Behind Office Doors (1931)

82 mins | Drama | 15 March 1931

Full page view
HISTORY

The working title of this film was Private Secretary. It was reviewed under that title by MPH in Jan 1931. In that early review, R. E. Loewinger, not Archie F. Marshek, is listed as the film's editor, and J. Walter Ruben is credited with both the adaptation and the dialogue. According to production news items, Roberta Gale, George Irving and Katya Sorina were signed to play roles, but their participation in the final film has not been confirmed. ...

More Less

The working title of this film was Private Secretary. It was reviewed under that title by MPH in Jan 1931. In that early review, R. E. Loewinger, not Archie F. Marshek, is listed as the film's editor, and J. Walter Ruben is credited with both the adaptation and the dialogue. According to production news items, Roberta Gale, George Irving and Katya Sorina were signed to play roles, but their participation in the final film has not been confirmed.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
16 Jan 1931
p. 6
Film Daily
22 Mar 1931
p. 10
Motion Picture Herald
3 Jan 1931
p. 95
Motion Picture Herald
31 Jan 1931
pp. 54-55
New York Times
21 Mar 1931
p. 15
Variety
25 Mar 1931
p. 24
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCERS
Assoc prod
WRITERS
Adpt and dial
PHOTOGRAPHY
Photog
FILM EDITORS
Archie F. Marshek
Film ed
R. E. Loewinger
Film ed
SET DECORATOR
Scenery
COSTUMES
Cost
SOUND
SOURCES
LITERARY
Based on the novel Private Secretary by Alan Brener Schultz (New York, 1929).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
Private Secretary
Release Date:
15 March 1931
Production Date:
completed mid-Jan 1931
Copyright Info
Claimant
Date
Copyright Number
RKO Radio Pictures, Inc.
15 March 1931
LP2095
Physical Properties:
Sound
RCA Photophone System
Black and White
Duration(in mins):
82
Length(in feet):
7,413
Length(in reels):
9
Country:
United States
SYNOPSIS

Efficient, hardworking secretary Mary Linden all but runs Ritter & Company, a paper wholesaling business whose aging president is on the verge of retirement. Eager to help young salesman Jim Duneen, who had given her encouragement when she first struggled with her own job, Mary gives him confidential selling tips and recommends him to Ritter as the best candidate for the company's presidency. Although Jim takes advantage of Mary's unselfish aid, he fails to notice that she loves him deeply and calls her "girlie" in the office. Even after he is named president of the company, he sees Mary only as his personal secretary and casually hires his current "easy" girl friend, the slow-witted Daisy Presby, to work under her. In spite of these snubs, Mary remains faithful to Jim, rejecting the overtures of millionaire Ronnie Wales, a sweet but married man who adores her but refuses to divorce his estranged rich wife. When Mary learns of Jim's engagement to Ellen Robinson, a banker's daughter, however, her resolve crumbles. Ellen, aware of Mary's feelings for Jim, then forces Mary to quit the company, and a heartbroken Mary finally agrees to accompany Ronnie on a weekend trip to Atlantic City. On her way to Ronnie's hotel room, however, she realizes that if she gives in to Ronnie, she will be no better than the "cheap" women who hounded Jim. In the meantime, Jim realizes that he is unable to run the company without Mary and asks Dolores Kogan, her friend, the company switchboard operator, to find her. After Dolores "overhears" Jim and Ellen arguing bitterly over Daisy, she tells Mary that the engagement ...

More Less

Efficient, hardworking secretary Mary Linden all but runs Ritter & Company, a paper wholesaling business whose aging president is on the verge of retirement. Eager to help young salesman Jim Duneen, who had given her encouragement when she first struggled with her own job, Mary gives him confidential selling tips and recommends him to Ritter as the best candidate for the company's presidency. Although Jim takes advantage of Mary's unselfish aid, he fails to notice that she loves him deeply and calls her "girlie" in the office. Even after he is named president of the company, he sees Mary only as his personal secretary and casually hires his current "easy" girl friend, the slow-witted Daisy Presby, to work under her. In spite of these snubs, Mary remains faithful to Jim, rejecting the overtures of millionaire Ronnie Wales, a sweet but married man who adores her but refuses to divorce his estranged rich wife. When Mary learns of Jim's engagement to Ellen Robinson, a banker's daughter, however, her resolve crumbles. Ellen, aware of Mary's feelings for Jim, then forces Mary to quit the company, and a heartbroken Mary finally agrees to accompany Ronnie on a weekend trip to Atlantic City. On her way to Ronnie's hotel room, however, she realizes that if she gives in to Ronnie, she will be no better than the "cheap" women who hounded Jim. In the meantime, Jim realizes that he is unable to run the company without Mary and asks Dolores Kogan, her friend, the company switchboard operator, to find her. After Dolores "overhears" Jim and Ellen arguing bitterly over Daisy, she tells Mary that the engagement is off. Mary, posing as a secretary under an assumed name, rushes to see Jim, who gratefully rehires her and then proposes.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

The Long Haul

Onscreen credits contain the following written acknowlegment: "The producer gratefully acknowleges the assistance and facilities made availabe to the producer by Leyland Motors Limited." Tom Morahan's onscreen credit reads ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.