Between Love and Duty (1910)

13 May 1910

Production Company:

Kalem Co.
Full page view
HISTORY

The 28 May 1910 Moving Picture World ran the following review: “A strong melodrama graphically depicting the struggle of a sheriff between favoring a woman whom he loves and whose husband he is hunting as an outlaw, and his sworn duty. Ultimately love triumphs and he permits the murderer to escape. The closing scene, a man's silent despair, is a dramatic bit of acting and is a fitting close to a good picture. This triangle of a hopeless love, stern duty and divine pity is the most trying that can beset any man, and one can sympathize with the unfortunate officer when he succumbs. Some of the scenery is novel, particularly the swamp, which is unfamiliar to Northern eyes."
       The Kalem studio and officers were located in the Eastman Kodak Building at 235-239 West 23rd Street in New York City.
       MPW tl gave the length as 720 feet. ...

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The 28 May 1910 Moving Picture World ran the following review: “A strong melodrama graphically depicting the struggle of a sheriff between favoring a woman whom he loves and whose husband he is hunting as an outlaw, and his sworn duty. Ultimately love triumphs and he permits the murderer to escape. The closing scene, a man's silent despair, is a dramatic bit of acting and is a fitting close to a good picture. This triangle of a hopeless love, stern duty and divine pity is the most trying that can beset any man, and one can sympathize with the unfortunate officer when he succumbs. Some of the scenery is novel, particularly the swamp, which is unfamiliar to Northern eyes."
       The Kalem studio and officers were located in the Eastman Kodak Building at 235-239 West 23rd Street in New York City.
       MPW tl gave the length as 720 feet.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Index
1910
p. x
Moving Picture News
21 May 1910
p. 13tl
Moving Picture World
7 May 1910
p. 747ts
Moving Picture World
14 May 1910
p. 792tl, 800tl
Moving Picture World
28 May 1910
p. 888tr
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
DETAILS
Release Date:
13 May 1910
Production Date:

Physical Properties:
Silent
Black and White
Length(in feet):
910
Length(in reels):
1
Country:
United States
Language:
English
SYNOPSIS

“A story of a man caught in a triangular struggle between hopeless love, divine pity and stern duty. Scene I: John Kincaid, About to Leave Georgia, Is Rejected by His Sweetheart, Bess. Scene II: Ten Years Later. Bess' Husband, Pasquale, Shoots a Man in a Quarrel. Scene III: The Posse Sets Out, Led by John Kincaid, Now Sheriff. Scene IV: In the Swamp. Kincaid Wounded by Pasquale. Scene V: Bess, an Angel of Mercy. Scene VI: Bess Discovers It Is Her Husband the Sheriff Is Hunting. Scene VII: A Mutual Recognition. Bess Plans to Lead the Sheriff Away to Save Her Husband. Scene VIII: The Sheriff Learns the Truth and Sacrifices Duty to Love. Scene IX: A Man's Silent Despair.”—7 May 1910 Moving Picture World ...

More Less

“A story of a man caught in a triangular struggle between hopeless love, divine pity and stern duty. Scene I: John Kincaid, About to Leave Georgia, Is Rejected by His Sweetheart, Bess. Scene II: Ten Years Later. Bess' Husband, Pasquale, Shoots a Man in a Quarrel. Scene III: The Posse Sets Out, Led by John Kincaid, Now Sheriff. Scene IV: In the Swamp. Kincaid Wounded by Pasquale. Scene V: Bess, an Angel of Mercy. Scene VI: Bess Discovers It Is Her Husband the Sheriff Is Hunting. Scene VII: A Mutual Recognition. Bess Plans to Lead the Sheriff Away to Save Her Husband. Scene VIII: The Sheriff Learns the Truth and Sacrifices Duty to Love. Scene IX: A Man's Silent Despair.”—7 May 1910 Moving Picture World

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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KEEP EXPLORING
13 May 1910, Kalem Co.
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.