Writer:

Gertrude Orr

Cinematographer:

James Diamond

Production Company:

Fox Film Corp.
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HISTORY

An earlier adaptation of Clyde Fitch's play was produced in 1916 by the F. Ray Comstock Photoplay Co. That film, also entitled The City, was directed by Theodore Wharton and starred Thurlow Bergen abd Elsie Esmond (see entry) ...

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An earlier adaptation of Clyde Fitch's play was produced in 1916 by the F. Ray Comstock Photoplay Co. That film, also entitled The City, was directed by Theodore Wharton and starred Thurlow Bergen abd Elsie Esmond (see entry)

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
21 Nov 1926
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
R. William Neill
Dir
Asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
SOURCES
LITERARY
Based on the play The City by Clyde Fitch (New York, 21 Dec 1909).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
14 November 1926
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Fox Film Corp.
14 November 1926
LP23395
Physical Properties:
Silent
Black and White
Length(in feet):
5,508
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Following the death of Rand, a wealthy reformed criminal, his family moves to the city, and Rand, Jr., becomes a candidate for mayor. Mrs. Rand neglects her family to pursue social ambitions, and Hannock, a dope fiend, dupes Cicely into a marriage. Hannock, who has caused the death of Rand, Sr., and knows of his past, blackmails the politically ambitious son, George. Eventually awakened to his sense of responsibility and self-respect, George faces up to the villain, whose suicide precipitates the family's return to its village ...

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Following the death of Rand, a wealthy reformed criminal, his family moves to the city, and Rand, Jr., becomes a candidate for mayor. Mrs. Rand neglects her family to pursue social ambitions, and Hannock, a dope fiend, dupes Cicely into a marriage. Hannock, who has caused the death of Rand, Sr., and knows of his past, blackmails the politically ambitious son, George. Eventually awakened to his sense of responsibility and self-respect, George faces up to the villain, whose suicide precipitates the family's return to its village environment.

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GENRE
Genre:
Sub-genre:
Domestic


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.