The Call of the Hills (1923)

55 mins | Melodrama | 18 April 1923

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HISTORY

The film was released to the states’ rights market in early 1923 by distributor Lee-Bradford Corp., as indicated by an item in the 2 Mar 1923 Film Daily. Production may have been completed sometime during the previous year.
       The Call of the Hills opened on 3 May 1923 at the Garden Theatre in Brooklyn, NY. Reviews in the 5 May 1923 Moving Picture World and the 16 Jun 1923 Exhibitors Trade Review listed cast member Maude Malcolm as “Maud Malcolm.” The film was mentioned in the 19 May 1923 Exhibitors Trade Review as featuring “refreshing scenes from Kentucky hills,” although they were not verified as actual location shots.
       A 1911 short subject, also titled The Call of the Hills, was produced by Powers Picture Plays.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant. ...

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The film was released to the states’ rights market in early 1923 by distributor Lee-Bradford Corp., as indicated by an item in the 2 Mar 1923 Film Daily. Production may have been completed sometime during the previous year.
       The Call of the Hills opened on 3 May 1923 at the Garden Theatre in Brooklyn, NY. Reviews in the 5 May 1923 Moving Picture World and the 16 Jun 1923 Exhibitors Trade Review listed cast member Maude Malcolm as “Maud Malcolm.” The film was mentioned in the 19 May 1923 Exhibitors Trade Review as featuring “refreshing scenes from Kentucky hills,” although they were not verified as actual location shots.
       A 1911 short subject, also titled The Call of the Hills, was produced by Powers Picture Plays.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
19 May 1923
p. 1205
Exhibitors Trade Review
16 Jun 1923
p. 118
Film Daily
2 Mar 1923
p. 4
Film Daily
12 Apr 1923
p. 8
Film Daily
25 Jun 1923
p. 3
Motion Picture News
30 Sep 1911
p. 13
Motion Picture News
7 Jul 1923
p. 121
Motion Picture News
1 Dec 1923
p. 2584
Moving Picture World
5 May 1923
---
Standard Union [Brooklyn, NY]
29 Apr 1923
p. 32
DETAILS
Release Date:
18 April 1923
Premiere Information:
Brooklyn, NY, opening: 3 May 1923
Production Date:

Physical Properties:
Silent
Black and White
Duration(in mins):
55
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

In the mountains of Kentucky, Violet Kruger repels the advances of bootlegger Jed Keith, while purchasing liquor at the behest of her drunkard father, Ben. She returns home and smashes the jug of whiskey in a fit of anger, incurring Ben’s wrath. Judge Willie Hoyt and his wife rescue Violet and send her to a boarding school on the Hudson River. She later marries Allen Grey, a student at the U.S. Military Academy, but their happiness is threatened by Jed, who tries in vain to claim Violet for himself. After Ben is mortally wounded by Jed, he reveals that Violet is really the daughter of socially prominent and wealthy parents, who lost her to a Gypsy when she was only a child. ...

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In the mountains of Kentucky, Violet Kruger repels the advances of bootlegger Jed Keith, while purchasing liquor at the behest of her drunkard father, Ben. She returns home and smashes the jug of whiskey in a fit of anger, incurring Ben’s wrath. Judge Willie Hoyt and his wife rescue Violet and send her to a boarding school on the Hudson River. She later marries Allen Grey, a student at the U.S. Military Academy, but their happiness is threatened by Jed, who tries in vain to claim Violet for himself. After Ben is mortally wounded by Jed, he reveals that Violet is really the daughter of socially prominent and wealthy parents, who lost her to a Gypsy when she was only a child.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.