Old Man Rhythm (1935)

74-75 mins | Musical | 2 August 1935

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HISTORY

The working title of this film was Papa's in the Cradle. According to HR, Buddy Rogers won the lead in the picture after John Beal, Gene Raymond and Randolph Scott had been considered. RKO borrowed George Barbier from Paramount for the production. A HR news item described four actors in the cast--Bryant Washburn, Jr., Carlyle Blackwell, Jr., Erich von Stroheim, Jr. and Claude Gillingwater, Jr.--as "second generation of film famous." The DV preview review listed the running time as 86 minutes, suggesting that about eleven minutes were cut from the final film. Modern sources add Marian Darling, Jane Hamilton, Maxine Jennings, Kay Sutton (College girls) and Jack Thomas to the cast. ...

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The working title of this film was Papa's in the Cradle. According to HR, Buddy Rogers won the lead in the picture after John Beal, Gene Raymond and Randolph Scott had been considered. RKO borrowed George Barbier from Paramount for the production. A HR news item described four actors in the cast--Bryant Washburn, Jr., Carlyle Blackwell, Jr., Erich von Stroheim, Jr. and Claude Gillingwater, Jr.--as "second generation of film famous." The DV preview review listed the running time as 86 minutes, suggesting that about eleven minutes were cut from the final film. Modern sources add Marian Darling, Jane Hamilton, Maxine Jennings, Kay Sutton (College girls) and Jack Thomas to the cast.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
12 Jul 1935
p. 3
Hollywood Reporter
5 Apr 1935
p. 6
Hollywood Reporter
3 May 1935
p. 1
Hollywood Reporter
8 May 1935
p. 6
Hollywood Reporter
20 May 1935
p. 3
Hollywood Reporter
10 Jun 1935
p. 15
Hollywood Reporter
12 Jul 1935
p. 6
Motion Picture Daily
13 Jul 1935
p. 4
Motion Picture Herald
8 Jun 1935
p. 94
Motion Picture Herald
28 Sep 1935
p. 247
Variety
25 Sep 1935
p. 42
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
Assoc prod
WRITERS
Lewis Gensler
Story
Story
Story
Addl dial
Lewis Gensler
Contr to trmt
Contr to trmt
PHOTOGRAPHY
Nick Musuraca
Photog
ART DIRECTORS
Art dir assoc
FILM EDITOR
MUSIC
Mus dir
Song numbers staged by
SOUND
John Tribby
Rec
P. J. Faulkner Jr.
Mus rec
DANCE
Dance numbers staged by
SOURCES
SONGS
"There's Nothing Like a College Education," "When You Are in My Arms," "Boys Will Be Boys," "I Never Saw a Better Night," "Comes the Revolution, Baby" and "Old Man Rhythm," music by Lewis Gensler, lyrics by Johnny Mercer.
SONGWRITER/COMPOSER
DETAILS
Alternate Title:
Papa's in the Cradle
Release Date:
2 August 1935
Production Date:
13 May--mid Jun 1935
Copyright Info
Claimant
Date
Copyright Number
RKO Radio Pictures, Inc.
2 August 1935
LP5755
Physical Properties:
Sound
RCA Victor System
Black and White
Duration(in mins):
74-75
Country:
United States
PCA No:
1063
SYNOPSIS

When John Roberts, Sr., the co-owner of the Roberts Doll Manufacturing Company of Silverton, New York, hears from his assistant, Paul Parker, that his son Johnny is spending more time on co-ed Marion Beecher than on his academic studies or on his childhood sweetheart, Edith Warren, he leaves immediately for Fairfield College to assess the situation personally. Unable to dissuade Johnny from pursuing Marion, Mr. Roberts decides to enroll in the school as a freshman and keep an eye on his son's activities. After quickly becoming the most popular student at Fairfield, Mr. Roberts makes Pinky Parker, Paul's shy son, his confidant. At Pinky's suggestion, Mr. Roberts writes a letter to Paul asking him to write back and pretend that the toy business is bankrupt, in hopes of fooling Marion into thinking that Johnny's fortune is lost. The letter, which has been entrusted to Phillips, an absent-minded school employee, is never sent. However, because of Mr. Robert's much publicized collegiate antics, the business genuinely begins to fail, causing Paul and partner Frank Rochet to panic. Marion, meanwhile, fights with Johnny over Edith and then plays on Edith's innocent kindness by threatening to quit school, which encourages Johnny to propose an elopement after the prom. At the dance, Mr. Roberts is relieved by the arrival of Paul and Rochet, who discuss the financial troubles of the toy company in front of Marion. As predicted, Marion has a sudden change of heart and jilts Johnny, who, now wiser, returns to the faithful Edith, thus allowing his father to end his charade and rescue his ...

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When John Roberts, Sr., the co-owner of the Roberts Doll Manufacturing Company of Silverton, New York, hears from his assistant, Paul Parker, that his son Johnny is spending more time on co-ed Marion Beecher than on his academic studies or on his childhood sweetheart, Edith Warren, he leaves immediately for Fairfield College to assess the situation personally. Unable to dissuade Johnny from pursuing Marion, Mr. Roberts decides to enroll in the school as a freshman and keep an eye on his son's activities. After quickly becoming the most popular student at Fairfield, Mr. Roberts makes Pinky Parker, Paul's shy son, his confidant. At Pinky's suggestion, Mr. Roberts writes a letter to Paul asking him to write back and pretend that the toy business is bankrupt, in hopes of fooling Marion into thinking that Johnny's fortune is lost. The letter, which has been entrusted to Phillips, an absent-minded school employee, is never sent. However, because of Mr. Robert's much publicized collegiate antics, the business genuinely begins to fail, causing Paul and partner Frank Rochet to panic. Marion, meanwhile, fights with Johnny over Edith and then plays on Edith's innocent kindness by threatening to quit school, which encourages Johnny to propose an elopement after the prom. At the dance, Mr. Roberts is relieved by the arrival of Paul and Rochet, who discuss the financial troubles of the toy company in front of Marion. As predicted, Marion has a sudden change of heart and jilts Johnny, who, now wiser, returns to the faithful Edith, thus allowing his father to end his charade and rescue his business.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.