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HISTORY

Preparation of the scenario by J. G. Hawks, managing editor of Louis B. Mayer Productions, was announced in the 27 May 1922 Motion Picture News. Principal photography began soon after at the Mayer studio lot in the Lincoln Heights district of Los Angeles, CA, as stated in the 17 June 1922 edition.
       Articles in the 29 July 1922, 5 August 1922, and 19 August 1922 issues of Motion Picture News revealed that director John M. Stahl staged a train wreck along a Southern Pacific Railroad line in Ventura County, CA. The nearby California towns of Ventura, Santa Paula, and Fillmore, known for closing at 9:00 PM, contributed a large audience to the 1:30 AM event, which included an appearance by star Lewis Stone. A related sequence depicted an automobile racing the train, completed over a period of five days. Also featured was a reproduction of a New York City street measuring 220 feet long by 120 feet wide. It was said to be the largest movie set to date. Other highlights included “an extravagant café scene” requiring several hundred well-dressed background actors, and an automobile race filmed at Exposition Park in Los Angeles, according to the 19 August 1922 Exhibitors Herald. The close of production was reported by the 26 August 1922 Motion Picture News.
       The Dangerous Age was released in January 1923, preceded by a 21 November 1922 premiere at the Fabian Brothers’ Garden Theatre in Paterson, NJ. An article in the 16 December 1922 Motion Picture News credited publicists Harry Reichenbach and Perry Charles ...

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Preparation of the scenario by J. G. Hawks, managing editor of Louis B. Mayer Productions, was announced in the 27 May 1922 Motion Picture News. Principal photography began soon after at the Mayer studio lot in the Lincoln Heights district of Los Angeles, CA, as stated in the 17 June 1922 edition.
       Articles in the 29 July 1922, 5 August 1922, and 19 August 1922 issues of Motion Picture News revealed that director John M. Stahl staged a train wreck along a Southern Pacific Railroad line in Ventura County, CA. The nearby California towns of Ventura, Santa Paula, and Fillmore, known for closing at 9:00 PM, contributed a large audience to the 1:30 AM event, which included an appearance by star Lewis Stone. A related sequence depicted an automobile racing the train, completed over a period of five days. Also featured was a reproduction of a New York City street measuring 220 feet long by 120 feet wide. It was said to be the largest movie set to date. Other highlights included “an extravagant café scene” requiring several hundred well-dressed background actors, and an automobile race filmed at Exposition Park in Los Angeles, according to the 19 August 1922 Exhibitors Herald. The close of production was reported by the 26 August 1922 Motion Picture News.
       The Dangerous Age was released in January 1923, preceded by a 21 November 1922 premiere at the Fabian Brothers’ Garden Theatre in Paterson, NJ. An article in the 16 December 1922 Motion Picture News credited publicists Harry Reichenbach and Perry Charles with promoting the event throughout the region, assisted by the local silk industry, newspapers, police, and Paterson mayor Frank J. Van Noort. The latter personally mailed twelve letters addressed to random Paterson residents on behalf of the Press-Guardian newspaper, which offered fifty dollars to the first recipient to return their letter.
       A Los Angeles opening at the Kinema Theatre followed on 23 December 1922.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
12 Aug 1922
p. 11
Exhibitors Herald
19 Aug 1922
p. 42
First National First (press book)
1922-1923
pp. 36-37
Los Angeles Evening Express [Los Angeles, CA]
23 Dec 1922
p. 11
Motion Picture News
27 May 1922
p. 2938
Motion Picture News
3 Jun 1922
p. 3028, 3082
Motion Picture News
17 Jun 1922
p. 3249
Motion Picture News
29 Jul 1922
p. 538
Motion Picture News
5 Aug 1922
p. 615
Motion Picture News
19 Aug 1922
p. 892, 895
Motion Picture News
26 Aug 1922
p. 1020
Motion Picture News
30 Sep 1922
p. 1665
Motion Picture News
9 Dec 1922
p. 2940
Motion Picture News
16 Dec 1922
p. 3053, 3057-3059
MPN Booking Guide
Apr 1923
p. 41
Variety
30 Jun 1922
p. 34
Variety
5 Jan 1923
p. 46
DETAILS
Release Date:
January 1923
Premiere Information:
Paterson, NJ, premiere: 21 Nov 1922; Los Angeles opening: 23 Dec 1922
Production Date:
ended late Jul 1922
Copyright Info
Claimant
Date
Copyright Number
Louis B. Mayer Productions
6 November 1922
LP18374
Physical Properties:
Silent
Black and White
Length(in feet):
7,145, 7,229
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

After twenty years of marriage, Mary Emerson treats her husband, John, more like a son than a lover. Stung by her rebuffs, John succumbs to the youthful charms of Gloria Sanderson, whom he meets while on a business trip. He mails a letter to Mary telling her that he will not return, only to discover Gloria in the arms of her fiancé. Realizing his foolishness, John races to the mail train in an attempt to retrieve the letter. Although it reaches Mary, she too has seen her error and accepts John's professions of ...

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After twenty years of marriage, Mary Emerson treats her husband, John, more like a son than a lover. Stung by her rebuffs, John succumbs to the youthful charms of Gloria Sanderson, whom he meets while on a business trip. He mails a letter to Mary telling her that he will not return, only to discover Gloria in the arms of her fiancé. Realizing his foolishness, John races to the mail train in an attempt to retrieve the letter. Although it reaches Mary, she too has seen her error and accepts John's professions of love.

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GENRE
Genre:
Sub-genre:
Domestic


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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Marriage, Letters, Aging
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.