The Cossacks (1928)

Melodrama | 23 June 1928

Director:

George Hill

Cinematographer:

Percy Hilburn

Editor:

Blanche Sewell

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

In summer 1926, Dorothy Farnum was hired to write the script, based on the Russian novel by Leo Tolstoy, Kazadi (which translates to The Cossacks in English). The 29 December 1926 Variety stated that General Theodore Lodi (referred to as Gen. Lodigensky by Chicago Daily Tribune) was brought on to assist Farnum with the screenplay; Lodi was later credited as technical advisor on the film. Farnum was eventually replaced by Frances Marion, as indicated by a 29 October 1927 Moving Picture World item, which announced that Marion had just been signed to a long-term contract with Metro-Goldwyn-Mayer Corp (M-G-M).
       The 20 March 1926 Exhibitors Herald claimed that M-G-M planned to import 250 real-life Cossacks to appear in the film, at a cost of $250,000. An article in the 20 November 1927 Chicago Daily Tribune later stated that the Cossacks had been brought to the U.S., but while production was delayed, they had sought employment as performers at New York’s Winter Garden Theatre. Filming began on 28 October 1927, according to a production chart in the 7 January 1928 Exhibitors Herald and Moving Picture World. By that time, the Cossack troupe had been moved to a camp in the Laurel Canyon neighborhood of Hollywood, CA, alongside a Russian village set built under the direction of Russian settings designer Alexander Toluboff. The set included a “silver domed church, a thatched tavern, and many homes.” According to Toluboff’s obituary in the 2 July 1940 Los Angeles Times, the Laurel Canyon village set was still standing at that time.
       Five-year-old Yurka Kuls, one of ...

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In summer 1926, Dorothy Farnum was hired to write the script, based on the Russian novel by Leo Tolstoy, Kazadi (which translates to The Cossacks in English). The 29 December 1926 Variety stated that General Theodore Lodi (referred to as Gen. Lodigensky by Chicago Daily Tribune) was brought on to assist Farnum with the screenplay; Lodi was later credited as technical advisor on the film. Farnum was eventually replaced by Frances Marion, as indicated by a 29 October 1927 Moving Picture World item, which announced that Marion had just been signed to a long-term contract with Metro-Goldwyn-Mayer Corp (M-G-M).
       The 20 March 1926 Exhibitors Herald claimed that M-G-M planned to import 250 real-life Cossacks to appear in the film, at a cost of $250,000. An article in the 20 November 1927 Chicago Daily Tribune later stated that the Cossacks had been brought to the U.S., but while production was delayed, they had sought employment as performers at New York’s Winter Garden Theatre. Filming began on 28 October 1927, according to a production chart in the 7 January 1928 Exhibitors Herald and Moving Picture World. By that time, the Cossack troupe had been moved to a camp in the Laurel Canyon neighborhood of Hollywood, CA, alongside a Russian village set built under the direction of Russian settings designer Alexander Toluboff. The set included a “silver domed church, a thatched tavern, and many homes.” According to Toluboff’s obituary in the 2 July 1940 Los Angeles Times, the Laurel Canyon village set was still standing at that time.
       Five-year-old Yurka Kuls, one of the Cossack troupe’s children, may have appeared in the film, as indicated by a 14 January 1928 Exhibitors Herald and Moving Picture World brief.
       Theatrical release took place on 23 June 1928. A review in that day’s Motion Picture News claimed that while George Hill had directed the majority of the film, another M-G-M director, Clarence Brown, had completed it. A review in the 7 July 1928 Harrison’s Reports stated that M-G-M had intended to release The Cossacks as a special picture with a high ticket cost of $2, but the film was ultimately released at a regular admission price.
       The Var review credited Neil Neely with the role of “Prince Olenin.”
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Afro-American [Baltimore, MD]
19 Nov 1927
p. 8
Chicago Daily Tribune
20 Nov 1927
Section D, p. 5
Chicago Daily Tribune
24 Jun 1928
Section F, p. 1
Exhbitors Herald
20 Mar 1926
---
Exhibitors Herald and Moving Picture World
7 Jan 1928
p. 43
Exhibitors Herald and Moving Picture World
14 Jan 1928
p. 17
Film Daily
24 Jun 1926
---
Harrison's Reports
7 Jul 1928
p. 106
Los Angeles Times
4 Jul 1928
Section A, p. 11
Los Angeles Times
2 Jul 1940
Section A, p. 8
Motion Picture News
25 Nov 1927
p. 1660
Motion Picture News
23 Jun 1928
---
Moving Picture World
29 Oct 1927
---
Variety
29 Dec 1926
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
A George Hill Production
NAME
CREDITED AS
CREDIT
DIRECTORS
WRITERS
Adpt and cont
Titles
PHOTOGRAPHY
Photog
FILM EDITOR
Film ed
SET DECORATORS
Settings
COSTUMES
Ward
PRODUCTION MISC
General Theodore Lodi
Tech adv
SOURCES
LITERARY
From the novel Kazadi [a.k.a. The Cossacks] by Leo Tolstoy (Moscow, 1864).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
23 June 1928
Premiere Information:
New York opening: 24 Jun 1928
Production Date:
began 28 Oct 1927
Copyright Info
Claimant
Date
Copyright Number
Metro-Goldwyn-Mayer Distributing Corp.
23 June 1928
LP25438
Physical Properties:
Silent
Black and White
Length(in feet):
8,600
Length(in reels):
10
Country:
United States
Language:
English
SYNOPSIS

Lukashka humiliates his father, Ivan, by refusing to participate in the Cossack preoccupation--killing Turks. The townspeople brand him a coward, and his behavior elicits the disapproval of Maryana, his favorite pastime. The escape of several Turkish prisoners arouses his fighting spirit; he becomes a real warrior and returns from battle proudly displaying a mouth wound (a heroic injury, yielding status). When his pride causes him to be aloof with Maryana, she accepts the marriage proposal of visiting Prince Olenin. Lukashka chases the couple, already on their way to the capital, kidnaps Maryana, and leaves the royal party to a band of marauding ...

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Lukashka humiliates his father, Ivan, by refusing to participate in the Cossack preoccupation--killing Turks. The townspeople brand him a coward, and his behavior elicits the disapproval of Maryana, his favorite pastime. The escape of several Turkish prisoners arouses his fighting spirit; he becomes a real warrior and returns from battle proudly displaying a mouth wound (a heroic injury, yielding status). When his pride causes him to be aloof with Maryana, she accepts the marriage proposal of visiting Prince Olenin. Lukashka chases the couple, already on their way to the capital, kidnaps Maryana, and leaves the royal party to a band of marauding Turks.

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GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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KEEP EXPLORING
Russia, Cossacks, Cowardice, Turks, Royalty
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.