The Violin Maker of Cremona (1909)

Drama, Romance | 7 June 1909

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HISTORY

The Violin Maker of Cremona was filmed at Biograph's New York City studio.
       The 26 Jun 1909 Moving Picture World ran the following review: “When the capable Biograph Company undertakes to tell a love story, they tell it so forcibly, and yet so tenderly, that it lingers in the memory like some sweet dream. Here is a tale of love and sacrifice, and when the young violin maker smashes the instrument which would win him the fair girl’s hand, so that his rival, whom the girl loves, can win, the intensity of anguish which burst forth in that blow will not soon be forgotten. The entire film abounds in strong situations, like the one where the cripple exchanges the violins to make sure the rival wins, and again when the rival, not knowing what has been done, exchanges them again, thereby cutting off every possible chance of winning. Techncally the film is good, with artistic grouping of characters and faithful tonal rendering of interiors.”
       The Violin Maker of Cremona introduced Mary Pickford in her first starring role. The film is extant and widely available. ...

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The Violin Maker of Cremona was filmed at Biograph's New York City studio.
       The 26 Jun 1909 Moving Picture World ran the following review: “When the capable Biograph Company undertakes to tell a love story, they tell it so forcibly, and yet so tenderly, that it lingers in the memory like some sweet dream. Here is a tale of love and sacrifice, and when the young violin maker smashes the instrument which would win him the fair girl’s hand, so that his rival, whom the girl loves, can win, the intensity of anguish which burst forth in that blow will not soon be forgotten. The entire film abounds in strong situations, like the one where the cripple exchanges the violins to make sure the rival wins, and again when the rival, not knowing what has been done, exchanges them again, thereby cutting off every possible chance of winning. Techncally the film is good, with artistic grouping of characters and faithful tonal rendering of interiors.”
       The Violin Maker of Cremona introduced Mary Pickford in her first starring role. The film is extant and widely available.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
LCMP
p. 65, column 3
LCPP
pp. 225-226
EMP
p. 351
BIOB2
p. 96
BPL
pp. 114-115
The Daily Worker
p. 50
Moving Picture World
5 Jun 1909
p. 743ta, 762ts, 772tl
Moving Picture World
26 Jun 1909
pp. 873-874r
NYDM
12 Jun 1909
p. 16ta
NYDM
19 Jun 1909
p. 16r
Variety
5 Jun 1909
p. 35
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PHOTOGRAPHY
G. W. Bitzer
Cam
SOURCES
LITERARY
Based on the play Le luthier de Crémone by François Coppée (1876).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
7 June 1909
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Biograph Co.
9 June 1909
H128159
Physical Properties:
Silent
Black and White
Length(in feet):
963
Country:
United States
Language:
English
SYNOPSIS

“In the little Italian city of Cremona there dwelt Taddeo Ferrari, a violin maker and student of Andrea Amati, the most famous of the craft. Ferrari’s pretty daughter, Giannina, was beloved by one of his apprentices, Sandro. Filippo, a crippled youth and the best violin maker in Cremona, also loved the girl with a pure, holy affection that is more spiritual than material, but realizing his unattractiveness through his deformity, suffers his hopelessness with resignation. Yearly there is a prize of a precious chain of gold awarded to the maker of the best violin, and all the apprentices strive to win it. On this occasion, however, the hand of Giannina is to be bestowed upon the most proficient craftsman, and this induces the young men to make extra efforts to win. Sandro fully appreciates the rare talent of Filippo and feels sure his wonderful skill will win his sweetheart from him. Crushed and despairing, he seeks out Giannina and tells her his fears, she tearfully acknowledging the strength of his reasoning. While thus occupied, they are overheard by Filippo, who sees what woe his success would mean for her, and thinking only of her happiness, through his great love for her he makes a great sacrifice. Going to his room, he takes his instrument and goes and places it in Sandro’s box, taking Sandro’s violin and putting it in his own. Sandro, however, thwarts the good intention of Filippo by exchanging the instruments, not knowing what Filippo had done, thereby upsetting the planned munificence of the cripple. When the instruments are placed in competition, and the prizes are about to be awarded, Sandro’s conscience pricks him, and calling the ...

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“In the little Italian city of Cremona there dwelt Taddeo Ferrari, a violin maker and student of Andrea Amati, the most famous of the craft. Ferrari’s pretty daughter, Giannina, was beloved by one of his apprentices, Sandro. Filippo, a crippled youth and the best violin maker in Cremona, also loved the girl with a pure, holy affection that is more spiritual than material, but realizing his unattractiveness through his deformity, suffers his hopelessness with resignation. Yearly there is a prize of a precious chain of gold awarded to the maker of the best violin, and all the apprentices strive to win it. On this occasion, however, the hand of Giannina is to be bestowed upon the most proficient craftsman, and this induces the young men to make extra efforts to win. Sandro fully appreciates the rare talent of Filippo and feels sure his wonderful skill will win his sweetheart from him. Crushed and despairing, he seeks out Giannina and tells her his fears, she tearfully acknowledging the strength of his reasoning. While thus occupied, they are overheard by Filippo, who sees what woe his success would mean for her, and thinking only of her happiness, through his great love for her he makes a great sacrifice. Going to his room, he takes his instrument and goes and places it in Sandro’s box, taking Sandro’s violin and putting it in his own. Sandro, however, thwarts the good intention of Filippo by exchanging the instruments, not knowing what Filippo had done, thereby upsetting the planned munificence of the cripple. When the instruments are placed in competition, and the prizes are about to be awarded, Sandro’s conscience pricks him, and calling the cripple aside, confesses his deed. Filippo bursts into taunting laughter, telling him what he, himself, had done, and now he spoiled it all. Judgment is passed and Filippo is, of course, the victor. The chain is placed about his neck, and the hand of Giannina placed in his. But also, he feels she recoils, and thinking only of her happiness he crashes his violin over his knee, thereby putting himself out of the contest and making Sandro the winner. He then places the chain about Sandro’s neck, and handing the girl over to him he rushes from the hall. We finally leave him alone in his room, crushed and dejected, yet contented in the thought that he had made her happy.”—5 Jun 1909 Moving Picture World

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GENRE
Genres:


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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Self-sacrifice, Violins, Italians
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.