Branded Men (1931)

60,63 or 66 mins | Western | 1 October 1931

Full page view
SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
13 Dec 1931
p. 11
Motion Picture Herald
19 Dec 1931
p. 49
New York Times
12 Dec 1931
p. 23
Variety
15 Dec 1931
p. 21
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITER
Cont and dial
PHOTOGRAPHY
Photog
ART DIRECTOR
Settings
FILM EDITOR
SOUND
Carson Jowett
Sd
DETAILS
Release Date:
1 October 1931
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Tiffany Productions of California, Inc.
8 November 1931
LP3121
Physical Properties:
Sound
RCA Photophone Recording
Black and White
Duration(in mins):
60,63 or 66
Length(in feet):
5,978
Length(in reels):
7
Country:
United States
SYNOPSIS

After Rod Whitaker and his friends, Ramrod and Half-a-Rod, are tricked by outlaws who steal their horses, they walk into the nearest town, where Rod applies for the sheriff's job. Rod falls in love with Dale Winters and, out of love for her, promises to protect her weak-willed younger brother Bud. Saloon keeper Ramsey is corrupting Bud because Bud's father, Judge Winters, sentenced his brother to jail, where he later died. Ramsey forces Bud to pay off his gambling debt by committing a robbery. Learning of Ramsey's plans, Rod and Ramrod watch the bank where the robbery is to take place. Ramrod is killed in the shootout that follows. Troubled by the death, Bud wants to confess, but Ramsey will not let him. Bud decides to defy him, but while waiting to speak with the sheriff, he sees a note he knows has been sent to lure Rod and Dale into an ambush. Bud rides Rod's horse into the ambush and is shot in Rod's place. Bud survives the attack and is able to name Ramsey as the man responsible for the ambush. Rod tells Bud that his self-sacrificing actions will lighten his punishment for participating in the robbery, and Rod and Dale kiss to seal the happy ...

More Less

After Rod Whitaker and his friends, Ramrod and Half-a-Rod, are tricked by outlaws who steal their horses, they walk into the nearest town, where Rod applies for the sheriff's job. Rod falls in love with Dale Winters and, out of love for her, promises to protect her weak-willed younger brother Bud. Saloon keeper Ramsey is corrupting Bud because Bud's father, Judge Winters, sentenced his brother to jail, where he later died. Ramsey forces Bud to pay off his gambling debt by committing a robbery. Learning of Ramsey's plans, Rod and Ramrod watch the bank where the robbery is to take place. Ramrod is killed in the shootout that follows. Troubled by the death, Bud wants to confess, but Ramsey will not let him. Bud decides to defy him, but while waiting to speak with the sheriff, he sees a note he knows has been sent to lure Rod and Dale into an ambush. Bud rides Rod's horse into the ambush and is shot in Rod's place. Bud survives the attack and is able to name Ramsey as the man responsible for the ambush. Rod tells Bud that his self-sacrificing actions will lighten his punishment for participating in the robbery, and Rod and Dale kiss to seal the happy occasion.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Blue Movie

The 25 Jun 1969 Var review noted that Blue Movie was shot in Sep 1968 in New York City. Along with several other contemporary sources, ... >>

All About Eve

The working title of this film was Best Performance. In the onscreen credits, the character of the director is called "Bill Simpson," but he is referred to ... >>

Psycho

Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.