Dance Hall (1929)

65 mins | Melodrama | 27 December 1929

Director:

Melville Brown

Producer:

Henry Hobart

Cinematographer:

Jack MacKenzie

Editor:

Ann McKnight

Production Designer:

Max Rée

Production Company:

RKO Productions, Inc.
Full page view
HISTORY

       The film opened at the Globe Theatre at 205 West 46th Street in New York City, which "inaugurated a new policy for what was once a legitimate house. Performances there are now continuous from 10:30 a.m."
       The silent film is not listed by the Library of Congress.
...

More Less

       The film opened at the Globe Theatre at 205 West 46th Street in New York City, which "inaugurated a new policy for what was once a legitimate house. Performances there are now continuous from 10:30 a.m."
       The silent film is not listed by the Library of Congress.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald-World
21 Dec 1929
p. 48
Film Daily
22 Dec 1929
---
National Board of Review Magazine
Jan 1930
p. 14
New York Times
16 Dec 1929
p. 34
Variety
18 Dec 1929
p. 28
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
SOURCES
LITERARY
Based on the short story "Dance Hall" by Viña Delmar in Liberty (16 Mar 1929).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
27 December 1929
Premiere Information:
New York opening: 14 December 1929
Production Date:

Copyright Info
Claimant
Date
Copyright Number
RKO Distributing Corp.
14 December 1929
LP935
Physical Properties:
Sound
Photophone
Black and White
Sound, also silent
Also si.
Duration(in mins):
65
Length(in feet):
5,700
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Boyish shipping clerk Tommy Flynn loves Gracie Nolan, a blonde taxi-dance hostess at the Paradise Dance Hall. One evening she is annoyed by a drunken truckdriver, and Ted Smith, a handsome young aviator, intervenes. Tommy, grateful for Ted's help, allows him to dance the prize contest with Gracie, but then she falls madly in love with the glamorous pilot, to Tommy's despair. When Ted's plane crashes on a coast-to-coast flight, Gracie goes into a state of shock, then calls for Ted. Tommy learns that Ted is not seriously interested in Gracie and that he refuses to see her. When Tommy then is badly beaten in a fight, Gracie realizes the extent of his sacrifice, and after their reunion they are ...

More Less

Boyish shipping clerk Tommy Flynn loves Gracie Nolan, a blonde taxi-dance hostess at the Paradise Dance Hall. One evening she is annoyed by a drunken truckdriver, and Ted Smith, a handsome young aviator, intervenes. Tommy, grateful for Ted's help, allows him to dance the prize contest with Gracie, but then she falls madly in love with the glamorous pilot, to Tommy's despair. When Ted's plane crashes on a coast-to-coast flight, Gracie goes into a state of shock, then calls for Ted. Tommy learns that Ted is not seriously interested in Gracie and that he refuses to see her. When Tommy then is badly beaten in a fight, Gracie realizes the extent of his sacrifice, and after their reunion they are married.

Less

GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

The Long Haul

Onscreen credits contain the following written acknowlegment: "The producer gratefully acknowleges the assistance and facilities made availabe to the producer by Leyland Motors Limited." Tom Morahan's onscreen credit reads ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Incendiary Blonde

The working titles of this film were The Smoothest Gal in Town , The Life of Texas Guinan and Texas Guinan . The film opens ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.