The Cow Puncher's Sweetheart (1910)

Western | 9 September 1910

Director:

Sidney Olcott

Production Company:

Kalem Co.
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HISTORY

According to the 10 Sep 1910 Film Index, the title character was "played by Miss Gene Gauntier," who "gives the finest exhibition yet of dare devil horsemanship."
       The 24 Sep 1910 Moving Picture World, using the title The Cowpuncher's Sweetheart, ran the following review:" A Western story, the principal feature of which is some daredevil riding performed by real cowboys and real Indians. A girl is stolen and carried away by the Indians, or an Indian, in this picture. Of course, she is rescued and dire punishment is meted out to the Indians, but all the same the disagreeable feature of carrying away a girl is reproduced in this picture. If such a part of the drama could be suggested rather than depicted, it would be much better. The actual occurrence is very disagreeable and much too suggestive to warrant its continuance. To indicate that the girl has disappeared is usually sufficient. The imagination will supply the necessary details." ...

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According to the 10 Sep 1910 Film Index, the title character was "played by Miss Gene Gauntier," who "gives the finest exhibition yet of dare devil horsemanship."
       The 24 Sep 1910 Moving Picture World, using the title The Cowpuncher's Sweetheart, ran the following review:" A Western story, the principal feature of which is some daredevil riding performed by real cowboys and real Indians. A girl is stolen and carried away by the Indians, or an Indian, in this picture. Of course, she is rescued and dire punishment is meted out to the Indians, but all the same the disagreeable feature of carrying away a girl is reproduced in this picture. If such a part of the drama could be suggested rather than depicted, it would be much better. The actual occurrence is very disagreeable and much too suggestive to warrant its continuance. To indicate that the girl has disappeared is usually sufficient. The imagination will supply the necessary details."

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Index
3 Sep 1910
p. 4
Film Index
10 Sep 1910
p. 17
Moving Picture News
24 Sep 1910
p. 12tr
Moving Picture News
3 Dec 1910
p. 25tl
Moving Picture World
10 Sep 1910
p. 585tl, 588ta, 589ts, 591tn, 594tl
Moving Picture World
24 Sep 1910
p. 688tr
CAST
NAME
CREDITED AS
CREDIT

NAME
CREDITED AS
CREDIT
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
DETAILS
Alternate Title:
The Cowpuncher's Sweetheart
Release Date:
9 September 1910
Production Date:

Physical Properties:
Silent
Black and White
Length(in feet):
972
Length(in reels):
1
Country:
United States
Language:
English
SYNOPSIS

“The cow puncher of the story is a splendid type of the young Western ranchman who has incurred the enmity of a renegade Indian horse thief by running him down and bringing him to justice. The Indian, full of revenge, attempts to strike at the cowboy through his sweetheart, and the girl is captured and taken into the Indian camp. The cow punchers get word of it, however, and there is a horseback chase which will delight all lovers of fine horse flesh. It is useless to say that the cow puncher's sweetheart is saved and that the Indians get their deserved punishment.”—10 Sep 1910 Moving Picture World ...

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“The cow puncher of the story is a splendid type of the young Western ranchman who has incurred the enmity of a renegade Indian horse thief by running him down and bringing him to justice. The Indian, full of revenge, attempts to strike at the cowboy through his sweetheart, and the girl is captured and taken into the Indian camp. The cow punchers get word of it, however, and there is a horseback chase which will delight all lovers of fine horse flesh. It is useless to say that the cow puncher's sweetheart is saved and that the Indians get their deserved punishment.”—10 Sep 1910 Moving Picture World

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.