The Florentine Dagger (1935)

69-70 mins | Mystery | 30 March 1935

Director:

Robert Florey

Writer:

Tom Reed

Cinematographer:

Arthur L. Todd

Editor:

Thomas Pratt

Production Designers:

Anton Grot, Carl Jules Weyl

Production Company:

Warner Bros. Pictures, Inc.
Full page view
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
20 Dec 1934
p. 3
Film Daily
26 Apr 1935
p. 5
Hollywood Reporter
4 May 1935
p. 4
Motion Picture Daily
8 Mar 1935
p. 12
Motion Picture Herald
26 Jan 1935
p. 54
Motion Picture Herald
4 May 1935
p. 38
New York Times
27 Apr 1935
p. 20
Variety
1 May 1935
p. 17
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A Clue Club Picture
NAME
CREDITED AS
CREDIT
DIRECTORS
Arthur G. Collins
Dial dir
PRODUCERS
Exec prod
Exec prod
WRITERS
Scr
Addl dial
PHOTOGRAPHY
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
COSTUMES
Gowns
SOURCES
LITERARY
Based on the novel The Florentine Dagger by Ben Hecht (New York, 1928).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
30 March 1935
Production Date:
began 20 Dec 1934
Copyright Info
Claimant
Date
Copyright Number
Warner Bros. Pictures, Inc.
1 April 1935
LP5440
Physical Properties:
Sound
Black and White
Duration(in mins):
69-70
Length(in reels):
7
Country:
United States
PCA No:
613
SYNOPSIS

Three strangers, Victor Ballau, a Viennese theatrical producer, Dr. Gerard Lytton, a British doctor lately of Vienna; and Juan Casare, an Italian from Rome, arrive in a city that is overlooked by the castle of the Borgias. As the last of the Borgias, Juan is convinced that his family's bad blood will drive him to murder and tries to kill himself with poison. He is interrupted by Lytton, who reveals that the pharmacist from whom he obtained the poison substituted salt for poison. Lytton begs Juan to return with him to Vienna to write a play about the Borgias as a cure for his obsession. Juan does write the play, and Ballau agrees to produce it, but they cannot find an actress to play Lucretia, until Ballau's daughter Florence returns home. The play is a success and Juan falls in love with Florence. When he asks for her hand, however, Victor refuses his permission, reminding Juan of what happened in Italy. Depressed, Juan spends the evening drinking. He returns to the theater only to find that Florence has been called home in the middle of the play. Juan hurries to Ballau's house and finds him dead, stabbed with one of three Florentine daggers once owned by the Borgias. At first Juan thinks that he killed Ballau in a drunken moment. Then suspicion falls on Florence, although she appears to have no motive. Juan begs the doctor to help prove her innocence. They trace Florence to a mask shop. There, they find out that she was not Ballau's daughter, but his stepdaughter and that her mother, an actress who supposedly burned to ...

More Less

Three strangers, Victor Ballau, a Viennese theatrical producer, Dr. Gerard Lytton, a British doctor lately of Vienna; and Juan Casare, an Italian from Rome, arrive in a city that is overlooked by the castle of the Borgias. As the last of the Borgias, Juan is convinced that his family's bad blood will drive him to murder and tries to kill himself with poison. He is interrupted by Lytton, who reveals that the pharmacist from whom he obtained the poison substituted salt for poison. Lytton begs Juan to return with him to Vienna to write a play about the Borgias as a cure for his obsession. Juan does write the play, and Ballau agrees to produce it, but they cannot find an actress to play Lucretia, until Ballau's daughter Florence returns home. The play is a success and Juan falls in love with Florence. When he asks for her hand, however, Victor refuses his permission, reminding Juan of what happened in Italy. Depressed, Juan spends the evening drinking. He returns to the theater only to find that Florence has been called home in the middle of the play. Juan hurries to Ballau's house and finds him dead, stabbed with one of three Florentine daggers once owned by the Borgias. At first Juan thinks that he killed Ballau in a drunken moment. Then suspicion falls on Florence, although she appears to have no motive. Juan begs the doctor to help prove her innocence. They trace Florence to a mask shop. There, they find out that she was not Ballau's daughter, but his stepdaughter and that her mother, an actress who supposedly burned to death in a fire, is actually alive. Her badly scarred face covered by a lifelike mask, she worked as Ballau's housekeeper, Teresa, and killed him to save her daughter from his advances. Believing that she has suffered enough, Juan and Florence escape with her to Italy.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Loophole

This film's working title was Off the Record . A HR production chart adds Don Harvey to the cast but his appearance in the released film ... >>

That Forsyte Woman

The working title for this film was The Forsyte Saga . According to a pre-release news item in Time magazine, M-G-M decided to change the title ... >>

East of Eden

An overture precedes the film. The opening title card reads: “John Steinbeck’s East of Eden .” The following written prologue appears after the opening credits: ... >>

Pretty Baby

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Jeremy Carr, Visiting Research Fellow ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.