Another Face (1935)

70 or 72 mins | Comedy-drama | 20 December 1935

Director:

Christy Cabanne

Cinematographer:

Jack MacKenzie

Editor:

George Hively

Production Designer:

Van Nest Polglase

Production Company:

RKO Radio Pictures, Inc.
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HISTORY

The working titles of this film were Two Faces and It Happened in Hollywood. Several trade journals reviewed the film as Two Faces. ...

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The working titles of this film were Two Faces and It Happened in Hollywood. Several trade journals reviewed the film as Two Faces.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
12 Nov 1935
p. 3
Film Daily
18 Nov 1935
p. 6
Hollywood Reporter
30 Sep 1935
p. 7
Hollywood Reporter
14 Oct 1935
p. 6
Hollywood Reporter
12 Nov 1935
p. 4
Motion Picture Daily
13 Nov 1935
p. 11
Motion Picture Herald
2 Nov 1935
p. 66
Motion Picture Herald
23 Nov 1935
p. 72, 74
Variety
1 Jan 1936
p. 58
DETAILS
Alternate Titles:
It Happened in Hollywood
Two Faces
Release Date:
20 December 1935
Production Date:
late Sep--mid Oct 1935
Copyright Info
Claimant
Date
Copyright Number
RKO Radio Pictures, Inc.
20 December 1935
LP6032
Physical Properties:
Sound
RCA Victor System
Black and White
Duration(in mins):
70 or 72
Length(in reels):
7
Country:
United States
PCA No:
1706
SYNOPSIS

To escape arrest, "Broken Nose" Dawson, a New York gangster wanted for murder, hires a plastic surgeon to reshape his face and then flees to Hollywood to start a career as a movie actor. Posing as millionaire playboy Spencer Dutro III, Dawson lands a part as a gangster in a Zenith Studio production, which stars Sheila Barry, the girl friend of Zenith's overzealous publicity director, Joe Haynes. Although Dawson's acting skills are minimal, Joe, who dreams of becoming a producer, decides to shower the "millionaire" with publicity. Soon after meeting with Dawson, however, Joe learns from Mary McCall, the fiancée of Western star Tex Williams and the nurse who aided in Dawson's surgery, the gangster's true identity. Inspired with the ultimate publicity gag, Joe locks Mary in his office closet and convinces Charles L. Keller, Zenith's general manager, to allow him to expose Dawson while he is performing his last scene. After talking Sheila into postponing their wedding in Arizona and working that night on the film, Joe calls Captain Spellman of the Los Angeles police department and prepares to confront Dawson. By this time, however, Mary has been let out of the closet and reunites with Tex, who angrily reports Joe for kidnapping. As the cameras roll on Dawson's big scene with Sheila, Mary loudly indentifies him to the police. Panicked, Dawson takes Sheila at gunpoint and escapes from the set, but is tracked down by Joe, who, after a fierce fight, captures him and rescues a forgiving, grateful ...

More Less

To escape arrest, "Broken Nose" Dawson, a New York gangster wanted for murder, hires a plastic surgeon to reshape his face and then flees to Hollywood to start a career as a movie actor. Posing as millionaire playboy Spencer Dutro III, Dawson lands a part as a gangster in a Zenith Studio production, which stars Sheila Barry, the girl friend of Zenith's overzealous publicity director, Joe Haynes. Although Dawson's acting skills are minimal, Joe, who dreams of becoming a producer, decides to shower the "millionaire" with publicity. Soon after meeting with Dawson, however, Joe learns from Mary McCall, the fiancée of Western star Tex Williams and the nurse who aided in Dawson's surgery, the gangster's true identity. Inspired with the ultimate publicity gag, Joe locks Mary in his office closet and convinces Charles L. Keller, Zenith's general manager, to allow him to expose Dawson while he is performing his last scene. After talking Sheila into postponing their wedding in Arizona and working that night on the film, Joe calls Captain Spellman of the Los Angeles police department and prepares to confront Dawson. By this time, however, Mary has been let out of the closet and reunites with Tex, who angrily reports Joe for kidnapping. As the cameras roll on Dawson's big scene with Sheila, Mary loudly indentifies him to the police. Panicked, Dawson takes Sheila at gunpoint and escapes from the set, but is tracked down by Joe, who, after a fierce fight, captures him and rescues a forgiving, grateful Sheila.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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