Hell in the Heavens (1934)

79-80 mins | Drama | 9 November 1934

Director:

John Blystone

Producer:

Al Rockett

Cinematographer:

Bert Glennon

Production Designers:

Jack Otterson, Hans Peters

Production Company:

Fox Film Corp.
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HISTORY

According to information in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox agreed in writing when they purchased the rights to the play not to make any changes "which shall in tone or form discredit the honour of Germany." In a statement in the legal records concerning a plagiarism suit, screenwriter Byron Morgan stated that the play was based on the experiences of officers and men in a German Flying Squadron and that his co-writer, Ted Parsons, who had been a member of the Lafayette Escadrille, suggested they transpose the story to take place within a French unit that included American volunteers. Morgan also stated that the character played by Andy Devine, which was created for comic relief, was the only one not in the original play and that with the exclusion of the ending and the preliminary buildup, the play was adhered to in the film version. In the play, the two leading characters are killed at the end. A letter in the legal records by producer Al Rockett states that to offset the serious nature of the story, he was "loading it with as much comedy as possible and [Herbert] Mundin, to me, is as important as [Warner] Baxter in the picture."
       Information in the legal records indicates that Rockett attempted to obtain footage from the 1929 Paramount Famous Lasky production Wings to use as stock shots, but ended up purchasing "cut-outs" from the 1930 Caddo Co. production Hell's Angels (see AFI Catalog of Feature Films, 1921-30; F2.2411). According to DV, location work was done at Baker's Ranch ...

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According to information in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox agreed in writing when they purchased the rights to the play not to make any changes "which shall in tone or form discredit the honour of Germany." In a statement in the legal records concerning a plagiarism suit, screenwriter Byron Morgan stated that the play was based on the experiences of officers and men in a German Flying Squadron and that his co-writer, Ted Parsons, who had been a member of the Lafayette Escadrille, suggested they transpose the story to take place within a French unit that included American volunteers. Morgan also stated that the character played by Andy Devine, which was created for comic relief, was the only one not in the original play and that with the exclusion of the ending and the preliminary buildup, the play was adhered to in the film version. In the play, the two leading characters are killed at the end. A letter in the legal records by producer Al Rockett states that to offset the serious nature of the story, he was "loading it with as much comedy as possible and [Herbert] Mundin, to me, is as important as [Warner] Baxter in the picture."
       Information in the legal records indicates that Rockett attempted to obtain footage from the 1929 Paramount Famous Lasky production Wings to use as stock shots, but ended up purchasing "cut-outs" from the 1930 Caddo Co. production Hell's Angels (see AFI Catalog of Feature Films, 1921-30; F2.2411). According to DV, location work was done at Baker's Ranch in Saugus, CA. The legal records state that the castle set was shot at Fussell Bros. Ranch in Triunfo, CA. According to a news item and information in the Twentieth Century-Fox Produced Scripts Collection, also at UCLA, Ketti Gallian was originally scheduled to play the female lead, and Stuart Erwin was to be in the film. The legal records state that Ferdinand Schumann-Heink was originally cast as "Baron Kurt von Hagen" and that Frank Sully worked as a writer, but it is not known if any of Sully's material was used in the final film.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
21 Aug 1934
p. 6
Daily Variety
26 Oct 1934
p. 3
Film Daily
12 Dec 1934
p. 4
Harrison's Reports
1 Dec 1934
p. 190
HF
25 Aug 1934
p. 8
HF
22 Sep 1934
p. 8
Hollywood Reporter
10 Sep 1934
---
Motion Picture Daily
27 Oct 1934
p. 3
Motion Picture Herald
3 Nov 1934
p. 34
New York Times
12 Dec 1934
p. 28
Variety
18 Dec 1934
p. 13
CAST
NAME
CREDITED AS
CREDIT
Jacques Venaire
John M. Bleifer
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
Prod
WRITERS
Lt. Comdr. Frank Wead
Contr to scr const
Contr to scr const
Addl French dial
Joseph Cunningham
Contr on special seqs (prologue and epilogue)
Addl dial
Contr to trmt
PHOTOGRAPHY
Photog
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
COSTUMES
MUSIC
SOUND
PRODUCTION MISC
Pilot
Pilot
Pilot
Pilot
French language coach
Loc mgr
STAND INS
Stunt flyer and tech
SOURCES
LITERARY
Based on the play Flieger by Hermann Rossman (copyrighted 1931) and the English-language adaptation, The Ace , by Miles Malleson (London, Aug 1933).
LITERARY SOURCE AUTHORS
DETAILS
Release Date:
9 November 1934
Production Date:
21 Aug--late Sep 1934
Copyright Info
Claimant
Date
Copyright Number
Fox Film Corp.
9 November 1934
LP5093
Physical Properties:
Sound
Western Electric Noiseless Recording
Black and White
Duration(in mins):
79-80
Length(in feet):
7,249
Length(in reels):
8
Country:
United States
PCA No:
335
SYNOPSIS

