The Fugitive (1910)

Drama | 7 November 1910

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HISTORY

The U.S. Library of Congress catalog gives the following description: “The dramatic conclusion of this Civil War story occurs when the mother of a slain Confederate soldier harbors a hunted Union soldier, and learns that he is the man who killed her son. But the southern mother, thinking of the other mother, sends the Union soldier back, and the picture ends in a happy reunion with his mother and sweetheart.”
       The 19 Nov 1910 Moving Picture World ran the following review: “A psychological picture based upon the strength of mother love. The salient feature is that the mother of a Confederate soldier just killed, hides the slayer of her son, even after she knows the facts, allowing him to escape, for the sake of that other mother in the North. All other scenes are accessory to this. The only dramatic interest is in the mother’s struggle when she is considering whether she shall give up the fugitive or not. Mechanically the film is satisfactory.”
       Interiors were shot at Biograph’s studio at 11 East 14th Street in New York City.
       An advertisement in the 12 Nov 1910 Film Index subtitled the movie: “Showing the Extreme of a Mother’s Tenderness.” ...

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The U.S. Library of Congress catalog gives the following description: “The dramatic conclusion of this Civil War story occurs when the mother of a slain Confederate soldier harbors a hunted Union soldier, and learns that he is the man who killed her son. But the southern mother, thinking of the other mother, sends the Union soldier back, and the picture ends in a happy reunion with his mother and sweetheart.”
       The 19 Nov 1910 Moving Picture World ran the following review: “A psychological picture based upon the strength of mother love. The salient feature is that the mother of a Confederate soldier just killed, hides the slayer of her son, even after she knows the facts, allowing him to escape, for the sake of that other mother in the North. All other scenes are accessory to this. The only dramatic interest is in the mother’s struggle when she is considering whether she shall give up the fugitive or not. Mechanically the film is satisfactory.”
       Interiors were shot at Biograph’s studio at 11 East 14th Street in New York City.
       An advertisement in the 12 Nov 1910 Film Index subtitled the movie: “Showing the Extreme of a Mother’s Tenderness.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
LCMP
p. 22, column 1
LCPP
p. 187
EMP
p. 113
BIOB2
p. 245
BPL
pp. 132-133
The Daily Worker
p. 95
Film Index
12 Nov 1910
p. 22
Moving Picture News
19 Nov 1910
p. 15tr
Moving Picture News
3 Dec 1910
p. 25tl
Moving Picture World
5 Nov 1910
p. 1065ts, 1068tl
Moving Picture World
19 Nov 1910
p. 1178tr
Variety
19 Nov 1910
tr
DETAILS
Release Date:
7 November 1910
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Biograph Co.
14 November 1910
J147671
Physical Properties:
Silent
Black and White
Length(in feet):
996
Country:
United States
SYNOPSIS

“The strength of a mother’s love will never be fully appreciated. What anxiety does she not suffer for her own; what self-sacrifice does she not endure, yet, withal, she is reasonable and considerate to a marvelous extent. The Civil War has just begun and the young men of the Virginia mountains are experiencing that great sting of war, the good-bye to mothers and sweethearts. The scene of our story is Virginia in a locality where the feelings of the people are about evenly divided. John, the Confederate, is taking leave of his mother to join the little regiment of the neighborhood volunteers. Off the band of patriots go to headquarters. Not very far away we see John, the Union soldier, bidding farewell to his mother and sweetheart, on his departure for the front. The two forces happen to be close to each other, and when John, of the Union forces, with comrades goes foraging they are surprised by John, the Confederate, and put to flight. The Union boy becomes separated from his companions and is hotly pursued by the Confederate. Driven to the ‘last ditch,’ the Federal turns and fires at the oncoming Confederate, who drops in his tracks. This enables the Union boy to get away, and rushing up to a farmhouse, which is indeed the home of the Confederate, dashes in and seeks protection of the mother of the boy he has slain. Neither of them, however, realized the enormity of this plea. The mother hides the fugitive behind the fireplace board, and as the soldiers later bring on the body of her dear boy, she realizes what the death of the fugitive would mean to his ...

More Less

“The strength of a mother’s love will never be fully appreciated. What anxiety does she not suffer for her own; what self-sacrifice does she not endure, yet, withal, she is reasonable and considerate to a marvelous extent. The Civil War has just begun and the young men of the Virginia mountains are experiencing that great sting of war, the good-bye to mothers and sweethearts. The scene of our story is Virginia in a locality where the feelings of the people are about evenly divided. John, the Confederate, is taking leave of his mother to join the little regiment of the neighborhood volunteers. Off the band of patriots go to headquarters. Not very far away we see John, the Union soldier, bidding farewell to his mother and sweetheart, on his departure for the front. The two forces happen to be close to each other, and when John, of the Union forces, with comrades goes foraging they are surprised by John, the Confederate, and put to flight. The Union boy becomes separated from his companions and is hotly pursued by the Confederate. Driven to the ‘last ditch,’ the Federal turns and fires at the oncoming Confederate, who drops in his tracks. This enables the Union boy to get away, and rushing up to a farmhouse, which is indeed the home of the Confederate, dashes in and seeks protection of the mother of the boy he has slain. Neither of them, however, realized the enormity of this plea. The mother hides the fugitive behind the fireplace board, and as the soldiers later bring on the body of her dear boy, she realizes what the death of the fugitive would mean to his mother, so she is determined to save him, she, of course, not knowing that he was responsible for the death of her son. Later, however, when she learns the facts and the fugitive’s identity, she is at first inclined to give him up, but when calm reason takes possession of her, her mother instinct predominates and she thinks of another mother awaiting her son’s return, so she enables him to escape by the back way of the house, the Confederate soldiers having departed, they reasoning that the mother would not shield the destroyer of her son’s life if he was anywhere about. After the war, when wounds are healed, two mothers are seen, one welcoming back her hero son as one of victory’s band, while the other decorates with flowers the coat of the gallant boy who fought and died for the lost cause.”—5 Nov 1910 Moving Picture World

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.