A Dog of Flanders (1935)

72 mins | Drama | 22 March 1935

Director:

Edward Sloman

Cinematographer:

J. Roy Hunt

Editor:

George Crone

Production Designer:

Van Nest Polglase

Production Company:

RKO Radio Pictures, Inc.
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HISTORY

The working title of this film was A Boy of Flanders. According to a HR news item, Hermes Pan directed the dance sequences in the film. MPH's "The Cutting Room" includes Henry Kolker in the cast, but his participation in the final film has not been confirmed. Ouida's story was first filmed in 1914 by Thanhouser as a two-reeler starring Marguerite Snow, Mr. Fischer, and Mignon Anderson. In 1924, Victor Schertzinger directed Jackie Coogan in an M-G-M version of Ouida's story called A Boy of Flanders (see AFI Catalog of Feature Films, 1921-30; F2.0556). James B. Clark directed a 1959 version of Ouida's story for Twentieth Century-Fox, which starred David Ladd and Donald Crisp. Ouida's work also served as the basis for an animated television series broadcast in Japan in 1975, and the 1999 Woodbridge Films production A Dog of Flanders, directed by Kevin Brodie and starring Jeremy James Kissner and Jack Warden. ...

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The working title of this film was A Boy of Flanders. According to a HR news item, Hermes Pan directed the dance sequences in the film. MPH's "The Cutting Room" includes Henry Kolker in the cast, but his participation in the final film has not been confirmed. Ouida's story was first filmed in 1914 by Thanhouser as a two-reeler starring Marguerite Snow, Mr. Fischer, and Mignon Anderson. In 1924, Victor Schertzinger directed Jackie Coogan in an M-G-M version of Ouida's story called A Boy of Flanders (see AFI Catalog of Feature Films, 1921-30; F2.0556). James B. Clark directed a 1959 version of Ouida's story for Twentieth Century-Fox, which starred David Ladd and Donald Crisp. Ouida's work also served as the basis for an animated television series broadcast in Japan in 1975, and the 1999 Woodbridge Films production A Dog of Flanders, directed by Kevin Brodie and starring Jeremy James Kissner and Jack Warden.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
22 Dec 1934
p. 3
Film Daily
13 Jul 1935
p. 4
HF
29 Dec 1934
p. 16
Hollywood Reporter
21 Dec 1934
p. 2
Hollywood Reporter
10 Jan 1935
p. 4
Hollywood Reporter
21 Jan 1935
p. 7
Hollywood Reporter
18 Feb 1935
p. 3
Motion Picture Daily
19 Feb 1935
p. 4
Motion Picture Herald
2 Feb 1935
p. 49
Motion Picture Herald
2 Mar 1935
p. 54
Variety
25 Sep 1935
p. 42
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Jimmy Anderson
Asst dir
PRODUCER
Assoc prod
WRITERS
Contr to scr const
PHOTOGRAPHY
Photog
ART DIRECTORS
Art dir assoc
FILM EDITOR
MUSIC
Mus dir
SOUND
DANCE
Dance dir
PRODUCTION MISC
SOURCES
LITERARY
Based on the novel A Dog of Flanders by Ouida (New York, 1872).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
A Boy of Flanders
Release Date:
22 March 1935
Production Date:
26 Dec 1934--late Jan 1935
Copyright Info
Claimant
Date
Copyright Number
RKO Radio Pictures, Inc.
21 March 1935
LP5427
Physical Properties:
Sound
RCA Victor System
Black and White
Duration(in mins):
72
Length(in reels):
8
Country:
United States
PCA No:
621
SYNOPSIS

In a small rural town in nineteenth century Belgium, young and poor Nello Daas, a self-taught artist, dreams of becoming a painter as great as his countryman, Peter Paul Rubens. Orphaned, Nello lives with his grandfather, Jehen Daas, and helps him with his meager milk delivery business. One day, while returning from town, Nello and Jehen witness a drunken hardware peddler brutally beating his dog. After the peddler leaves the dog to die, Nello and Jehen adopt him and nurse him back to health. The now strong dog, christened Leo by Maria Cogez, the young daughter of rich businessman Carl Cogez, steps in to pull Jehen's milk cart and relieves the sickly old man of his labor. Because of Leo, Nello finds more time to practice his craft and draw his favorite subject, Maria, who encourages him to enter a Rubens scholarship contest. Carl Cogez, however, disapproves of Maria's interest in the "ragamuffin" and, catching them together one afternoon, forbids her to see him. Despondent, Nello returns home only to discover that the hardware peddler has returned and reclaimed Leo in his absence. Before long, however, Leo fights to free himself and finds his way back to Nello. That night, Maria's parents host a lavish party to impress Pieter Vanderkloot, the snobbish son of a well-to-do family, and turn Nello away at the door. Maria, sneaking away from the party, apologizes to Nello and comforts his bruised ego. Satisfied that Maria still likes him, Nello returns happily to Jehen, but finds his grandfather dying in his bed. Jehen dies and Nello, now penniless, accepts Pieter's offer to buy one his ...

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In a small rural town in nineteenth century Belgium, young and poor Nello Daas, a self-taught artist, dreams of becoming a painter as great as his countryman, Peter Paul Rubens. Orphaned, Nello lives with his grandfather, Jehen Daas, and helps him with his meager milk delivery business. One day, while returning from town, Nello and Jehen witness a drunken hardware peddler brutally beating his dog. After the peddler leaves the dog to die, Nello and Jehen adopt him and nurse him back to health. The now strong dog, christened Leo by Maria Cogez, the young daughter of rich businessman Carl Cogez, steps in to pull Jehen's milk cart and relieves the sickly old man of his labor. Because of Leo, Nello finds more time to practice his craft and draw his favorite subject, Maria, who encourages him to enter a Rubens scholarship contest. Carl Cogez, however, disapproves of Maria's interest in the "ragamuffin" and, catching them together one afternoon, forbids her to see him. Despondent, Nello returns home only to discover that the hardware peddler has returned and reclaimed Leo in his absence. Before long, however, Leo fights to free himself and finds his way back to Nello. That night, Maria's parents host a lavish party to impress Pieter Vanderkloot, the snobbish son of a well-to-do family, and turn Nello away at the door. Maria, sneaking away from the party, apologizes to Nello and comforts his bruised ego. Satisfied that Maria still likes him, Nello returns happily to Jehen, but finds his grandfather dying in his bed. Jehen dies and Nello, now penniless, accepts Pieter's offer to buy one his drawings, unaware that Pieter wants to enter it under his own name in the scholarship contest. After welfare agents threaten to commit him to an orphanage, Nello runs away with Leo and hides out in the Cogez' hayloft. Sure that he will win the art contest, Nello is crushed when Maria tells him that the detested Pieter has won instead. Eventually, however, Maria uncovers Pieter's fraud and reveals Nello as the true artist. Convinced at last of Nello's worth, Carl chases after the fleeing Nello and brings him back to his daughter's side.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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