The Fugitive (1910)
Drama | 7 November 1910
The U.S. Library of Congress catalog gives the following description: “The dramatic conclusion of this Civil War story occurs when the mother of a slain Confederate soldier harbors a hunted Union soldier, and learns that he is the man who killed her son. But the southern mother, thinking of the other mother, sends the Union soldier back, and the picture ends in a happy reunion with his mother and sweetheart.”
The 19 Nov 1910 Moving Picture World ran the following review: “A psychological picture based upon the strength of mother love. The salient feature is that the mother of a Confederate soldier just killed, hides the slayer of her son, even after she knows the facts, allowing him to escape, for the sake of that other mother in the North. All other scenes are accessory to this. The only dramatic interest is in the mother’s struggle when she is considering whether she shall give up the fugitive or not. Mechanically the film is satisfactory.”
Interiors were shot at Biograph’s studio at 11 East 14th Street in New York City.
An advertisement in the 12 Nov 1910 Film Index subtitled the movie: “Showing the Extreme of a Mother’s Tenderness.” ...
The U.S. Library of Congress catalog gives the following description: “The dramatic conclusion of this Civil War story occurs when the mother of a slain Confederate soldier harbors a hunted Union soldier, and learns that he is the man who killed her son. But the southern mother, thinking of the other mother, sends the Union soldier back, and the picture ends in a happy reunion with his mother and sweetheart.”
The 19 Nov 1910 Moving Picture World ran the following review: “A psychological picture based upon the strength of mother love. The salient feature is that the mother of a Confederate soldier just killed, hides the slayer of her son, even after she knows the facts, allowing him to escape, for the sake of that other mother in the North. All other scenes are accessory to this. The only dramatic interest is in the mother’s struggle when she is considering whether she shall give up the fugitive or not. Mechanically the film is satisfactory.”
Interiors were shot at Biograph’s studio at 11 East 14th Street in New York City.
An advertisement in the 12 Nov 1910 Film Index subtitled the movie: “Showing the Extreme of a Mother’s Tenderness.”
“The strength of a mother’s love will never be fully appreciated. What anxiety does she not suffer for her own; what self-sacrifice does she not endure, yet, withal, she is reasonable and considerate to a marvelous extent. The Civil War has just begun and the young men of the Virginia mountains are experiencing that great sting of war, the good-bye to mothers and sweethearts. The scene of our story is Virginia in a locality where the feelings of the people are about evenly divided. John, the Confederate, is taking leave of his mother to join the little regiment of the neighborhood volunteers. Off the band of patriots go to headquarters. Not very far away we see John, the Union soldier, bidding farewell to his mother and sweetheart, on his departure for the front. The two forces happen to be close to each other, and when John, of the Union forces, with comrades goes foraging they are surprised by John, the Confederate, and put to flight. The Union boy becomes separated from his companions and is hotly pursued by the Confederate. Driven to the ‘last ditch,’ the Federal turns and fires at the oncoming Confederate, who drops in his tracks. This enables the Union boy to get away, and rushing up to a farmhouse, which is indeed the home of the Confederate, dashes in and seeks protection of the mother of the boy he has slain. Neither of them, however, realized the enormity of this plea. The mother hides the fugitive behind the fireplace board, and as the soldiers later bring on the body of her dear boy, she realizes what the death of the fugitive would mean to his ...
“The strength of a mother’s love will never be fully appreciated. What anxiety does she not suffer for her own; what self-sacrifice does she not endure, yet, withal, she is reasonable and considerate to a marvelous extent. The Civil War has just begun and the young men of the Virginia mountains are experiencing that great sting of war, the good-bye to mothers and sweethearts. The scene of our story is Virginia in a locality where the feelings of the people are about evenly divided. John, the Confederate, is taking leave of his mother to join the little regiment of the neighborhood volunteers. Off the band of patriots go to headquarters. Not very far away we see John, the Union soldier, bidding farewell to his mother and sweetheart, on his departure for the front. The two forces happen to be close to each other, and when John, of the Union forces, with comrades goes foraging they are surprised by John, the Confederate, and put to flight. The Union boy becomes separated from his companions and is hotly pursued by the Confederate. Driven to the ‘last ditch,’ the Federal turns and fires at the oncoming Confederate, who drops in his tracks. This enables the Union boy to get away, and rushing up to a farmhouse, which is indeed the home of the Confederate, dashes in and seeks protection of the mother of the boy he has slain. Neither of them, however, realized the enormity of this plea. The mother hides the fugitive behind the fireplace board, and as the soldiers later bring on the body of her dear boy, she realizes what the death of the fugitive would mean to his mother, so she is determined to save him, she, of course, not knowing that he was responsible for the death of her son. Later, however, when she learns the facts and the fugitive’s identity, she is at first inclined to give him up, but when calm reason takes possession of her, her mother instinct predominates and she thinks of another mother awaiting her son’s return, so she enables him to escape by the back way of the house, the Confederate soldiers having departed, they reasoning that the mother would not shield the destroyer of her son’s life if he was anywhere about. After the war, when wounds are healed, two mothers are seen, one welcoming back her hero son as one of victory’s band, while the other decorates with flowers the coat of the gallant boy who fought and died for the lost cause.”—5 Nov 1910 Moving Picture World
TOP SEARCHES
Blue Movie
The 25 Jun 1969 Var review noted that Blue Movie was shot in Sep 1968 in New York City. Along with several other contemporary sources, ... >>
Psycho
Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>
2001: A Space Odyssey
Opening credits precede a title card that reads: "The Dawn of Man."
In an interview in the 16 Jan 1966 NYT, writer-director-producer Stanley Kubrick discussed ... >>
The Best Years of Our Lives
The working titles of the film were Glory for Me and Home Again . In the opening credits, actor Fredric March's name is spelled correctly, but ... >>