Hats Off (1936)

65-67 or 70 mins | Musical comedy | 29 November 1936

Director:

Boris Petroff

Producer:

Boris Petroff

Cinematographer:

Harry Neumann

Editor:

Thomas Neff

Production Designer:

Danny Hall

Production Company:

Grand National Films, Inc.
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HISTORY

The Three Radio Rogues were Jimmy Hollywood, R. D. Bartell and Henry Taylor. Val and Ernie Stanton were a vaudeville team. MPH credits "75 Grand National gorgeous girls" as appearing in the film. According to DV, the news scenes were filmed at Grand Central Air Terminal in Glendale, CA the weekend of 26 Sep 1936. As reported in DV on 29 Sep 1936, screenwriter Edmund Joseph placed portions of the film in Hempstead because it was his home town. This was Grand National's first musical comedy. Numerous trade articles mention the film's similarities to the recent Texas Centennial celebrated in Dallas/Fort Worth. Two contemporary reviews credit Harold Stern with editing, although Walther Stern is credited as supervising editor on the film. A news item in DV states that a novelty train which appears in musical numbers in the film was used as part of an exploitation stunt that included a "bevy of cuties" accompanying the train in key cities. The train, which consisted of an engine and observation car, reportedly cost $50,000 to build and was purchased by the filmmakers for $10,000. ...

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The Three Radio Rogues were Jimmy Hollywood, R. D. Bartell and Henry Taylor. Val and Ernie Stanton were a vaudeville team. MPH credits "75 Grand National gorgeous girls" as appearing in the film. According to DV, the news scenes were filmed at Grand Central Air Terminal in Glendale, CA the weekend of 26 Sep 1936. As reported in DV on 29 Sep 1936, screenwriter Edmund Joseph placed portions of the film in Hempstead because it was his home town. This was Grand National's first musical comedy. Numerous trade articles mention the film's similarities to the recent Texas Centennial celebrated in Dallas/Fort Worth. Two contemporary reviews credit Harold Stern with editing, although Walther Stern is credited as supervising editor on the film. A news item in DV states that a novelty train which appears in musical numbers in the film was used as part of an exploitation stunt that included a "bevy of cuties" accompanying the train in key cities. The train, which consisted of an engine and observation car, reportedly cost $50,000 to build and was purchased by the filmmakers for $10,000.

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GEOGRAPHIC LOCATIONS
PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
Corporate note credit:
Personal note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
28 Sep 1936
p. 3
Daily Variety
29 Sep 1936
p. 2, 4
Daily Variety
21 Nov 1936
p. 3
The Exhibitor
15 Dec 1936
---
Film Daily
16 Dec 1936
---
Hollywood Reporter
18 Sep 1936
p. 15
Hollywood Reporter
19 Oct 1936
p. 6
Hollywood Reporter
26 Oct 1936
p. 4
Hollywood Reporter
21 Nov 1936
p. 4
Motion Picture Daily
24 Nov 1936
p. 20
Motion Picture Herald
2 Jan 1937
p. 68
Variety
6 Jan 1937
p. 41
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A Boris Petroff Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Boris Petroff
Dir
William Nolte
Asst dir
First asst dir
PRODUCERS
Boris Petroff
Prod
WRITERS
Orig story and scr
Sam Fuller
Orig story and scr
Addl dial
PHOTOGRAPHY
ART DIRECTOR
Danny Hall
Art dir
FILM EDITORS
Film ed
Supv film ed
COSTUMES
Gowns
MUSIC
Mus dir
SOUND
L. J. Meyers
Sd
DANCE
Dance dir
Dance dir
PRODUCTION MISC
Prod mgr
SOURCES
SONGS
"Hats Off," "Where Have You Been All My Life," "Twinkle, Twinkle Little Star," "Little Odd Rhythm," "Let's Have Another" and "Zilch's Hats," music by Ben Oakland, lyrics by Herb Magidson.
SONGWRITER/COMPOSER
DETAILS
Release Date:
29 November 1936
Production Date:
mid Sep--29 Oct 1936 at Talisman Studios
Copyright Info
Claimant
Date
Copyright Number
Grand National Films, Inc.
31 December 1936
LP6834
Physical Properties:
Sound
RCA Victor High Fidelity Sound System
Black and White
Duration(in mins):
65-67 or 70
Length(in reels):
8
Country:
United States
PCA No:
2864
SYNOPSIS

When twin Texas cities Bradfield and Hempstead compete for business by staging simultaneous expositions, Bradfield's event coordinator, Mr. J. D. Murdock, hires Jo Allen as his press agent to outdo Hempstead's Jimmy Maxwell. Posing as a newly-arrived schoolteacher named Judy, Jo befriends Jimmy in order to learn his exposition secrets, while her friend Mr. Churchill poses as "Jo Allen" at her request. When Jo learns that Jimmy is planning a prizefight for the Hempstead opening and expects 100,000 attendants, she contacts Broadway showman Caesar Rosero, an old friend. To meet Rosero's exorbitant costs, however, Bradfield needs the backing of local oilman Tex Connolly, who spurns the exposition as a mere "carnival." Meanwhile, Jo and Jimmy fall silently in love, and Jimmy, discovering Bradfield's plan to get Rosero to sign a contract, arranges an evening with Tex, hoping to get him to back Rosero's troupe for Hempstead. Although Jo wins Tex's backing, she resigns when Jimmy learns her true identity, because she is unwilling to rival the man she loves. Furious at Jo's duplicity, Jimmy further schemes to get Rosero for Hempstead, until Rosero, seeing that Jo is in love, promises to perform for Hempstead's exposition. On the opening night, Rosero gives Jimmy a ticket for a seat next to Jo, and they are ...

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When twin Texas cities Bradfield and Hempstead compete for business by staging simultaneous expositions, Bradfield's event coordinator, Mr. J. D. Murdock, hires Jo Allen as his press agent to outdo Hempstead's Jimmy Maxwell. Posing as a newly-arrived schoolteacher named Judy, Jo befriends Jimmy in order to learn his exposition secrets, while her friend Mr. Churchill poses as "Jo Allen" at her request. When Jo learns that Jimmy is planning a prizefight for the Hempstead opening and expects 100,000 attendants, she contacts Broadway showman Caesar Rosero, an old friend. To meet Rosero's exorbitant costs, however, Bradfield needs the backing of local oilman Tex Connolly, who spurns the exposition as a mere "carnival." Meanwhile, Jo and Jimmy fall silently in love, and Jimmy, discovering Bradfield's plan to get Rosero to sign a contract, arranges an evening with Tex, hoping to get him to back Rosero's troupe for Hempstead. Although Jo wins Tex's backing, she resigns when Jimmy learns her true identity, because she is unwilling to rival the man she loves. Furious at Jo's duplicity, Jimmy further schemes to get Rosero for Hempstead, until Rosero, seeing that Jo is in love, promises to perform for Hempstead's exposition. On the opening night, Rosero gives Jimmy a ticket for a seat next to Jo, and they are reconciled.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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