, the print viewed was solely black and white. Spanish and French-language versions of the film also were produced, both of which were directed by and starred Ramón Novarro. For information on those films, please consult the entry for Sevilla de mis amores.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Chicago Tribune
30 Aug 1930
p. 9
Film Daily
14 Sep 1930
---
Los Angeles Times
26 Aug 1930
p. A7
Motion Picture News
12 Jul 1930
p. 88
New York Times
13 Sep 1930
p. 9
Variety
17 Sep 1930
p. 30
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
WRITERS
PHOTOGRAPHY
Merritt B. Gerstad
Photog
ART DIRECTOR
Art dir
FILM EDITOR
COSTUMES
Ward
SOUND
Rec dir
Rec eng
SOURCES
SONGS
"Just for Today" and "Not Quite Good Enough for Me," words by Clifford Grey, music by Herbert Stothart; "Lonely," words by Clifford Grey, music by Ramón Novarro and Herbert Stothart; "Cavatina" from the opera L'Elisir d'Amore music by Gaetano Donizetti, libretto by Felice Romani; "Questa o quella" from the opera Rigoletto , music by Giuseppe Verdi, libretto by Francesco Maria Piave.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Title:
The Singer of Seville
Release Date:
16 August 1930
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Metro-Goldwyn-Mayer Distributing Corp.
8 September 1930
LP1541
Physical Properties:
Sound
Movietone
Black & white with color sequences
Technicolor
Duration(in mins):
100
Length(in feet):
9,178
Length(in reels):
11
Country:
United States
Language:
English
SYNOPSIS

Maria Consuelo, a novice who has entered the convent to fulfill her family's wishes, admires flirtatious café singer Juan de Dio, who is attempting to resist the advances of his partner, Lola. After seeing him from atop the wall of the convent, Maria builds up an aura of romance around him. After running away from the convent, she meets Juan, who himself is fleeing from the police after some petty thefts of street vendors. Juan responds to her affectionately and is determined to be her protector. With Esteban, his vocal teacher, Maria, and the kindly La Rumbarita, Juan goes to Madrid to audition for the opera. He is unsuccessful at his audition, but Esteban, even though he feels that Juan does not take life seriously enough to be a truly great singer, pays for him to have a role un an upcoming opera. Having fallen in love with Maria, Juan becomes engaged to her. Meanwhile, the spurned Lola encourages Maria's brother, Capt. Enrique Vargas, to separate the lovers, claiming Juan has taken Maria from the Church. Thinking that it is best for Maria if she returns to the convent, Juan pretends to reject her, and she returns to the cloister. Later, in his debut, a despondent Juan is so grief-stricken that he collapses after a triumphant operatic performance. Weeks later, finally realizing that Juan will only be happy with Maria, Lola appeals to the mother superior, who releases Maria before she takes her final vows. Maria then returns to Madrid and is happily reunited with Juan, who regains his will to ...

More Less

Maria Consuelo, a novice who has entered the convent to fulfill her family's wishes, admires flirtatious café singer Juan de Dio, who is attempting to resist the advances of his partner, Lola. After seeing him from atop the wall of the convent, Maria builds up an aura of romance around him. After running away from the convent, she meets Juan, who himself is fleeing from the police after some petty thefts of street vendors. Juan responds to her affectionately and is determined to be her protector. With Esteban, his vocal teacher, Maria, and the kindly La Rumbarita, Juan goes to Madrid to audition for the opera. He is unsuccessful at his audition, but Esteban, even though he feels that Juan does not take life seriously enough to be a truly great singer, pays for him to have a role un an upcoming opera. Having fallen in love with Maria, Juan becomes engaged to her. Meanwhile, the spurned Lola encourages Maria's brother, Capt. Enrique Vargas, to separate the lovers, claiming Juan has taken Maria from the Church. Thinking that it is best for Maria if she returns to the convent, Juan pretends to reject her, and she returns to the cloister. Later, in his debut, a despondent Juan is so grief-stricken that he collapses after a triumphant operatic performance. Weeks later, finally realizing that Juan will only be happy with Maria, Lola appeals to the mother superior, who releases Maria before she takes her final vows. Maria then returns to Madrid and is happily reunited with Juan, who regains his will to live.

Less

GENRE
Genre:
Sub-genre:
with songs


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Psycho

Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>

Fame

       The last name of principal dancer Ranko Yokoyama is misspelled "Yokoyana."
       The film is divided into five acts indicated by title cards stating: “The Auditions,” “Freshman Year,” “Sophomore ... >>

Batman Returns

According to a 14 Jun 1992 LAT article, Warner Bros. was very eager for Tim Burton to direct the sequel to his 1989 film Batman ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.