The Englishman and the Girl (1910)
Comedy | 17 February 1910
The U.S. Library of Congress catalog gives the following description: “All the scenes were photographed indoors. The sets resemble a country store, the living quarters behind the store, and the living room of a relative of the proprietor. The first scene is of a rehearsal of the small town drama group. The rehearsal is interrupted by the delivery of a letter informing the recipient of the imminent arrival of an English relative. The relative arrives, and his stuffiness causes him to be the butt of some pranks. The theater group dons Indian costumes and makes believe they are going to scalp him. He turns the tables on them by pulling out a pistol and chasing them. After a considerable number of pieces of furniture are broken and the shelves and contents of the store are demolished, the picture ends.”
The 5 Mar 1910 Moving Picture World ran the following review: “To have a joke turned on them, and by an Englishman, too, is not the fortune of every company of lively Americans; but here is an instance where it is done. The Biograph players make the picture very real and succeed admirably in carrying out the spirit of the picture. To be set upon by a company of Indians was the fate of this Englishman, an amateur dramatic company supplying the means by which it was accomplished; but it is quite a novel turn in affairs to have the Englishman seize a gun and ax and chase the perpetrators of the joke out of the place and into hiding. It is a neat and attractive bit of humor, satisfactory in every sense, dramatically and pictorially, and received ...
The U.S. Library of Congress catalog gives the following description: “All the scenes were photographed indoors. The sets resemble a country store, the living quarters behind the store, and the living room of a relative of the proprietor. The first scene is of a rehearsal of the small town drama group. The rehearsal is interrupted by the delivery of a letter informing the recipient of the imminent arrival of an English relative. The relative arrives, and his stuffiness causes him to be the butt of some pranks. The theater group dons Indian costumes and makes believe they are going to scalp him. He turns the tables on them by pulling out a pistol and chasing them. After a considerable number of pieces of furniture are broken and the shelves and contents of the store are demolished, the picture ends.”
The 5 Mar 1910 Moving Picture World ran the following review: “To have a joke turned on them, and by an Englishman, too, is not the fortune of every company of lively Americans; but here is an instance where it is done. The Biograph players make the picture very real and succeed admirably in carrying out the spirit of the picture. To be set upon by a company of Indians was the fate of this Englishman, an amateur dramatic company supplying the means by which it was accomplished; but it is quite a novel turn in affairs to have the Englishman seize a gun and ax and chase the perpetrators of the joke out of the place and into hiding. It is a neat and attractive bit of humor, satisfactory in every sense, dramatically and pictorially, and received loud applause.”
Interiors were filmed at the Biograph studio at 11 East 14th Street in New York City.
An advertisement in the 19 Feb 1910 Moving Picture World billed this film as “He Laughs Best Who Laughs Last.”
“’He laughs best who laughs last,’ is the truest maxim ever coined, and Robert Wilberforce, an Englishman, the hero of this Biograph story, enjoys to the extreme the full strength of it. At Cedarville there is an Amateur Dramatic Club, composed of the leading histrionic lights of the town. Like all amateurs they tackle only the heaviest of tragedies and classics, which they performed in their own ‘inimitable’ style. On this occasion they were assembled at the home of Mr. and Mrs. Thayer, rehearsing for an elaborate production of ‘Pocahontas,’ with Dorothy Thayer in the role of the Indian maiden. A letter is received from Cousin Tom introducing Arthur Wilberforce, who has lately arrived from England, and who is imbued with the idea that Indians are to be seen on the streets of the big cities in their primitive state, which he assumes is wild, ferocious and shooting up things. This intelligence Dorothy imparts to the members of the Club, who decide to give him a right royal welcome on his arrival. Arthur soon arrives and Dorothy takes him to the village store, ostensibly to get mail, but really to show him off. He is a peculiar looking genius of cockney type, with a form of a lamp-post, and as graceful as a duck. In fact, he looked like the ‘before’ image of a flesh food advertisement. Over six feet tall, he is forced, when coming to a sitting posture, to make four folds instead of three of an ordinary human being. Well, the young folks anticipate having the time of their life, and making up in the Indian costumes they have hired for the play, they pounce down ...
“’He laughs best who laughs last,’ is the truest maxim ever coined, and Robert Wilberforce, an Englishman, the hero of this Biograph story, enjoys to the extreme the full strength of it. At Cedarville there is an Amateur Dramatic Club, composed of the leading histrionic lights of the town. Like all amateurs they tackle only the heaviest of tragedies and classics, which they performed in their own ‘inimitable’ style. On this occasion they were assembled at the home of Mr. and Mrs. Thayer, rehearsing for an elaborate production of ‘Pocahontas,’ with Dorothy Thayer in the role of the Indian maiden. A letter is received from Cousin Tom introducing Arthur Wilberforce, who has lately arrived from England, and who is imbued with the idea that Indians are to be seen on the streets of the big cities in their primitive state, which he assumes is wild, ferocious and shooting up things. This intelligence Dorothy imparts to the members of the Club, who decide to give him a right royal welcome on his arrival. Arthur soon arrives and Dorothy takes him to the village store, ostensibly to get mail, but really to show him off. He is a peculiar looking genius of cockney type, with a form of a lamp-post, and as graceful as a duck. In fact, he looked like the ‘before’ image of a flesh food advertisement. Over six feet tall, he is forced, when coming to a sitting posture, to make four folds instead of three of an ordinary human being. Well, the young folks anticipate having the time of their life, and making up in the Indian costumes they have hired for the play, they pounce down on him. Taken unawares, they bind his hands and pretend to be about to despatch him, when Dorothy rushes in as the Indian maiden and saves him. Laying aside the weapons, the make-believe braves untie Arthur’s hands. No sooner is he free than he grabs up an ax and gun, and in an instant the tables are turned. Through the house he chases them, upturning everybody and everything in the way. Hotfoot they all rush to the village store to hide behind boxes, barrels and counters. Arthur stalks in, the hero of the day, and after viewing the place, which looks as if a cyclone had struck it, departs with a triumphant air. Having driven the enemy to cover, he struts back to the Thayer domicile, where, in the garb of an Indian maiden, he meets Dorothy, who stands regarding him admiringly, as if to say, ‘Ain't he grand!’ Arthur has by this time discerned the hoax, and fully appreciates the joke, for he has not only had the last and best laugh, but realizes that little Dorothy cares for him as he does for her.”—19 Feb 1910 Moving Picture World
TOP SEARCHES
Mr. Smith Goes to Washington
According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>
It's a Wonderful Life
Philip Van Doren Stern's story, which, according to many contemporary and modern sources, was originally written in Nov 1939, was enclosed by him in his 1943 Christmas cards. Although ... >>
The Grapes of Wrath
According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>