The Lad from Old Ireland (1910)

13 mins | Drama | 23 November 1910

Director:

Sidney Olcott

Writer:

Gene Gauntier

Production Designer:

Henry A. Farnham

Production Company:

Kalem Co.
Full page view
HISTORY

According to a pre-release article in the 5 Nov 1910 Film Index, which called the film The Irish Lad's Return, Kalem Co. sent a stock company to Ireland consisting of director-actor Sidney Olcott, assistant director-actress Gene Gauntier, cameraman George Hollister, and several others. They sailed from New York City on the White Star liner Baltic and arrived at Queenstown, Ireland, on 13 Aug 1910. "A number of scenarios had been prepared in advance and no time was lost, except that which was occasioned by adverse weather conditions. Among the points visited in Ireland were Queenstown, Cork, the Lakes of Killarney, and Dublin." After visiting other places in Europe, they returned to America in early October. The 26 Nov 1910 Film Index further elaborated, saying that the New York City exteriors and a few studio interiors had been filmed first, and shipboard scenes were shot aboard the Baltic on the way across the Atlantic Ocean. Olcott arrived in Ireland with letters of introduction from prominent New York Irishmen, and several notable personages in Ireland, including Richard Croker and John Redmond, gave the filming company their blessings and support. An item in the 21 Nov 1910 Film Index noted that the scenes showing the thatched cottages, wheat fields, and the peat bog in The Lad from Old Ireland were filmed "in the vicinity of Cork." A Kalem advertisement in the 19 Nov 1910 Film Index, which identified the leading characters as "Terry" and "Aileen," boasted that the "Irish production was made on both sides of the Atlantic and is the first drama ever made on ...

More Less

According to a pre-release article in the 5 Nov 1910 Film Index, which called the film The Irish Lad's Return, Kalem Co. sent a stock company to Ireland consisting of director-actor Sidney Olcott, assistant director-actress Gene Gauntier, cameraman George Hollister, and several others. They sailed from New York City on the White Star liner Baltic and arrived at Queenstown, Ireland, on 13 Aug 1910. "A number of scenarios had been prepared in advance and no time was lost, except that which was occasioned by adverse weather conditions. Among the points visited in Ireland were Queenstown, Cork, the Lakes of Killarney, and Dublin." After visiting other places in Europe, they returned to America in early October. The 26 Nov 1910 Film Index further elaborated, saying that the New York City exteriors and a few studio interiors had been filmed first, and shipboard scenes were shot aboard the Baltic on the way across the Atlantic Ocean. Olcott arrived in Ireland with letters of introduction from prominent New York Irishmen, and several notable personages in Ireland, including Richard Croker and John Redmond, gave the filming company their blessings and support. An item in the 21 Nov 1910 Film Index noted that the scenes showing the thatched cottages, wheat fields, and the peat bog in The Lad from Old Ireland were filmed "in the vicinity of Cork." A Kalem advertisement in the 19 Nov 1910 Film Index, which identified the leading characters as "Terry" and "Aileen," boasted that the "Irish production was made on both sides of the Atlantic and is the first drama ever made on two continents."
       The 1 Dec 1910 Nickelodeon ran the following review: “Beautiful Irish scenery adds grace and distinction to a drama that is plain and conventional but not without moving qualities. The chief interest of the film lies in the unusual verisimilitude of the actors and scenery. No one needs to be told that these actors are really Irish, that the life depicted is really Irish, and that the scenes are really Ireland—one can see it.” However, a writer in the 10 Dec 1910 Moving Picture World felt that Kalem, having invested a large amount of money in travel, hadn't properly alerted audiences that its film had been shot in Ireland. "There is no advantage in spending 'thousands of dollars' in securing true scenery, even if the people are told of this expenditure, [if] it does not enlighten them as to any details....An intelligent comprehension of the surroundings of this story is one of its chief advantages; the gathering of peat, 'Ireland's coal,' is the first interesting picture as showing one of the most important phases of Irish peasant life, the typical farm, the cabin-house, the rolling land, the peasant women, the village priest, the family life, are all worthy of more distinction than they receive."
       The Lad from Old Ireland was reissued on 1 Aug 1914. The 18 Jul 1914 Moving Picture World declared, "This drama—produced in Ireland—will be remembered by exhibitors who ran it several years ago as one of the strongest single reels Kalem has ever released." A summary of the story in the 1 Aug 1914 Moving Picture World provided much more detail than the original summary in 1910, naming County Cork as the story's locale.
       The Lad from Old Ireland, minus opening credits, is extant and widely available.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Index
5 Nov 1910
p. 9, 11
Film Index
12 Nov 1910
p. 3
Film Index
19 Nov 1910
p. 23
Film Index
26 Nov 1910
p. 14
Moving Picture News
10 Dec 1910
p. 9tr
Moving Picture News
17 Dec 1910
p. 19tl
Moving Picture News
21 Oct 1916
Section 2, pp. 109-110
Moving Picture World
26 Nov 1910
p. 1246ts, 1249tl
Moving Picture World
3 Dec 1910
p. 1296tr, 1343ar
Moving Picture World
17 Dec 1910
p. 1405
Moving Picture World
18 Jul 1914
p. 402
Moving Picture World
1 Aug 1914
p. 732
Nickelodeon
1 Dec 1910
p. 308
Variety
3 Dec 1910
tr
DETAILS
Alternate Title:
The Irish Lad's Return
Release Date:
23 November 1910
Production Date:
ca. Aug 1910
Physical Properties:
Silent
Black and White
Duration(in mins):
13
Length(in feet):
1,009
Length(in reels):
1
Country:
United States
Language:
English
SYNOPSIS

"The story is very simple and direct, merely that of a young Irish lad who leaves the old country to seek his fortune in the new. His little sweetheart he leaves behind in care of her old granny, promising to return to her later on. We are given all the details of the young Irishman's trip abroad, including scenes in mid-ocean in the steerage of the Baltic; his arrival at the Castle Garden, and then some bits of his career in New York, concluding with his successful entrance into politics and his election as a Tammany alderman. Of course, it would not be a real Irish drama if the young hero did not go back to Ireland just in time to save his colleen from eviction, but the realism of the real Irish scenes makes this feature of the story remarkably convincing."—26 Nov 1910 Film Index ...

More Less

"The story is very simple and direct, merely that of a young Irish lad who leaves the old country to seek his fortune in the new. His little sweetheart he leaves behind in care of her old granny, promising to return to her later on. We are given all the details of the young Irishman's trip abroad, including scenes in mid-ocean in the steerage of the Baltic; his arrival at the Castle Garden, and then some bits of his career in New York, concluding with his successful entrance into politics and his election as a Tammany alderman. Of course, it would not be a real Irish drama if the young hero did not go back to Ireland just in time to save his colleen from eviction, but the realism of the real Irish scenes makes this feature of the story remarkably convincing."—26 Nov 1910 Film Index

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Blue Movie

The 25 Jun 1969 Var review noted that Blue Movie was shot in Sep 1968 in New York City. Along with several other contemporary sources, ... >>

All About Eve

The working title of this film was Best Performance. In the onscreen credits, the character of the director is called "Bill Simpson," but he is referred to ... >>

Psycho

Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.