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HISTORY

The 11 Feb 1929 FD announced that First National Pictures, Inc. had purchased film rights to William Dudley Pelley’s 1925 novel Drag: a Comedy. One month later, the 13 Mar 1929 FD reported that Drag would be the next starring picture for Richard Bethelmess.
       Gene Towne was hired to write comedic dialogue for the film, as reported in the 15 Mar 1929 FD and the 11 May 1929 Motion Picture News.
       The 19 Mar 1929 FD stated that Barthelmess had hand-selected Alice Day to be his co-star. According to a studio production chart in the 27 April 1929 ^^Exhibitors Herald-World, filming began on 20 March 1929, and a 5 April 1929 report noted that principal photography was underway at the First National Studios in Burbank, CA.
       According to the 23 Apr 1929 FD, Richard Barthelmess would travel to New York City upon finishing production. One week later, the 30 Apr 1929 edition noted that Barthelmess had arrived in New York the previous day, indicating the completion of principal photography in late Apr 1929.
       The 28 Apr 1929 FD named Oscar Apfel as a cast member.
       The picture opened at Warners’ Theatre in New York City on 20 Jun 1929, as stated in the 26 Jun 1929 Var review, which listed Edward Schroeder as film editor, and John J. Hughes as the art director.
       Reviews were mixed. Var praised Frank Lloyd’s direction and characterizations, and deemed Drag “human, real, persistently delightful.” Bradley King’s “exceptional” competence with the adaptation was highlighted as “an example of what ...

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The 11 Feb 1929 FD announced that First National Pictures, Inc. had purchased film rights to William Dudley Pelley’s 1925 novel Drag: a Comedy. One month later, the 13 Mar 1929 FD reported that Drag would be the next starring picture for Richard Bethelmess.
       Gene Towne was hired to write comedic dialogue for the film, as reported in the 15 Mar 1929 FD and the 11 May 1929 Motion Picture News.
       The 19 Mar 1929 FD stated that Barthelmess had hand-selected Alice Day to be his co-star. According to a studio production chart in the 27 April 1929 ^^Exhibitors Herald-World, filming began on 20 March 1929, and a 5 April 1929 report noted that principal photography was underway at the First National Studios in Burbank, CA.
       According to the 23 Apr 1929 FD, Richard Barthelmess would travel to New York City upon finishing production. One week later, the 30 Apr 1929 edition noted that Barthelmess had arrived in New York the previous day, indicating the completion of principal photography in late Apr 1929.
       The 28 Apr 1929 FD named Oscar Apfel as a cast member.
       The picture opened at Warners’ Theatre in New York City on 20 Jun 1929, as stated in the 26 Jun 1929 Var review, which listed Edward Schroeder as film editor, and John J. Hughes as the art director.
       Reviews were mixed. Var praised Frank Lloyd’s direction and characterizations, and deemed Drag “human, real, persistently delightful.” Bradley King’s “exceptional” competence with the adaptation was highlighted as “an example of what can be done with dialogue.” The “particularly fine” performances by every actor was also noted. However, the 30 Jun 1929 FD review complained that the dialogue slowed the action. Both Var and FD reviewed the “all-talker” version of Drag. FD indicated that a silent version was also released.
       Frank Lloyd received Academy Award “Best Directing” nominations in 1930 for three of his pictures released in 1929 including Drag, The Divine Lady, and Weary River (see entries). He won the Oscar for The Divine Lady.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald-World
20 Apr 1929
p. 50
Exhibitors Herald-World
27 Apr 1929
p. 45
Film Daily
11 Feb 1929
p. 8
Film Daily
13 Mar 1929
p. 6
Film Daily
15 Mar 1929
p. 9
Film Daily
19 Mar 1929
p. 10
Film Daily
24 Mar 1929
p. 7
Film Daily
5 Apr 1929
p. 4
Film Daily
23 Apr 1929
p. 6
Film Daily
28 Apr 1929
p. 6
Film Daily
30 Apr 1929
p. 2
Film Daily
30 Jun 1929
p. 13
Motion Picture News
11 May 1929
p. 1621
New York Times
21 Jun 1929
p. 17
Variety
26 Jun 1929
p. 22
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
Richard A. Rowland
Pres
WRITERS
PHOTOGRAPHY
Dir of photog
SOURCES
LITERARY
Based on the novel Drag: A Comedy by William Dudley Pelley (Boston, 1925).
LITERARY SOURCE AUTHOR
SONGS
"My Song of the Nile" and "I'm Too Young To Be Careful," words by Al Bryan, music by George W. Meyer.
SONGWRITER/COMPOSER
DETAILS
Release Date:
20 June 1929
Premiere Information:
New York opening at Warners' Theatre: 20 Jun 1929
Production Date:
20 March--late April 1929
Copyright Info
Claimant
Date
Copyright Number
First National Pictures, Inc.
10 August 1929
LP585
Physical Properties:
Sound
Vitaphone
Black and White
Sound, also silent
Also si, 11 Aug 1929; 5,633 ft.
Duration(in mins):
118
Length(in feet):
7,642
Length(in reels):
9
Country:
United States
Language:
English
SYNOPSIS

Young David Carroll takes over the publication of a local Vermont newspaper. Although he is attracted to Dot, "the most sophisticated girl in town," he marries Allie Parker, daughter of the couple who run the boardinghouse where he lives. Inseparable from her parents, Allie remains at home when David goes to New York City to sell a musical he has written. There, Dot, now a successful costume designer, uses her influence to get David's play produced. David and Dot fall in love, but she leaves for Paris when David indicates he will remain true to Allie. He sends for Allie; but when she arrives with her whole family, he decides to follow Dot to ...

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Young David Carroll takes over the publication of a local Vermont newspaper. Although he is attracted to Dot, "the most sophisticated girl in town," he marries Allie Parker, daughter of the couple who run the boardinghouse where he lives. Inseparable from her parents, Allie remains at home when David goes to New York City to sell a musical he has written. There, Dot, now a successful costume designer, uses her influence to get David's play produced. David and Dot fall in love, but she leaves for Paris when David indicates he will remain true to Allie. He sends for Allie; but when she arrives with her whole family, he decides to follow Dot to Paris.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.