The Witness Chair (1936)

64 or 66 mins | Drama | 24 April 1936

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HISTORY

A NYT article about this film states: "After starting The Witness Chair, Miss Harding declared she was not satisfied with the script and would not continue. Briskin reminded her that the story had been purchased at her request and that she had approved the shooting script." The article also noted that in order to force Harding to finish the film, RKO threatened to sue her for the money already spent on the production, a total of $80,000. The Witness Chair was the last film of Harding's RKO contract. She did not make another film at the studio for many years. HR production charts add Louise Latimer, George Offerman, Jr., Harry Bowen, Alan Curtis and Tony Martin to the cast, but their participation in the final film has not been confirmed. ...

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A NYT article about this film states: "After starting The Witness Chair, Miss Harding declared she was not satisfied with the script and would not continue. Briskin reminded her that the story had been purchased at her request and that she had approved the shooting script." The article also noted that in order to force Harding to finish the film, RKO threatened to sue her for the money already spent on the production, a total of $80,000. The Witness Chair was the last film of Harding's RKO contract. She did not make another film at the studio for many years. HR production charts add Louise Latimer, George Offerman, Jr., Harry Bowen, Alan Curtis and Tony Martin to the cast, but their participation in the final film has not been confirmed.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
1 Apr 1936
p. 3
Film Daily
17 Apr 1936
pp. 7-8
Hollywood Reporter
5 Feb 1936
p. 2
Hollywood Reporter
10 Feb 1936
p. 15
Hollywood Reporter
9 Mar 1936
p. 31
Hollywood Reporter
1 Apr 1936
p. 2
Motion Picture Daily
2 Apr 1936
p. 12, 14
Motion Picture Herald
14 Mar 1936
p. 37
Motion Picture Herald
11 Apr 1936
p. 54, 56
New York Times
23 Feb 1936
---
New York Times
18 Apr 1936
p. 19
Variety
22 Apr 1936
p. 14
DETAILS
Release Date:
24 April 1936
Premiere Information:
New York opening: 17 Apr 1936
Production Date:
6 Feb--mid Mar 1936
Copyright Info
Claimant
Date
Copyright Number
RKO Radio Pictures, Inc.
17 April 1936
LP6302
Physical Properties:
Sound
RCA Victor System
Black and White
Duration(in mins):
64 or 66
Country:
United States
PCA No:
2049
SYNOPSIS

When Lieutenant Poole and his assistant Costigan find the body of Stanley Whittaker holding a gun and a typewritten confession of guilt in a $75,000 embezzlement scheme, their first assumption is suicide. After examining the evidence more closely, however, they conclude that Whittaker was murdered and arrest their prime suspect, James Trent, the vice-president of the Whittaker Textile Corporation, whose gun delivered the fatal shot. In court, several witnesses, including Paula Young, Whittaker's secretary, who is in love with James, give testimony concerning James's activities on the day of the murder. Although Paula admits that she knew that Whittaker had bribed the company accountant, Henshaw, to redo the books so that the embezzled funds would show up in James's department, she fails to mention that she was in the office on the night of the murder. She also neglects to say that Connie Trent, James's daughter, had come to her apartment that same night, after nearly running off to Europe with Whittaker. On the stand, James admits that he had found out about Whittaker's frame-up on the day of the murder, but denies that he committed the crime. After testimony from James's secretary and an elevator operator, Connie is called to the witness chair, where she is forced to confess her secret romance with Whittaker. Fuelled with this new evidence, the prosecution then proposes that James had murdered Whittaker because of Connie. James's case appears hopeless until Paula stands up in court and announces that she killed Whittaker. Recounting the night of the murder, Paula states that when she found out about Whittaker's plans to abscond with Connie and the $75,000, she typed ...

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When Lieutenant Poole and his assistant Costigan find the body of Stanley Whittaker holding a gun and a typewritten confession of guilt in a $75,000 embezzlement scheme, their first assumption is suicide. After examining the evidence more closely, however, they conclude that Whittaker was murdered and arrest their prime suspect, James Trent, the vice-president of the Whittaker Textile Corporation, whose gun delivered the fatal shot. In court, several witnesses, including Paula Young, Whittaker's secretary, who is in love with James, give testimony concerning James's activities on the day of the murder. Although Paula admits that she knew that Whittaker had bribed the company accountant, Henshaw, to redo the books so that the embezzled funds would show up in James's department, she fails to mention that she was in the office on the night of the murder. She also neglects to say that Connie Trent, James's daughter, had come to her apartment that same night, after nearly running off to Europe with Whittaker. On the stand, James admits that he had found out about Whittaker's frame-up on the day of the murder, but denies that he committed the crime. After testimony from James's secretary and an elevator operator, Connie is called to the witness chair, where she is forced to confess her secret romance with Whittaker. Fuelled with this new evidence, the prosecution then proposes that James had murdered Whittaker because of Connie. James's case appears hopeless until Paula stands up in court and announces that she killed Whittaker. Recounting the night of the murder, Paula states that when she found out about Whittaker's plans to abscond with Connie and the $75,000, she typed Whittaker's confession, which she hoped would exonerate James, and then forced him at gunpoint to sign it. During a subsequent struggle for the gun, Whittaker was shot, and Paula, fearful that Connie's affair would become public, remained silent about her involvement. After discussing her legal situation with the sympathetic judge, James takes Paula in his arms and proposes.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.