During World War I, American ace pilot Lieutenant Steve Warner leads a group of replacements for the French Escadrille squadron headed by Captain Andre DeLaage, whose ranks of the best flyers have been drastically reduced by the German ace known only as "The Baron." When German planes strafe the base, Steve carries Aimee, a French girl who refused to leave after her father was killed at Verdun, into a trench for protection despite her spirited objections. The flyers keep the only bottle of bourbon left after the raid as the "bottle of death" to be used only to toast the downing of German flyers. During a morning patrol, Andre is shot down by The Baron, who returns his helmet by parachute. Steve, now first in command, vows to bring The Baron down. He shoots down Schroeder, a German officer who tells him that The Baron, an avid hunter of wild animals, has already shot down thirty-two pilots. When a new man, Corporal Teddy May, repeatedly turns back after going on a number of missions because of disturbing dreams he has had of falling in flames, Steve talks with him. Steve then himself has dreams of being shot down by The Baron. Steve is comforted by Aimee, who now loves him despite the fact that they can barely understand each other. When Steve's second-in-command is forced down and reports The Baron's whereabouts, Steve shoots The Baron's plane down, but during his celebration, Schroeder reports that the burned pilot was actually The Baron's younger brother. After Steve proposes to Aimee and makes plans to go with her on an eight-day leave to Paris, May's ...

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During World War I, American ace pilot Lieutenant Steve Warner leads a group of replacements for the French Escadrille squadron headed by Captain Andre DeLaage, whose ranks of the best flyers have been drastically reduced by the German ace known only as "The Baron." When German planes strafe the base, Steve carries Aimee, a French girl who refused to leave after her father was killed at Verdun, into a trench for protection despite her spirited objections. The flyers keep the only bottle of bourbon left after the raid as the "bottle of death" to be used only to toast the downing of German flyers. During a morning patrol, Andre is shot down by The Baron, who returns his helmet by parachute. Steve, now first in command, vows to bring The Baron down. He shoots down Schroeder, a German officer who tells him that The Baron, an avid hunter of wild animals, has already shot down thirty-two pilots. When a new man, Corporal Teddy May, repeatedly turns back after going on a number of missions because of disturbing dreams he has had of falling in flames, Steve talks with him. Steve then himself has dreams of being shot down by The Baron. Steve is comforted by Aimee, who now loves him despite the fact that they can barely understand each other. When Steve's second-in-command is forced down and reports The Baron's whereabouts, Steve shoots The Baron's plane down, but during his celebration, Schroeder reports that the burned pilot was actually The Baron's younger brother. After Steve proposes to Aimee and makes plans to go with her on an eight-day leave to Paris, May's plane is shot down in flames by The Baron, who sends a message of challenge to Steve. Despite Aimee's pleas, Steve flies up alone. During their dogfight, Steve's gun jams, so he crash dives into The Baron's plane. On the ground, Steve pulls The Baron out of his plane before it explodes. When they drink a toast from the "bottle of death," Stephen is surprised to hear The Baron confess relief that he can now sleep without dreams of dying.

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GENRE
Genre:
Sub-genre:
Aviation, World War I


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.